Rogue’s eyes flicker like she’s got a storm trapped behind them - no pun on Ororo intended, though she does make a cameo that feels like it came straight out of an adult fever dream. The game throws you in as this anomaly mutant who can brush against anyone without going poof, and suddenly what used to be dangerous turns into something primal, desperate, almost poetic if poetry was sticky and breathless. Rogue tests you early, there’s this scene - locker room, dripping tiles, wet echo - and she doesn’t know if she wants to kiss you or crush you. The writing snaps between tender and filthy so fast it makes your brain lag behind your pulse.

The wild part is how easily it flips from soft-eyed confessions with Jean Grey to pure shameless corruption paths with Emma Frost whispering filth you don’t even think Marvel’s lawyers could process. There’s something dirty-luxurious about that mansion setting; so many doors, each one unlocking another line you’ll probably regret reading at work. Some of the animations (I swear they move like low-res ghosts) have that “almost too human” vibe - you catch a tiny twitch of Rogue’s fingers clutching skin, and it’s hotter than the whole naked scene that follows. But then Storm steps in later and everything turns theatrical, lightning illuminating this ridiculously intimate chaos. You forget half the choices you made, yet every dialogue click still feels personal, like someone watching over your shoulder quietly taking notes.

And sure, maybe Jubilee’s route doesn’t sync right, and Wanda sometimes clips through clothing (yeah, that bug - literally distracting), but when those powers mix - light sparks tracing across bodies, voices overlapping, love and dominance tangling - it hits this weird emotional chord. Like half romance novel, half scandalous lab experiment. I hated that one sound loop kept restarting mid-scene, yet I replayed the moment anyway. It's messy, horny sci-fi and doesn’t pretend otherwise. Maybe that’s why it works. Maybe.

Ryunosuke is that kind of uni grad who feels like he skipped the part where life gives you a main quest. No job, no passion, just this blank “ok, now what?” screen. So he screws off to this fake-Italy place, Stivale, thinking it’s going to be wine, pasta, maybe a summer fling. Instead the first real thing he runs into is a fox-eared swordswoman who looks like she walked out of some horny doujin circle: Serena. Big ass, big tits, armor that protects nothing important, voice that’s way too sweet for the shit she drags you into. She’s basically on a holy mission to punch the country’s corrupt government in the balls, and you, with your totally useless degree, end up as her “strategist” or something. In practice that means one second you’re picking dialog lines to sound cool, the next second you’re watching a monster girl pin him against a ruined fountain and grind on his thigh while he tries to pretend he’s still a virgin gentleman. It doesn’t last long. Obviously.

The funny part is how the game pretends to be a serious fantasy RPG half the time. You’ve got turn based combat with little details that actually matter, like whether you blow your mana on a fire spell or save it because you just know the next fight is going to be some corrupted priestess who spends the first two turns teasing and stripping instead of attacking. Fights are basically foreplay with health bars. A lot of enemies are monster girls, some fully beastly, some just ears and tails, and they do not care about your moral purity. You mess up choices, suddenly Ryunosuke is on his back, armor pieces scattered, getting titfucked by a slime girl who reshapes her chest to wrap around him, all while she milks him so hard he ends up creampying her core. Then in another path, if you play it “heroic”, he holds out, turns the fight around, and you get this slow, romantic vaginal scene with Serena later, where she tries to stay in control and then completely loses it the moment he starts actually moving his hips. The game loves that shift from “I’m teasing you” to “ok fuck me properly right now” and it uses it everywhere: oral scenes where he’s awkwardly licking at first, then she’s grabbing his hair and groping her own tits, begging; anal sex that starts with her acting like it’s just some kinky experiment and ends with her panting like a beast as she leaks and shakes. Sometimes there’s groping in public, under a tavern table, sometimes it’s full group sex in a camp after a hard quest, with everyone swapping positions and someone getting a messy creampie while another girl is busy with masturbation in the corner. There’s cheating too, not spelled out like a moral lesson, just choices where you go “ok, I really shouldn’t” and then do it anyway, and the game quietly remembers for later endings. Some routes end with pregnancy, some with you basically a horny legend surrounded by monster wives, some not so nice. The peeing stuff and the light bdsm show up more as flavor than core, like a fox girl sitting on your face and letting go a bit while she rides, or Serena tying your hands before oral and then totally forgetting you’re supposed to be the one in control. Voice acting is all over the place, in a good way: sometimes cute, sometimes way too raw, those little gasps when the tip slips from pussy to ass by accident and she half-squeals, half-laughs. To get the best out of it, don’t rush scenes, let the teasing play out, actually lose a couple battles on purpose, and when a choice looks like it might ruin the “wholesome” romance, click it anyway and see how much of a mess Stivale can turn into.

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.

The first thing that hit me with this one was how shameless it is. You play this smug bastard who literally is the Demon King of Lust, popping into some fantasy world with one idea in his head: “every hot girl here is mine.” No pretending, no romance at start, just straight up corruption and ownership. The world kind of opens around you like a sandbox sex toy box. One moment you’re in a quiet little village, talking to a shy virgin elf, and ten minutes later she’s on her knees, drooling on your cock while you test if your mind control can make her enjoy it more than she wants to admit. It has that old porn game energy, where it feels a bit rough and “cheap,” but somehow that gives more charm. The 3D girls have this plastic porn star look, big tits, big asses, too shiny sometimes, but when they move during a titfuck or a footjob, or when the camera zooms on their face while they’re getting filled, it works. Animations are not perfect, some loops are a bit stiff, but when you are watching a monster girl riding you in a ruined temple, her claws on your chest and her slime dripping on your balls, you’re not exactly thinking about animation curves, trust me.

What I liked is how the power fantasy grows. In the beginning you’re just a horny demon trying to get any vaginal sex at all. You bribe, you threaten, you use mind tricks in small doses. A simple handjob behind the tavern feels like a victory. Then much later, you’re in a full harem situation, girls you’ve broken in different ways, all with their own kind of corruption: the priestess who now begs you to cum on her face because she says your seed is her “new holy water,” the warrior who used to kick your ass and now kneels to kiss your boots and give you a slow, teasing footjob because she “must honor her master.” There is a scene where you call three of them into your throne room, make one worship your cock with her tits while the other two kiss each other under your orders. You switch roles mid scene, pull one by the hair into your lap, force her to ride you while she’s still mind controlled to call you “my king” each time she cums. It is dark, it is male domination all the way, with slavery stuff not trying to be nice. Sometimes it feels too cruel, like when you break a monster girl who was actually kind of sweet before, turn her into a sex pet with a collar, and the game just shrugs like “yeah, that’s normal here.” But then, that is exactly the fantasy it goes for and never apologizes. The adventure side is mostly a reason to walk into new locations and find more women to ruin: caves with captive monster girls, castles with bored queens, little farmhouses where you corrupt a whole family one by one. There is a weird comfort in how trashy it is. The story pretends to talk about conquering the world, but everyone knows the real goal is conquering every pussy, mouth, and pair of tits you can reach. And it delivers that, slowly, nastily, with every new scene turning another “good girl” into a dripping, obedient toy that calls you Demon King while you fuck her brains out.