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This flash animation captures every filthy detail of their rough anal escapade. There’s something incredibly thrilling about pounding a girl’s backside so hard.

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The third Subway Fucker feels like watching a porn loop that suddenly grew a brain cell and decided to bully one girl for our entertainment. There’s this same big-tit slut from before, already in that “yeah I know I’m trash, fuck me harder” phase of her life, and the game just leans into it. She’s tied up, helpless, not some empowered warrior queen, just meat on a rail. It starts with this mechanic dildo setup that looks like something someone would try to sell on AliExpress with a broken description. It just goes in and out, pussy and ass, like a fucked-up train schedule. There is no romance, no buildup, nothing cute. She’s used like a test dummy for penetration. The funny part is how quickly your brain stops thinking “oh that’s rough” and just goes “yeah, deeper, faster, come on, break her a bit.”

The guy isn’t charming at all. He feels like that sweaty pervert you avoid sitting next to in real subway. Big cock, zero manners. When he switches from watching the machine do the work to actually slamming into her, there is this nasty vibe like she’s not a person anymore, just a hole set. Pussy first, then flips her for doggystyle, then anal like it’s checkbox on his to-do list. The game doesn’t pretend she has any real say in it; it’s closer to *** fantasy than “rough sex.” You notice little details, like how her body arcs when he pushes too deep in her ass, or the way her tits bounce when he uses her throat like a pocket. The blowjob segment is long enough to make you feel slightly guilty, especially with the facial abuse part, him ramming her head down so there is that choking vibe, spit and tears mixing with cum. It’s all very “I shouldn’t enjoy this,” while you still keep watching. The best part is probably how her big boobs become their own side show. Paizuri happens like an afterthought, but it still looks filthy, his cock sliding between them, and then he just paints them and her face, and you realize you’re staring at smears on nipples like it’s high art.

There’s also this creampie moment that’s weirdly intimate for such a cruel setup. After everything, he still pumps a load inside, like marking territory. Pussy and ass end up used, leaky, stretched, and she looks exhausted, but not in a “I had a good time” way. More like “I need a shower and a therapist, in that order.” The 3D style helps sell the abuse a lot more than it should. You can see small things, like how her expression flicks between shock and forced pleasure when he pushes both holes with machine and cock. Double penetration here isn’t just a tag, it actually feels crowded inside her. There’s almost no romance with the camera either. Sometimes it lingers too long on his balls, or the angle is slightly off, and you catch yourself annoyed that you can’t rotate view, but then he slaps her ass and the annoyance just disappears. The whole thing feels like someone filmed the worst day of her sex life and looped the highlights. It’s disgusting, hot, a bit pathetic, and weirdly honest about what it is: one girl, tied, broken in, filled, covered, then sent “home” like a used toy that still kind of smiles.

Samus in a tight shiny catsuit, Chief in that chunky green armor, and somehow it feels way dirtier than it has any right to be. The whole thing plays like someone grabbed your old Halo saves and your dusty Metroid memories, threw them into a Pornhub fever dream, and then just said, “Yeah, she’s getting fucked from behind and she’s loving every goddamn second of it.” There’s this funny clash between the big heroic vibe of both characters and the really simple goal here: watch Samus ride and take cock until that composure just melts. No slow tease, no fancy plot. She’s already bent, already offering that ass, and you’re just dropped into this future corridor where armor and pussy are the only things that matter. Feels like catching your favorite Nintendo heroine in the wrong universe entirely, with the right camera angle.

What hit me first is how much they lean into Samus actually moving, not just lying there like some bored hentai doll. She grinds back on Chief’s cock with this almost competitive rhythm, like she really is trying to win a “biggest slut in space” contest no one announced. Her blonde hair bouncing a little out of place, that tight suit clinging to every curve, and when you see the outline of his cock pushing into her, it’s stupid satisfying. I was watching it in Chrome on my laptop, had Discord open on the other monitor, kept alt-tabbing like an idiot because I thought I heard a sound. The details are inconsistent in a charming way. Her armor looks badass in one angle and then her pussy turns into the real center of gravity the next, all spread and shiny, and your brain just gives up on logic. The doggystyle focus is intense, like the animator had one favorite position and refused to pretend otherwise. And honestly, respect. There’s this tiny thing that bugged me, by the way: one of the sound loops clicks weirdly at the loop point and once you notice, it just sits in your ear, but then Samus moans louder and you kind of forget to care.

