Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

Anahel looks like the kind of girl you’d expect to see carrying books and blushing at compliments, not swinging a giant axe and smashing horny demons while her tits bounce in every direction like they have their own AI. She’s this “chosen one” from some prophecy, supposed to stop ancient evil from flooding the world with corruption, but honestly half the time it feels like the corruption is just trying to get into her panties first. One minute you’re walking through a haunted forest, fog and creepy statues all serious fantasy vibe, and the next a bunch of slimy dark creatures surround her, rip part of her clothes, and you’re sitting there with your phone thinking, “yeah, ok, guess I’m saving the world with one hand now.” I like how she starts modest, shy, all covered up, but the more you mess with the story and go after this Goddess’ Heart artifact, the more the game is like “what if we just show a little more ass here, a little more underboob there.” It pretends to be noble adventure, but the camera is always five seconds away from diving right into her cleavage anyway.

The tone is actually kind of stupid in a fun way. You’ve got this dark lord planning to open a portal and enslave everyone, classic fantasy villain stuff, but his army basically looks like they escaped from a hentai meme. Lewd swarms, tentacle things, horny cultists, all trying very hard to make sure Anahel ends up used, filled, or at least dripping from something. Sometimes the humor lands, like when an important NPC is giving you a dramatic speech and the dialogue just casually mentions her “nice big ass” as if that’s part of the prophecy. Other times the jokes are a bit cringe, like the game really thinks it invented sex puns. But whatever, I still kept tapping through dialogs on my phone on the bus, pretending I was just checking WhatsApp while this “holy savior” with ridiculous big tits was getting cornered in a ruined temple. There’s this fight where you mess up a dodge and instead of simple “you lose,” Anahel ends up pinned to a stone altar by these demon hands, her armor shredded off, moaning and trying to resist as the scene just gets wetter and more detailed. I hated how long that animation lasted, but also I let it play three times in a row.

What I like is that even when it’s trying to be dramatic about fate and destiny, it never forgets the real point: Anahel is in constant danger of being fucked senseless by anything that crawls out of the portal. The fantasy setting gives just enough excuse for crazy outfits and silly magic scenes. One second you’re reading about ancient relics, the next an “artifact examination” turns into her pressing her huge tits around some glowing crystal while it reacts to her body heat in very specific places. The 2D art has this hentai vibe that doesn’t pretend to be high art, just straight to the point, soft curves, big ass, every position framed like a lewd screenshot you’d send to the wrong Telegram chat by accident. Sometimes the pacing is weird, like you want to see more teasing and the game jumps straight to penetration, or it keeps you in a long dungeon where nothing sexy happens for too long and you start scrolling Instagram out of habit. But when it decides to turn horny, it really goes for it. Corruption edging in, clothes falling apart, messed-up “save the world by letting it fuck you a little” vibes that feel dirty in that guilty browser-history way. The story keeps telling you “don’t let evil penetrate the world,” and all I could think half the time was “yeah, but evil is definitely penetrating Anahel first.” In a good way. Or bad. I forgot which.

Lena looks like the kind of girl who should be in some boring office job, not standing half naked in a sweat-soaked ring with some psycho redhead trying to choke her out while the crowd yells for more tits. That clash is what makes this game hit different. You don’t start as some overpowered porn goddess, you start as a broke girl stuck in a shit city, dragged into sexfights because her idiot dad couldn’t stay away from cards. New Ipswich feels like one of those places from a trashy crime anime that never got a second season: neon, sleaze, and everyone pretending this is “just business” while they bet on who gets fucked on the mat. The whole sexfighting thing sounds silly on paper, then you’re in your first real match, Lena’s breathing heavy, sweat on her skin, the other girl grabbing her hair, and suddenly the humiliation hits harder than the punches. Either you dominate, or you get used. It’s that simple and that messed up.

The fights are not just button mashing. You switch from strikes and holds into sex moves so fast it feels illegal. One second you’re working a clinch, next second the crowd is chanting for Lena to “open up” and you actually consider it because if she goes full tease, she can flip the mental game. Let an enemy strip her top off in front of the audience and the shame drains her focus, but if you time it right and Lena turns it around, pins the girl, crotch grinding on her face, forcing her to lick while the camera zooms in on every wet detail, suddenly she’s the one owning the exhibition. I had this one match where I played it “nice” for too long, tried to win clean with jabs and throws, and the rival just snapped, mounted Lena, shoved fingers in her, rode her to a sloppy creampie in front of everyone and then walked off like she just claimed a trophy. I actually paused and stared at the screen like: “ok, that escalated.” It’s rude in a good way. Or a bad way. Depends how broken you are.

