Beast Boy's always been the comic relief of the Titans, right? Well, this visual novel takes that green shapeshifter and throws him into situations where his animal instincts aren't exactly PG-rated anymore. The whole "embracing his animal side" thing gets pretty literal when you're making choices about how far he'll push his powers with the ladies around him. And by ladies, I mean basically every female character from DC you can think of - Harley Quinn's there doing her crazy thing, Supergirl's got that innocent act going until she doesn't, and don't even get me started on what happens when Poison Ivy shows up. The corruption mechanics work through Beast Boy's transformations, where different animal forms unlock different... let's call them "interaction options" with each character.

What caught me off guard was how the game handles the power dynamics. Sometimes Beast Boy's the one calling the shots, using his abilities to get what he wants, but then you'll hit a scene where someone like Catwoman flips the script entirely and suddenly he's the one getting dominated. The lactation scenes with Power Girl were completely unexpected - like, who thought of that combination? But somehow it works in this weird universe they've created. The AI-generated artwork is hit or miss though, sometimes the proportions get absolutely ridiculous even by comic book standards, and Beast Boy's face occasionally looks like he's having an existential crisis mid-transformation.

The multiple endings thing is where it gets interesting because your choices about which animal forms to use actually matter for the story branches. Go full predator mode and you get the darker corruption routes, stick to gentler animals and you unlock the more romantic paths. Though honestly, the line between "romantic" and "completely fucked up" gets pretty blurry when tentacles are involved. The Raven storyline especially goes places that made me question my own kinks, but in a good way? Maybe? Look, if you're into transformation stuff and DC parodies, just prepare for some wild rides.

Didn’t expect a parody game about cartoon moms and princesses to hit that weird sweet spot between trashy and oddly sincere, but here we are. It starts all innocent - bright colors, the kind of smooth animation that screams “safe for work” for about five seconds before the camera decides it’s not. The first scene with Violet trying to figure herself out (and failing, spectacularly) caught me off guard. She fumbles, she blushes, she *asks questions* like a real person instead of a scripted puppet. Then Helen shows up, and the tone flips. Suddenly it’s not awkward anymore, it’s charged - like someone turned the thermostat up but forgot to tell the characters. I laughed once, then shut up quick. Didn’t expect to feel anything, honestly.

The transitions are too slow, though. Like, you can feel the kinetic novel format dragging its feet sometimes, holding poses too long between lines. But the writing sneaks up on you - it’s not clever, but it’s self-aware enough to poke fun at itself. Elsa and Anna showing up later? Total chaos. The kind of chaos that makes you question who’s actually in control - the player, the “director,” or the girls themselves just deciding they’re done pretending. There’s one scene - you’ll know when you see it - where everything goes from soft kisses to something much rougher, and you can practically hear the line snapping between “curious” and “corrupted.” And yeah, the POV angles are shameless, but that’s kind of the point. It’s not pretending to be art, even when it accidentally becomes it for a frame or two.

What sticks isn’t the sex (though, okay, the anal bit was animated way too well for a parody). It’s that weird emotional aftertaste - like watching a bootleg Disney ending where nobody gets redeemed, they just get *real*. The soundtrack fades out, the light lingers on sweat-slick skin, and you realize the game never promised catharsis, just exposure. And somehow, that’s more honest than most “serious” adult titles trying to act profound.

I’m not gonna lie, the first ten minutes of this so-called “slime forest adventure” had me thinking it was going to be another lazy pixel jiggle-fest. Then Lulu showed up - yeah, the succubus with that annoying half-smirk that looks like she’s about to insult you and kiss you in the same breath - and suddenly I stopped clicking just to grind stats. Her voice lines are soft in one moment, razor-edged the next. It’s weirdly human how she teases right after battle, like she knows you’re doing badly on purpose just to hear her talk dirty again. And I swear, the way the slime enemies wobble before they pounce? Too much animation detail there, makes you wonder if the dev accidentally coded in love. Or obsession. Both, maybe.

The combat isn’t hard, except when it is. One turn she’s rewarding you with a lazy hand motion that makes your health bar flicker, the next she’s draining your mana with a wet laugh that somehow feels heavier than the soundtrack. You keep collecting these weird trinkets - slime cores, silk strands, whatever - and they hint at crafting, but I can’t tell if it’s for equipment or foreplay setups. It’s not explained, which drives me insane and also kind of keeps me. There’s this camp mechanic, and the “rest” option turns into a slow tease with Lulu talking about freedom and ownership like she’s reading your private thoughts. Then she bites your neck. The game pretends to be about exploration, but every map just leads to her again, like the world’s folding around her thighs on purpose.

I still think the censored bits ruin some rhythm. You don’t need to show everything, but don’t flash white screens like it’s 1998 hentai VHS, come on. But maybe that’s the charm - it’s half-lust, half-fable, like somebody coded their diary into a turn-based RPG after too many nights alone. I wanted more enemies, less slime. Or more slime, less shame. Don’t know anymore.

This thing hits you in the face right away. You open it and the game just starts calling you a pathetic virgin like it knows what tabs you had open before. Male protagonist, first year uni in late 90s Wales, stuck in that ugly campus mix of shitty carpet, nicotine stains, and horny brain. Everyone thinks you will die alone, and frankly the game agrees. Then the goth girl walks in like a walking middle finger to your self-esteem. Tall, boots, chains, black lipstick that looks like it tastes of smoke and cheap vodka. She is not your cute “secretly soft” goth. She is full female domination mode. She enjoys humiliating you, and the game really lets her. Public teasing in hallways, denial until you literally beg, exhibitionism moments where she pushes you close to being seen, and then pulls away only to grind on someone actually confident while you watch from the corner. If you hate netorare, this is a hate crime. If you like it, you will have your hand on your phone more than on your textbook.

What caught me off guard is how the corruption is not only sexual but social. The more you let her step on you, the more other people on campus join the act, and the POV stuff gets nasty. You see her big ass riding someone else through a cracked door while you are forced to hold her bag like an idiot. Or she sends you pics of her sucking off a dude from the football team, with your unread essays visible on your desk in the background. There is voyeurism everywhere, even when you are not the viewer. Sometimes you are the thing being watched: being paraded around as the loser virgin toy in a group chat that you are not even allowed to post in. The game even throws a milf teacher at you, but in that mean way, like, you think “finally, someone kind” and suddenly you are watching her get pounded by a classmate while she grades your paper with a red pen and one hand on his abs. The humor is cruel and honestly kind of funny, like that scene where your phone autocorrects “please” to “pee” while you are begging her to let you cum, and she just runs with it in a way I am still slightly disturbed by. There is a whole mobile phone layer built into the game, with apps that feel suspiciously like WhatsApp and Instagram where you keep scrolling old chats trying to find where exactly your dignity died, then getting distracted by AI generated CG of her in a “maybe pregnant, maybe not” ending that hits way harder than it should. I still cannot forgive the tiny thing where notification sounds are slightly off from real apps and my brain kept twitching every single time, but yeah, I kept playing anyway.