It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

Man, this is one weird fucking tech demo that somehow manages to be both frustrating and oddly compelling at the same time. You're basically this dude wandering around what feels like a broken RPG where everyone's stuck in NPC mode - they just stand there doing their programmed routines until you click the right spots or say the magic words. But here's where it gets interesting: you can bypass all that bullshit and just... do stuff to them anyway. The elf chick by the fountain? She'll keep talking about fetch quests while you're literally groping her tits. It's like the game world doesn't give a shit about consent mechanics, which is both the whole point and kinda unsettling if you think about it too hard.

The art's decent enough - nothing groundbreaking but the monster girls look fuckable and the animations don't make your eyes bleed. There's this one scene with a demon girl where she's going through her dialogue tree about needing rare herbs while you're balls deep in her ass, and she just keeps talking like nothing's happening. It's absurd but somehow works? The oral scenes are probably the best animated ones, especially when you get the exhibitionism stuff going in the town square. Everyone just walks by like it's Tuesday. Actually, wait - I think I complained about the dialogue being repetitive but honestly some of the NPC responses when you interrupt their scripts are pretty funny.

Look, it's clearly unfinished and rough around the edges. The point-and-click interface feels clunky sometimes, and there's this annoying bug where characters get stuck mid-animation. But there's something genuinely unique about the whole "reality doesn't apply to the player" concept that kept me clicking around longer than I expected. It's like playing god in the horniest possible way, which... yeah, that's probably the appeal right there.

Snake Siemen is such a dumb name that it kinda works, which is the whole vibe of this game anyway. You’re basically Talon’s horny intern, except Doomfist actually trusts you with something ridiculous: break D.Va. Not just capture, not just fuck, but twist her from cutesy idol pilot into Talon’s personal cock-hungry asset. The story pretends to be serious sci-fi for like two minutes, then you’re already in a room with D.Va strapped down, squirming, still talking shit and trying to act brave while you decide if you’re going to go soft psychological route or straight-up “you’re mine now” brainwashing. I liked that her voice has that annoyed, bratty pitch, like a streamer forced to shill some crappy mobile game, but under it you can hear a little shake when Snake starts touching her without asking. The moans shift from “ugh, don’t touch me” to “f-fuck, don’t stop” pretty slowly and it’s actually hot as hell watching (and hearing) her get rewired day by day. Sometimes she sounds too clean, though, like the mic is high quality but the emotion is not always there. Still, when she gasps your name during a forced blowjob scene and there’s this wet choked sound as you push deeper, I had to pause the game and just breathe for a second.

What made me stick around is how mean you’re allowed to be without the game flinching. You can keep her in that tight Talon bodysuit just so your hands have more material to grab while you grope her tits and ass, fingers digging in while you whisper trash into her ear, and then flip straight into a mind control trigger where her eyes glaze over and her voice goes flat, like she’s reading a sponsor script. “Talon-sama, please use my throat.” It sounds so silly written out but in context, with that slightly fake idol voice trying to act obedient, it hits hard. The Widowmaker and Sombra stuff sneaks up later, which is funny, because the first time Sombra shows up she basically hijacks your fun and you have this three-way power struggle: you, her, and D.Va’s brain. There’s a scene where Sombra is pressing D.Va’s head down on your cock, talking in that smug voice, while you feel D.Va’s tongue hesitate, then slowly give in. The audio there is great, lots of sloppy sounds, little gagging, that muffled whine when you grab her hair and drive her all the way to the base. I wish Widowmaker had more interesting lines instead of just cool assassin porn talk, but whatever, her cold tone when she calls D.Va “Talon’s little toy” had me rewinding on VLC like three times.

The domination vibe is very clearly from the male side, no confusion here. You’re not some nice guy, you’re basically HR’s worst nightmare with a budget and a private cell. There’s corruption, there’s conditioning, you press her against cold walls, you make her kneel, you reward her with your cum like it’s a promotion. At one point you use a command phrase and she drops mid-sentence, falls to her knees and starts unzipping your pants like it’s the most natural thing in the world, mumbling that she “needs to serve Talon properly” while her lips wrap around you. That line reading is a bit stiff, but the way her breathing speeds up when you grab her head and hold her there is the good stuff. It’s not subtle. It’s not sweet. It feels like some cursed mobile porn game ad that actually followed through on the fantasy it teased, instead of bait and switch. And yeah, it’s totally wrong, and that’s exactly why it sticks in your head long after you close the browser and pretend to check Outlook.

Didn’t expect a parody game about cartoon moms and princesses to hit that weird sweet spot between trashy and oddly sincere, but here we are. It starts all innocent - bright colors, the kind of smooth animation that screams “safe for work” for about five seconds before the camera decides it’s not. The first scene with Violet trying to figure herself out (and failing, spectacularly) caught me off guard. She fumbles, she blushes, she *asks questions* like a real person instead of a scripted puppet. Then Helen shows up, and the tone flips. Suddenly it’s not awkward anymore, it’s charged - like someone turned the thermostat up but forgot to tell the characters. I laughed once, then shut up quick. Didn’t expect to feel anything, honestly.

The transitions are too slow, though. Like, you can feel the kinetic novel format dragging its feet sometimes, holding poses too long between lines. But the writing sneaks up on you - it’s not clever, but it’s self-aware enough to poke fun at itself. Elsa and Anna showing up later? Total chaos. The kind of chaos that makes you question who’s actually in control - the player, the “director,” or the girls themselves just deciding they’re done pretending. There’s one scene - you’ll know when you see it - where everything goes from soft kisses to something much rougher, and you can practically hear the line snapping between “curious” and “corrupted.” And yeah, the POV angles are shameless, but that’s kind of the point. It’s not pretending to be art, even when it accidentally becomes it for a frame or two.

What sticks isn’t the sex (though, okay, the anal bit was animated way too well for a parody). It’s that weird emotional aftertaste - like watching a bootleg Disney ending where nobody gets redeemed, they just get *real*. The soundtrack fades out, the light lingers on sweat-slick skin, and you realize the game never promised catharsis, just exposure. And somehow, that’s more honest than most “serious” adult titles trying to act profound.