Chasing Memories feels like someone smashed a horny Pokémon clone, a trashy fantasy light novel, and a half-broken sandbox RPG into one browser tab and said, yeah, this is fine. You wake up with no memories, which sounds dramatic, but in practice it just means you can shamelessly hit on every woman and monster girl you meet without needing an excuse. One scene you’re pretending to care about the mystery of your past, next scene you’re getting a slow, teasing handjob from a smug fox girl who “only does this to relax your mind.” Sure. Totally the***. I was running Discord, Telegram, and the game side by side, trying to answer messages, and every time I alt-tabbed back I had another horny line of dialogue waiting, like the game was judging my attention span. The best part is how it swings between goofy and brutal without asking permission: you’re flirting with a slime girl, she’s all bouncy boobs and playful jiggles, then in combat her animated attack literally splashes into you with this wet sound, and a few encounters later some other monster is getting her torso ripped open in a graphic finish if you decide to play rough. It tries to be sweet and romantic, then casually throws graphic violence on the screen like “anyway, back to the harem.”

The turn-based combat really is Pokémon-brain fuel, but horny. Every monster girl has her own little animated moves, some cute as hell, some actually kind of fucked up. One uses a “charm” style skill that lowers your stats while she strokes your cock with slow loops, the animation lingering way longer than it needs to, and if the status effect lands, your character basically becomes a useless, throbbing mess for a few turns. Another one goes full murder mode with claws and blood, and I wasn’t sure if I wanted to fuck her or run. The sandbox style stuff is messy in a good way, too: you wander into a dungeon, get a random encounter, maybe it’s just a boring fight, maybe it’s a special girl with a full animated sex scene if you pick the right choices. I got lost in one cave for like twenty minutes just because I wanted to see if the bat girl would actually sit on my face if I picked the most reckless dialogue, and yes, she did, with looping vaginal riding that synced with the battle-style sound effects in this weirdly satisfying way. The harem angle is strong but also kind of trashy, in that mobile-game ad way, which I liked and hated at the same time. Sometimes the AI-generated CG looks amazing, like fantasy porn art you’d save to a hidden folder, and sometimes the proportions are cursed and her hand looks like it belongs to another body, but by the time she’s grinding on your dick and moaning through another animated loop you kind of stop caring. It’s an adventure that pretends to be about chasing your past, but really it’s about chasing the next scene where some monster girl wraps her thighs around you and squeezes until you can’t think about anything else.

Vanessa thinks she’s just taking a comfy office job, talking about other people’s messy love lives while she sits in a nice chair with a clipboard. Then the elevator doors open, she sees her ex again, and her brain basically bluescreens. This is the woman who used to make her legs shake against a cheap mattress, now in a fancy suit, acting all professional, like she didn’t once make Vanessa come so hard she bit her own shoulder. And yeah, technically Vanessa is here as a “relationship psychologist,” but it takes about five minutes to realize the whole company is horny, lonely and way too hot to keep things strictly ethical. Every session turns into a test: listen like a good therapist, or slide a little closer, touch a little longer, let those “what if” thoughts drip into something real.

The vibe is slow burn at first, like a good office gossip chat that accidentally turns filthy. You sit across from a coworker with a ring on their finger and a dead bedroom at home, they talk about frustration, and your brain goes: “What if we just… fix that. Right here.” Some are soft and shy, fingers twisting their wedding band while their eyes keep dropping to Vanessa’s chest. Some are cocky, literally, with that futa coworker who can’t sit still in her chair because she’s hard as hell under the desk, trying to keep it “medical.” There’s this one scene that really stuck in my head: late evening, blinds half closed, the city lights outside, and Vanessa is kneeling between a client’s legs, pretending it’s still a session. She keeps asking calm questions with her mouth full, like “Does this help with your anxiety?” while spit and precum run down her chin, and the client can’t even answer, just grabbing her hair. It’s filthy and a little funny at the same time, like porn with a straight face that keeps slipping. Sometimes she starts the session with a notebook and ends it with her tits wrapped around someone’s shaft, trying to keep eye contact like it’s part of the therapy method. Other times it’s just her alone, past midnight, rubbing herself on her office chair after someone leaves, panties pushed aside, hand clamped over her mouth so no one in the hallway hears her moan her ex’s name instead of the client’s.

