Everything in this game starts in such a painfully normal way that it kind of hurts more. Just a guy, absolutely obsessed with his girlfriend, like "she is my whole world" level, the kind of dude who keeps cute couple pics in a hidden Telegram folder and thinks that makes him lowkey romantic instead of a clown. Then you walk into the living room and she is there with another man, not even trying to hide it, like this is a casual Tuesday. That first scene feels almost boring visually, but the timing of the voice lines and the silence between them, that stuff hit me harder than any fancy effect. His voice cracks when he tries to sound calm, like he wants to say "what are you doing?" but it comes out half breath, half broken laugh. And her tone is not cartoon evil, it’s soft and a bit annoyed, like he just interrupted a Netflix show. That tiny detail made the whole thing feel way dirtier than if she was just yelling "you’re useless." I’m a VA nerd, so I notice where they cut the breath sounds, and here they leave them in, slightly messy, like a real cheap porn audio, but somehow it works. I had my headphones on and legit felt uncomfortable in a good, fucked up way.

Once his whole impotence thing starts becoming a real plot point, the game leans hard into teasing and humiliation, but it doesn’t scream it at you. She starts talking to him differently. There is this one scene where she’s sitting on the couch in just an oversized t‑shirt, legs bare, feet in his lap, and her voice goes all sweet while she is casually stroking the other guy with her toes, not even looking at him. Voice actress there nails this fake girlfriend tone, like "you know I still love you, right?" followed by a moan that is very clearly not for him. I paused the game and actually replayed that line in VLC just to study the drop in pitch when she says "love". It’s not clean studio quality, you can hear the room, maybe a cheap mic on OBS or something, and I weirdly liked that more. It gives this voyeur vibe, like you’re hearing something from a neighbor’s wall instead of a polished hentai OVA. At the same time, sometimes the male moans from the bull feel copy‑pasted between scenes, which pulled me out of it once I noticed. Now I can’t unhear it and it annoys the hell out of me, but I kept playing anyway, so I guess that says something.

Later parts go pretty hard on the whole psychological spiral. The protagonist’s internal voiceover shifts from shame to this creepy acceptance way too smoothly, and that is where the multiple viewpoint thing kicks in. Hearing her thoughts while she’s getting pounded in the bedroom, knowing he is in the hallway "guarding the door", is wild. She’s thinking about how small his pride feels now, while her actual voice is all breathy and playful, half laughing when the other guy tells him to come closer and watch. And there is this balcony scene that got stuck in my head: she makes him stand outside while she rides the guy on the sofa near the window, telling him in this light, joking tone to "keep an eye out for neighbors", and the actress throws in these tiny giggles every time the couch squeaks louder. It sells the exhibitionism perfectly without needing some huge monologue. Also, I’m not even a big foot guy and still the way she uses her feet on both men, with those smug little comments, made me go "ok, maybe I get it now". The whole thing is messy, sometimes the timing is off, one transition cut is brutal as hell and made me laugh, but the rawness of the voices, the awkward breathing, the moments where someone talks over someone else and they didn’t edit it out, that all makes the NTR hit much harder than some ultra-polished VN with sterile moans. It feels like listening to a relationship slowly rot in your ear, and yeah, that’s exactly as hot and as miserable as it sounds.

Girl goes to a “normal” summer camp job and ends up getting body‑jacked by a horny fertility goddess with zero boundaries, that’s the vibe here. She clocks in expecting brats, mosquitos and bad cafeteria food, and instead wakes up with a thick new surprise between her legs and a goddess in her head giggling like “oops, my hand slipped.” From that point it’s not really a camp anymore, it’s a playground. You’re walking around this peaceful fantasy forest with cabins and lakes and then suddenly you’re pinballed between monster babes, stacked milfs and campers who are way too curious about what you’re hiding in those shorts. The game leans hard into her being both the teaser and the toy. One moment she’s pressing some poor flustered girl up against a tree and groping those tits like she’s kneading dough, and the next she’s on her knees with her own mouth full, acting like this was not in the job description while clearly enjoying every second. Classic “I shouldn’t… but I absolutely will.”

I like how the main girl starts out kinda panicked, like “what the hell is this thing hanging from me” and five scenes later she’s using it like a laser pointer to get people’s attention. There’s this one bit where a big‑ass, big‑tits camp counselor milf corners her in the storage shack, half scolding, half staring at the bulge, and slowly drags a hand down over it. That grab is shameless, the kind where you can almost hear the fabric stretch. Then she drops to her knees and you get this sloppy, messy oral scene where the milf is way too experienced, like she’s been waiting years for someone to show up with this exact equipment. Contrast that with the shy monster girl in the woods, who pretends she wants to “study” the new anatomy and ends up getting pinned against a rock, tail twitching while she’s ground on until she’s begging. The flirting is actually funny sometimes, very “lesbian disaster with magic dick tries to act smooth and fails” and I’m into that energy. Some dialogues are awkward in the wrong way though, like someone typed it on their phone during a bus ride and never read it again, but somehow that fits the messy, horny chaos of the story. Nothing is polished, everything is thirsty, and the goddess just keeps whispering in her head like a rude little coach, egging her on to go further, get rougher, try new holes, push new buttons. It all snowballs fast, from teasing and light groping at the lake to full‑on futa pounding behind the cabins, pussy eating in the showers, and girls sitting on her face like it’s a camp activity. At some point you forget there was ever a normal job involved at all, which is honestly exactly the point.