The banter is not spoken, obviously, but the body language kind of turns into its own dirty dialogue. The way she braces her hands, how her back arches, how her hips stutter when he goes deeper, it reads like she’s saying “harder” without a single line of text. Chief is more like a prop with a gun on his back, but it weirdly works, his big armored bulk just there to pound her like a machine and let her steal the show. One moment you’re thinking about how messed up it is to see this childhood sci fi duo used like porn puppets, next second you’re zooming the browser in a bit because the angle is too good and you don’t want to miss the way her pussy stretches around him. There’s this one loop where she looks back over her shoulder, just for a second, like she’s checking if you’re watching, and that one frame sells everything. You can almost imagine her stepping off some mission, wiping alien slime off the suit, then quietly sneaking into Chief’s quarters for a “debrief” that ends with her getting her ass slapped while he rams in from behind. Completely stupid, totally hot, and somehow it sticks in your head longer than it should for a quick hentai animation that’s basically just two iconic space warriors forgetting the galaxy so they can fuck in a hallway.

Subway Pervert: Touch and Rape looks trashy at first glance and somehow still manages to feel like a weird little art project about how gross people can be when nobody is watching. You are basically the handsy creep in a packed train, no moral redemption, no “secret love” excuse, just raw predatory energy. The whole thing orbits around abusing girls who never asked for it, and the game does not pretend otherwise, which I actually respect in a strange way. There is no fake romance coating here. It’s just molestation turning into full *** with some game logic on top. The main “jewel” for obvious reasons is Orihime. Her body is exactly how every horny Bleach fanboy remembers her: soft, way too stacked for a school uniform, with that kind of dumb-cute expression that makes everything feel even more wrong when you start groping her. Seeing a known character in this shitty fluorescent subway light hits different, it’s like fanart that escaped Pixiv and went feral. You prod her chest, her thighs, her pussy over panties, and the whole tension is between shame on her face and the game pushing you to go further. No pretending it’s consensual. It’s not. That’s the fetish here.

The design is ugly-beautiful in a way. It’s not polished hentai art with perfect lines and soulless smooth shading. It looks more like some horny artist chain-smoked in front of Clip Studio and said “good enough” after every panel. Bodies are a bit exaggerated, boobs look heavy instead of floaty, nipples sit in ways that feel almost too specific. I like that. The schoolgirls have that stiff, pressed uniform vibe that already feels like a fetish you could smell. The idol is basically walking fanservice with her smug vibe collapsing once the hands start sliding under her clothes. The milf’s curves are the most grounded, like the artist actually looked at a real woman at least once in his life. What annoyed me is the tiny text shit. Everything is in Japanese, and while I don’t mind, the font is just annoying. On my phone on Chrome it felt like squinting at a hentai magazine someone left under the bed for ten years. You can copy it and throw it into DeepL or Google Translate, it works, but it kills the flow when your other hand is busy, you know? The game uses this little “choice” thing where you pick what to touch or how aggressive you go, and if you pick right, her resistance shifts into shameful arousal. If you mess it up, it kind of stalls and feels like poking a mannequin. There is an actual tiny rhythm to it, like reading a dirty visual novel and playing a puzzle at the same time, only the puzzle is “how far can I push this girl until she stops resisting.” When the scene finally snaps and she’s on the floor, panties off, getting used by multiple guys, it’s brutal and cartoonish at once. Some people will call it too much. For me that extremity is exactly the point. I even wish the artist went a little nastier with the expressions, more broken eye focus, more smeared makeup, more tears mixed with drool on those facials, but also I kind of like the slightly restrained style because it keeps the characters pretty even when everything horrible is happening to them. It’s not a nice game. It’s not trying to be. Visually and thematically it just crawls into your brain, sits in that part labeled “Orihime has huge tits and maybe I’m a bad person,” and refuses to leave.