You start as this worn-out priest, the kind of man who’s seen too much war and not enough peace. He’s got that quiet authority, the type that doesn’t need to shout to make people obey. The town he moves into looks calm at first glance - green hills, soft light, all that - but it hides a mess of broken souls and dirty secrets. Slavery’s legal here, though not exactly cheap, so what you end up with are girls who’ve been through things. They flinch when touched, they test your patience, they crave attention in ways they don’t even understand. And you? You’re supposed to “train” them. Whatever that means depends on how far you’re willing to go.

It’s not just about spanking or groping, though there’s plenty of that if you push the right buttons. It’s about control, slow corruption, the way someone starts looking at you differently after a few nights of discipline mixed with affection. One moment she’s trembling, the next she’s begging for more. There’s something raw about it, something that feels wrong but also weirdly tender. The game doesn’t rush you; it lets you breathe between the filth. Sometimes you just sit there watching her try to please you, clumsy and shy, and you can almost forget she used to be terrified of you. Then she slips up, says something defiant, and you remember exactly who’s in charge.

The fantasy world stuff - elves, magic, holy symbols - it’s mostly background noise for the real thing: power and surrender. You can play gentle priest or ruthless master, or both depending on your mood. The animations hit that sweet spot between awkward and hot, like someone actually trying instead of posing. There’s even a bit of romance buried under all the punishment, if you squint. Not perfect, not polished, but maybe that’s why it works. It feels messy, human, like lust written by someone who’s lived it instead of imagined it.

You start off thinking it’s just another fantasy visual novel with tits and dragons, right? Then it hits you - this thing actually *wants* you to care about who you fuck. You’re tossed into this castle, all dressed up like some half-hero, half-sacrifice, and the queen’s gaze feels like she’s undressing your soul. The choices come fast, and they’re not just “pick girl A or girl B.” They twist your story, they mess with your head. One moment you’re flirting with a sly elf who keeps her armor half-open just to tease you, the next you’re in a candlelit chamber, her breath hot on your neck, whispering something that sounds like a spell but feels like a promise.

And then the dragon part - holy hell. It’s not just a pet or a mount; it’s a whole mood. The game plays with that line between power and surrender, and it’s filthy in the best way. There’s a scene (you’ll know it when you get there) where you’re supposed to “bond” with your dragon, and it’s dripping with tension. The camera lingers, the sound design goes low and throaty, and suddenly you’re not sure if you’re taming the beast or if it’s taming you. The lesbian routes? Way more tender than I expected, but still raw - like two warriors trying to outlast each other in bed, both refusing to be the first to beg.

It’s not perfect. Some transitions feel like the devs got distracted halfway through animating a kiss, and the dialogue sometimes sounds like it was written by someone who’s never actually seen a naked person. But then it’ll throw a line at you that just *clicks*, and you forget the rough edges. It’s messy, horny, weirdly emotional. Like a fever dream that smells of sweat and dragonfire. You’ll probably finish it once, swear you’re done, then start again just to see what happens if you say yes to the queen this time.

Anahel looks like that shy girl in class who never raised her hand, and here she is, walking around a cursed fantasy world where literally everything wants to fuck her or use her to open some magic doom portal. It starts all heroic and stuff, like “you’re chosen, save the world, ancient prophecy” and you think ok, basic RPG, I click some slimes, I loot some chest. Then suddenly the slime is not just slime, it has way too many wet tentacles, and they all know exactly where to go. The game doesn’t even pretend to be subtle. One moment you’re poking around ruins, next moment Anahel is pinned, squirming, and her stupid little innocent face is doing that full ahegao thing while a monster girl is licking her everywhere like it’s completely normal Tuesday. And it kind of becomes normal, really fast.

I liked how it tricks you with that point and click exploration, like a normal adventure/sandbox thing. You tap on a well, you just expect water, maybe some coins. Instead there’s this creepy voice from inside, offers you “help” if Anahel strips. Of course I clicked yes. Then it escalates, a glowing tentacle slides up her thighs and she’s biting her lip, trying to resist, then gives in, rubbing herself with it like she was waiting all day for that. You’re not just watching, you’re choosing where to touch, which hole gets used, if she lets the monster finish inside or outside. It’s messed up. It’s hot. Sometimes both at same time. The world feels like a horny playground made by someone who played too much RPG Maker and then deleted all armor from the inventory. There’s “noble” knights that threaten her with blackmail, telling her to suck them off in a back alley or they’ll sell her out to the cult. You can actually accept, and the game shows her on her knees, drool and cum on her chin, eyes rolled up, and she still tries to talk like a hero while gagging on the guy. I kinda lost the main quest in my head after that.

Maybe my favorite stupid detail is how her staff looks totally useless at first. Just a stick with some stone. Later, you find this pervy spirit in a shrine who offers to “awaken” it and it literally turns into a magic sex toy weapon. It vibrates when danger is near, and also when she gets too aroused, and sometimes in battle the game will just have her masturbating with it as a “skill” while monsters gangbang her. I laughed because I was on the bus playing on my phone and suddenly she’s in the middle of a forest, on her back, two tentacles inside her, one in her mouth, some catgirl riding her face, and I’m just casually lowering brightness like it’s Instagram. The pacing is weird as hell, like eating spicy food with random sugar thrown on top. One area feels like slow teasing, just some harassment, panties pulled aside, soft lesbian groping, and then next screen they’re using every hole at once, toys, tongues, everything. Sometimes I wish Anahel talked a bit less during sex, because she moans and begs and calls the monsters disgusting while clearly loving it, but it kind of fits that she’s both the last hope of the world and also the world’s favorite cum dump at the same time. Anyway, the prophecy probably said something like that. I already forgot.

The story kicks off like someone accidentally hit “load save file” on a life that already went to hell twice. The guy you play as isn’t some shining hero - he’s just trying to crawl back from a mess that smells like heartbreak and cheap perfume. The world around him? All shiny screens and fake smiles, every move tracked, every glance sold to the highest bidder. It’s weirdly hot and depressing at the same time. You walk through neon-lit streets where even the vending machines flirt with you, and somehow you end up tangled in conversations that start innocent and end with someone’s breath catching in their throat. The girls here aren’t just eye candy - they tease, they test, they *know* exactly how much power they’ve got. And yeah, those curves are basically weapons.

The game doesn’t rush you, though. It lets you stew in the tension. One moment you’re arguing with a woman who could break your heart or your pelvis - probably both - and the next you’re caught in a scene that feels too real for a screen. The teasing is constant: a brush of skin, a look that lingers too long, the kind of moan that makes your phone feel heavier in your hand. You make choices, but they don’t always feel like yours. Sometimes you pick the “nice” answer and end up in her bed anyway, other times you try to be bold and she just laughs, walks away, and leaves you staring at her hips as she goes. It’s frustrating. It’s brilliant. It’s kind of addictive.

There’s something about the way it mixes romance and filth that feels almost wrong - in a good way. The emotional bits sneak up on you between the dirty ones, and suddenly you care about someone whose main skill is making you blush. The game knows exactly what it’s doing; it just pretends not to.