Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.

I didn’t expect the opening scene to slap that hard. You’re just standing there, half-broken hull around you, half-naked angel girl trying to look dignified while her collar blinks red every few seconds like some sick metronome. The captain walks in, voice like a bad radio signal, and you already know he’s going to be trouble. He touches her shoulder and - bam - your gut twists, not from shock, but from that weird cocktail of jealousy and arousal that this game keeps feeding you. It’s dirty, but not in the lazy way. The camera lingers too long, like it’s daring you to blink first. I didn’t. The whole thing plays out like someone’s fever dream of power and guilt and skin. Makes you feel complicit, which I kinda like. Some games treat voyeurism like a kink checkbox; this one makes it feel like a confession.

Then there’s that sequence in the maintenance bay - god, the lighting there. Blue flicker off the coolant pipes, the hum of half-dead machinery, and she’s there again, pretending not to notice you. The teasing is mean, but not cartoonishly so. She leans over, the slave tag glinting on her neck, and you can almost smell the metal. I won’t say the animation’s perfect - it isn’t - but it stumbles in a way that feels almost human. The moans don’t line up sometimes, and that somehow makes it better. You start thinking about the morality system that never really punishes you enough, about how the captain’s wives don’t even care you’re stealing glances, and then suddenly there’s a flashback about the fall of the Geniorcracy and I kind of stop caring about lore entirely. Maybe it matters, maybe not. What kept me there was that slow burn humiliation mixed with tenderness, like someone whispering “you’re disgusting” but softly.

Anyway, the soundtrack’s too clean, too polished - like it doesn’t belong in that filth. And I swear one of the sound cues is stolen from some old dating sim on Nutaku. Doesn’t matter. By the time the angel finally looks you in the eye, you’ve already forgotten what you were supposed to be doing.

Chainsaw Love tries to capture that devil hunter vibe but honestly feels more like someone's first attempt at making a visual novel. You're stuck in this building talking to Makima, Himeno, and Power - and yeah, they nailed the personalities pretty well actually. Makima's got that manipulative charm thing going, Power is chaotic as hell, and Himeno... well she's just trying to get you drunk probably. The whole Love/Lust point system is basic but it works I guess? You click through conversations, try to say the right things, and eventually unlock some spicy scenes. Nothing groundbreaking here but the writing doesn't make you cringe which is already better than half the parody games out there.

The art style screams AI-generated and it shows - sometimes the proportions are weird and don't get me started on how their hands look in certain scenes. But honestly? The character designs stay true to the source material and when you're focused on... other things... you kinda stop noticing the technical issues. The stripping scenes are decent enough and the oral stuff is animated better than I expected. Power's scenes are probably the best ones - her personality really shines through even during the lewder moments. Makima feels a bit too tame compared to her manga counterpart though, like they were afraid to go full psycho with her.

What bugs me is how linear everything feels despite having multiple interaction paths. Sure you can talk, flirt, or ask for favors, but it all leads to pretty much the same outcomes just with slightly different dialogue. The mysterious building setting could've been used for more creative scenarios but instead you're just moving between three rooms having the same conversations. Still, if you're a Chainsaw Man fan looking for some quick fun with your favorite devil hunters, this scratches that itch without being completely terrible. Just don't expect anything revolutionary - it's junk food for horny weebs and sometimes that's exactly what you need.

Your pap dies off-screen, leaves you his whole damn job in Soul Society, and you’re still basically a horny newbie who barely remembers which captain hates which. That’s the vibe here. You’re thrown in as the new commander, everyone calls you “taicho” with that fake respect, and half the time you’re trying to decide if you should fix the political mess or just fuck your way through it. First scene already tells you how it goes: one minute you’re at a funeral, the next you’re staring at Rukia’s legs way too long and thinking “yeah this is not how a responsible leader behaves” while the game kinda smiles and says, “good, keep going.” It doesn’t pretend to be epic and serious, even when it tries. You talk to captains, you mess with schedules, send squads on missions, but every choice has that “ok but how does this help me get into her pants” feeling. Sometimes it’s soft stuff, like walking Hinata-style shy girls out of their shell with dumb little compliments, sometimes it’s straight up “I’m your commander, get on your knees” and the game doesn’t flinch at all.

What really hooked me was how dirty it gets once you stop being polite. At first I was like “I’ll play the good boy,” trying to keep everyone friendly, but you run into Rangiku and her tits are basically their own cutscene, spilling out of the uniform every time she bends forward. You can tease her, get teased back, or just push it into rough territory if you set your dominance high enough. Same with Yoruichi. One route she’s trolling you, laughing in your face, making you jerk off like a dog while she watches. Different route, you’ve got her on all fours, collar biting into her neck, ass up and dripping while you decide if it’s going to be slow pussy worship or full-on choke-and-cream. The game doesn’t hide the nasty stuff: sleep sex scenes, voyeurism when you spy on captains bathing, lesbian side events with girls grinding on each other while you’re just there stroking, ahegao faces that would get you banned on Instagram in one second. It’ll let you titfuck Orihime on your office chair, footjob from some smug captain who pretends she hates you, sex toys stuffed into subordinates while they’re trying to keep a straight face in meetings. One moment you’re holding a sweet romance flag with someone like Inoue, later you’re watching her gag on your cock while her eyes roll up, drool everywhere, and then you still go to a “respectful” briefing like nothing happened. The AI CG actually surprised me a bit, sometimes it looks weird on fingers but then you get a midnight creampie scene with Nel or a rough blowjob with Tsunade-tier milf and suddenly you forget everything you wanted to complain about. I still hate that tiny menu button that’s slightly off-center and my brain screams every time I tap it, but yeah, this is one of those games where you say “ok, just one more scene” and then your dick hurts but you still click.