You wake up in the future, dick still attached, and somehow that already makes you rare like legendary loot in a shitty gacha. Men are gone, wiped out by some plague, and the world got tired of waiting for them to respawn, so the girls built androids to fill the… gaps. Not just for heavy lifting and fixing pipes either. Your new “life” is basically being a rented toy with a human brain: if a woman flashes her account balance and a weird request, you smile, say “yes, ma’am,” and figure out later why your knees hurt. The game treats this like a normal job, which is kind of the funniest part. One scene you’re lying on a couch while some rich office lady sits on your face like you’re just another piece of furniture, talking on her phone about work targets while using your tongue, the next scene you’re awkwardly trying to pretend you don’t see a horny student girl masturbating in the dorm shower while “testing your sensors.” The tone jumps between sweet, horny, humiliating and just stupid in the good way, like an adult comedy that forgot it was supposed to be subtle.

What I really liked is how it leans into you being property without turning you into a silent mannequin. You can tease back, flirt, or just be confused like a guy who opened the wrong tab at work. There’s a great early moment where your handler drags you to your first client, this shy-looking woman who clearly ordered you “for research.” She acts all serious and academic, then ten minutes later she’s climbing on top of you, hands shaking, asking you to “just stay still and… record the stats” while she rubs herself on you, grinding and panting, apologizing every three seconds and still not stopping. The game loves that contrast: girls acting like they’re in control, but their voice cracking the second your hand “accidentally” slides under the skirt. One milf makes you stand naked on the balcony while she lazily jerks you off from behind, talking in your ear about “exhibition testing,” and you can see other windows lit up, shadows moving. It really sells that voyeur vibe, like half the city is peeking and pretending they’re not.

I wish the notifications bubble in the corner wasn’t that ugly green, it just sits there like a WhatsApp message from someone you hate. Never gets fixed. Anyway, there’s this fun tension in a lot of routes: they talk like you’re just software, but the second you push your luck, like sliding your fingers deeper or holding their hips just a little tighter during oral, they react like you’re very real. Sometimes they punish you for it too. One dommy mechanic girl literally throws you on a workbench, sits on your face, and tells you she’s “recalibrating your tongue module” while grinding till you can barely breathe, then makes you finish her off with your hand under the oily overalls. Another scene goes the other way: a lonely office lady hires you just to cuddle, maybe a bit of groping, but you end up with her gently riding you while half-asleep, soft sleep sex, her muttering her ex’s name and you can decide if you wake her or just hold her tighter and keep going. The game calls itself funny, but it’s also weirdly romantic sometimes, like with the shy lesbian android who starts off just “studying male models” and ends up using you to figure out what she actually wants from girls. There’s groping on crowded trains, forced stripping in small apartments, you jerking off because your client “forgot to finish the test,” harassment in alleys where you’re treated like a vending machine for orgasms. It’s messy, horny, occasionally sweet, and never really lets you forget you’re both a sex worker and a glitchy relic of a dead gender, which sounds heavy but somehow just makes the teasing scenes hit harder.

Cold air everywhere in this game, that kind of bluish light where everything looks quiet until you realize it’s not quiet at all - it’s full of moans. “The Builder” starts like a normal job story, some guy sent north to construct something that doesn’t matter after a while because what really matters is how quickly every woman in that town ends up wrapped around him. It’s strange how the plot pretends to be about architecture or duty, but then someone leans too close over a workbench and suddenly there’s no building left except the one between his legs. I liked that switch though, it feels messy in a way that’s believable, like people pretending they have control when clearly they don’t. The girls aren’t copy-paste dolls either; each has that tiny habit that sticks in your head - the smith wiping sweat off her collarbone, or the widow who keeps her eyes shut during oral scenes like she’s praying. That detail hit harder than expected.