You start as this worn out taxi guy who looks like he slept in the backseat more than in a bed, and honestly, he kinda acts like it too. Long shifts, shitty tips, sick mom at home, and a brother who treats responsibility like an optional DLC. At first the game almost feels too normal, like, alright, another day, another drunk passenger who smells like cheap vodka and regret. Then this one woman gets in the cab. High heels, tight dress that looks expensive enough to pay all your bills, calm voice that somehow makes you feel both safe and like you’re about to fuck up your entire life. From that point, the story just quietly shifts from “I’m broke and tired” to “oh, I might actually die or worse, catch feelings.” It doesn’t shout at you, it just slowly pulls you into this mafia family drama, one choice at a time, one blowjob at a time.

The sex here doesn’t feel like some random bonus level, it’s tangled right in with the power shit and the manipulation. You think you’re just flirting for fun in the backseat with some big titted milf who likes to lean forward so you can see all that cleavage, but then your next ride, her husband’s cousin is asking questions, and suddenly that quick titfuck scene you just enjoyed is a massive problem. The game loves doing that. You agree to something because her lips are wrapped around your cock in the front seat and your brain is halfway melted, then later you’re realizing “oh, yeah, I kinda sold my soul for that blowjob.” One of my favorite early moments is in the taxi at night, rain on the windows, when she slowly slides over from the passenger seat, puts your hand on her thigh, and asks this very simple question that actually locks you into a whole route. You’re thinking with your dick, click yes, she unzips you, starts sucking, and the camera angle goes low so you see her throat working, spit shining your shaft while the city lights move behind her head. And in the middle of that, she’s talking about loyalty and what you’re willing to sacrifice. It’s hot and fucked up at same time.

What surprised me is how the game keeps forcing you to pick between comfort sex and “good” decisions. You can absolutely be a horny idiot and sleep around with several women, the game doesn’t stop you. There’s this big ass Italian girl with this smug smile who loves to sit on your lap in some fancy office chair, grinding slow until your cock is completely buried, pulling your face into her tits while she rides you like she owns your spine. It’s incredible, and you want to see more, but each time you give in you feel the story bending out of shape. Characters start to notice. One of them will look at you with this hurt expression during a conversation in a quiet kitchen scene, and all you can think about is the time you had her on her knees there, her lips glossy with your cum, while her phone was buzzing on the table and she ignored it. The corruption isn’t just the city or the mafia, it’s you slowly choosing lust over everything. There’s no “everybody is happy and we all share” type ending waiting for you if you fuck them all. The game is kinda mean like that, but honest. It lets you enjoy every blowjob in the backseat, every time you push a girl’s big tits together and slide your cock between them while she moans and drools on your shaft, every time you grab handfuls of ass and pound her from behind against the taxi hood, then later it just quietly makes you sit with what you did. And I really wish the main character would stop making that one weird smirk face during serious scenes, it breaks the mood, but whatever, by the time you’re deep in, following all those messy routes and trying different choices, you’re too busy wondering which woman you’re going to hurt next just because you couldn’t keep it in your pants.

You come back to this glossy, fake-perfect hometown like some prodigal son who learned how to fuck with people’s brains instead of just getting a normal job. Now you’re the new psychologist in a mega rich tech corporation, walking into rooms where everyone smiles too wide and lies for a living. Under the marble floors and glass walls, it all smells like perfume, power and bad decisions. The game leans hard into that. Every session you run feels like foreplay and interrogation at the same time. You’re supposed to help them, of course, but the tools they give you, the tech, the hypnosis routines, the little “mental triggers” you slip into their thoughts, it all starts feeling less like therapy and more like slow, sweet corruption. You’re not just listening. You’re adjusting. Pushing. Groping minds before you even touch their skin.

What I liked is how the story keeps mixing that clinical talk with very physical, shameless scenes. One moment you talk with a high-ranking MILF executive about workplace stress while she crosses and uncrosses those ridiculous thick thighs, blouse two buttons too low, always “by accident”. Next scene, you’re in her penthouse, city lights behind her, and she’s asking you to “help her relax” while your hand is inside her blouse and she’s kneeling between your legs, lips shiny, voice all shaky from a suggestion you planted earlier. It is not subtle. It’s not even trying to be. It knows exactly what it is doing when it gives you dialogue options that look responsible, then clearly marks another one that will nudge her a bit deeper into dependence, into that warm, obedient haze. You tell yourself you’re testing the boundaries of the tech, that it’s for science, but then you’re making her slowly strip for you in her office, door half open, her tits bouncing in those little looped animated scenes that repeat just enough times you realize you’ve been staring too long. At some point there is a scene with a “family dinner” that pretends to be normal, like catching up after you’ve been away. It goes sideways fast if you choose the more daring lines. Old resentments on the table, wine flowing, and you quietly dropping cues, peeling away all the polite surface. Watching someone who should absolutely not be touching you like that run a hand along your thigh under the table while the others talk about business mergers feels filthy in a very particular, incest-tinted way the game clearly enjoys. It toys with romance too, like putting sugar on poison. There are moments where one woman’s shy smile, the way she leans on you on a balcony, actually feels tender, almost pure. Then you remember you installed a mental reinforcement earlier that makes her horny when she smells your cologne, and the next kiss is tongue, teeth, desperation, her grinding that big ass into your crotch while she whispers how safe she feels with you. I still hate the phone UI popups that slide in at the worst times and cover half the boob, by the way. Whoever designed that deserves a very stern handjob without lube. The branching is sneaky. You think you’re just picking filthy or filthier, but later the game tells you in its own way that you chose whether she becomes a loyal lover, a brainwashed toy, or something broken and dangerous. Multiple endings hide behind small choices in early scenes, like whether you give someone a comforting hug or you “accidentally” let your hand rest on her ass a bit too long. And somewhere between giving oral instructions during an actual blowjob scene, watching those smooth 3D bodies glisten, and deciding if you’ll let one of them keep a bit of free will, you realize you’re not playing the hero here at all, just enjoying every slow, dirty step.