What caught me off guard is how the game leans into both sides of domination without pretending they are equal. Sometimes Lena is on top, literally sitting on a girl’s face, grabbing her hair, forcing her to eat her out while flashing her big tits to the crowd like she owns the whole damn city. Sometimes it flips and a bigger fighter or some smug guy just treats her like a toy, using her throat, pushing past her limits, making her cum against her will, then leaving her on the sticky canvas with that dazed, fucked-out look. The humiliation is not soft either. They taunt, spit, pull her legs open, finish inside her while the gamblers laugh, and the game just quietly nudges you like: “hey, she still has debts to pay.” It even has these quiet moments in the locker room after, where Lena is leaning against the wall, thighs still trembling, and you’re picking what she does next, who she confronts, whether she chases power or just survives. It almost feels romantic sometimes when she faces another girl who clearly wants her as much as she wants to win, tongue tangled with knuckles, lesbian heat right in the middle of a dirty brawl. Then some asshole promoter reminds you she’s just another body to bet on and the mood dies. That’s kind of the charm though: nothing is clean here. Sex is a weapon, a punishment, a reward, and half the time Lena’s not sure which one she’s holding.

Guy is glued to his phone, girl is glued to her loneliness. That’s the whole mood here. You drop into this couple where Alex is busy pretending work is some holy mission, while Sophia is slowly rotting inside on the couch, scrolling, waiting, getting wetter and angrier at the same time. No magic, no superpowers, just real ugly shit: late replies, blue ticks, half-assed “sorry babe, busy” messages. The game really leans on that phone stuff. Most of the heat actually comes from tiny notifications popping up, chats you’re not supposed to read, pics that were meant for one guy but somehow end up on another screen. You think nothing’s happening, then you realize your stomach tied itself in a knot because of one emoji and a blurry selfie. That’s the kind of filth going on here. Not screaming porn from the first second, more like slow poison that ends with someone’s panties pushed aside against a wall you never get to see in full light.

The 3D scenes look a bit plastic at times, yeah, but they use it well with the whole voyeur angle. You often feel like some creep hiding behind the digital curtain, catching Sophia in that in-between moment where she’s still technically “faithful” but already texting that other guy about how “lonely” she is. Sometimes it’s just her checking herself in the mirror, lifting the shirt a bit too high, wondering if she still looks fuckable for Alex, and then you see her take another pic where she pulls the shorts down just a little more because this other dude “appreciates her body more.” Those quiet scenes hit harder than the actual sex, at least for me. And yeah, there is sex. Cheap hotel rooms, car seats, public corners where you’re praying the camera angle doesn’t show too much, which of course is exactly what it does. There’s a fantastic bit where she’s supposed to be sending Alex a sweet “goodnight” message while she’s catching her breath on some other guy’s lap. Messaging bubble still open on the phone, her hair a mess, dress up, thighs glossy. It’s nasty and kind of beautiful in the worst way.

What actually got me hooked was how the game likes to humiliate quietly instead of shouting it. Alex doesn’t always get big dramatic scenes; sometimes his only “reward” is a dumb little selfie from Sophia in a new dress, smiling all shy, and you already know that same dress was around her waist earlier for someone else. The game rubs your face in that without throwing a big “NTR SCENE!!” sign. You get phone calls Alex misses while he’s at “work,” and you sit there knowing exactly what she’s doing while his name flashes on her screen and she just flips the phone over. Public stuff too: skirts too short, no panties, the way the camera lingers on her trying to act normal in crowded places while some guy’s hand is way too high on her thigh. The pregnancy part sneaks up on you as another mindfuck, like, she’s talking about wanting a baby “to fix things,” and you start counting in your head, doing that grim calculator: okay, which night was she actually with who. They never spell it out clean, which is worse, honestly. You’re left staring at her smile during some cute domestic scene, all warmth and soft lights, and you can’t stop thinking about the raw, messy clips you saw three choices ago where she let herself get used like a toy. It’s not classy, it’s not subtle, but it hits that dirty, voyeur brain spot real hard.