Still, sometimes the pacing drags, like the builder forgot what he was doing mid-thrust. There’s a part with a riverbank that could’ve been hotter if the camera wasn’t so polite - I wanted it to stay longer, to show the mess, not fade out. And yeah, I know it’s supposed to be “romantic,” but come on, they’re all basically begging for creampie scenes anyway, so why tease the player? Maybe a DLC later could bring pregnancy progression visuals, just saying, not even for fetish reasons, more for closure. I also wish someone stopped calling him “master builder.” Sounds silly when everyone’s panting. But then again, maybe that’s the point - it becomes almost funny, and somehow that makes it dirtier.

What surprised me most? I actually cared when winter ended and half the village had swollen bellies. It felt weirdly wholesome in the filthiest way possible. Like, he built the memorial but also a new generation - two kinds of legacies tangled together. I closed the tab thinking about that smell of sawdust mixed with skin, wondering if the next update will ruin it or make it worse, hopefully worse.

This kinetic novel hits different when you're just trying to kill time on the train. Naoki's basically fucked from every angle - no job, drowning in debt, dad vanished into thin air, mom's sick as hell. The guy's literally standing on a bridge ready to jump when this mysterious bar owner Mizuki shows up. Classic setup, right? But here's where it gets weird in a good way.

The fantasy element isn't some bullshit dragons and knights crap. It's more like... what if supernatural creatures just ran a bar and you had to work there? Mizuki's got this whole otherworldly vibe going on, and the contract Naoki signs isn't your typical employment agreement. Each shift reveals more about what's really happening, and honestly the pacing works even when you're half-distracted scrolling through your phone. The animated scenes don't overstay their welcome either - when things get steamy with handjobs and oral action, it feels earned rather than just thrown in for shock value. Though I gotta say, sometimes the dialogue drags when characters are explaining the magical world stuff. Like yeah, I get it, two worlds colliding, very deep.

What actually keeps me coming back is how the sexual content builds up naturally. Naoki's not some confident stud - he's broken down and desperate, which makes the intimate moments with various supernatural beings feel more... real? The vaginal scenes especially have this raw desperation to them that most games completely miss. Sure, it's a mobile game so don't expect groundbreaking mechanics, but for what it is, the story actually pulls you in. Mizuki's true identity mystery is genuinely intriguing, even if some plot threads feel like they're going nowhere fast. The whole "everything has a price" theme isn't just marketing fluff either - you can feel the weight of that contract hanging over every interaction.

First time I opened it, I thought the colors looked a bit too clean, like candy wrappers in a porn set. But then she turned her head - Alya - and her eyes had this lazy way of tracking you, half bored, half aware you’re staring at her chest. It’s supposed to be parody, right? But it feels like the people who made it both love and mock what they’re copying. The male lead moves like he’s unsure if he deserves to be there, which somehow makes the whole thing dirtier. There’s something wildly unbalanced about how quick it switches from sweet talk to her mouth sliding down him. No fade-outs, no convenient camera cut. It just lingers. Too long maybe. Or not long enough.

The dating sim mechanics are barely pretending to matter. Tap, choose, get flustered text messages, and suddenly you’re deep in a warm rhythm that feels too personal for something you’re doing on your phone. I caught myself thinking about her hair texture mid-scene - like, how soft would it actually be after? That’s the kind of stupid detail that shouldn’t matter, but it’s there. She teases constantly, calling him “senpai” in a voice that sounds more drunk than shy. The transitions between affection and filth are messy, which I kind of adore. You can tell the animators didn’t care about polishing it smooth; they wanted it to *feel* like it could go wrong at any moment. When she presses against him, breasts heavy and animated with this exaggerated bounce, I almost laugh. Then I don’t.

There’s a scene (pretty sure it’s optional) where she insists on finishing him while keeping eye contact, and it’s uncomfortable and hot in a way only parody can be. The game pretends to be romantic, but the romance cracks open fast once things start moving under the sheets. Maybe that’s the point - pretend sweetness wrapped around shameless fucking. You could call it satire. But I’d rather call it honest.