Half of the fun is how the “sandbox” stuff makes it feel like wandering in horny LinkedIn. You check your messages like you’re opening Slack, only instead of boring memos it’s a married woman hinting about “extra help” or a jealous coworker asking for a private talk in the break room. You poke around the building, pop into someone’s office, and next thing you’re sitting on their lap, their hands under your blouse while they confess their “emotional needs.” The teasing is constant: ass brushing against someone’s crotch in the copy room, a “friendly” hug turning into a hand sliding down the back of your skirt, a coworker dropping a file and making very sure you see her big tits when she bends to pick it up. Sometimes it’s gentle stuff like soft lesbian kissing in the storage room, thighs pressed together, fingers sneaking under a blouse. Sometimes it’s rougher: a client pinning Vanessa against her own door when she tries to keep it professional, grinding against her big ass until she finally gives up and opens her legs. The best part is how often the game lets you just sit in the tension, watching someone stare at her mouth while pretending to talk about their “communication issues” at home. One moment she’s giving calm advice, the next she’s stroking them off under the desk while they try to keep their voice level, swallowing moans between fake business words. And somewhere in the background, her ex is always there, watching, testing, flirting through half-truths, like the final boss of bad decisions. It feels messy, horny in a very “this is a terrible idea, keep going” way, and yeah, it made me hate my own boring non-horny office job a little bit more.

You start as this worn out taxi guy who looks like he slept in the backseat more than in a bed, and honestly, he kinda acts like it too. Long shifts, shitty tips, sick mom at home, and a brother who treats responsibility like an optional DLC. At first the game almost feels too normal, like, alright, another day, another drunk passenger who smells like cheap vodka and regret. Then this one woman gets in the cab. High heels, tight dress that looks expensive enough to pay all your bills, calm voice that somehow makes you feel both safe and like you’re about to fuck up your entire life. From that point, the story just quietly shifts from “I’m broke and tired” to “oh, I might actually die or worse, catch feelings.” It doesn’t shout at you, it just slowly pulls you into this mafia family drama, one choice at a time, one blowjob at a time.

The sex here doesn’t feel like some random bonus level, it’s tangled right in with the power shit and the manipulation. You think you’re just flirting for fun in the backseat with some big titted milf who likes to lean forward so you can see all that cleavage, but then your next ride, her husband’s cousin is asking questions, and suddenly that quick titfuck scene you just enjoyed is a massive problem. The game loves doing that. You agree to something because her lips are wrapped around your cock in the front seat and your brain is halfway melted, then later you’re realizing “oh, yeah, I kinda sold my soul for that blowjob.” One of my favorite early moments is in the taxi at night, rain on the windows, when she slowly slides over from the passenger seat, puts your hand on her thigh, and asks this very simple question that actually locks you into a whole route. You’re thinking with your dick, click yes, she unzips you, starts sucking, and the camera angle goes low so you see her throat working, spit shining your shaft while the city lights move behind her head. And in the middle of that, she’s talking about loyalty and what you’re willing to sacrifice. It’s hot and fucked up at same time.

What surprised me is how the game keeps forcing you to pick between comfort sex and “good” decisions. You can absolutely be a horny idiot and sleep around with several women, the game doesn’t stop you. There’s this big ass Italian girl with this smug smile who loves to sit on your lap in some fancy office chair, grinding slow until your cock is completely buried, pulling your face into her tits while she rides you like she owns your spine. It’s incredible, and you want to see more, but each time you give in you feel the story bending out of shape. Characters start to notice. One of them will look at you with this hurt expression during a conversation in a quiet kitchen scene, and all you can think about is the time you had her on her knees there, her lips glossy with your cum, while her phone was buzzing on the table and she ignored it. The corruption isn’t just the city or the mafia, it’s you slowly choosing lust over everything. There’s no “everybody is happy and we all share” type ending waiting for you if you fuck them all. The game is kinda mean like that, but honest. It lets you enjoy every blowjob in the backseat, every time you push a girl’s big tits together and slide your cock between them while she moans and drools on your shaft, every time you grab handfuls of ass and pound her from behind against the taxi hood, then later it just quietly makes you sit with what you did. And I really wish the main character would stop making that one weird smirk face during serious scenes, it breaks the mood, but whatever, by the time you’re deep in, following all those messy routes and trying different choices, you’re too busy wondering which woman you’re going to hurt next just because you couldn’t keep it in your pants.