Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?

This fantasy romp throws you straight into the deep end - you wake up in some demon lord's castle with zero explanation and a very real threat of getting murdered if you step out of line. The premise sounds terrifying until you realize you're basically living in a supernatural harem situation. Your captor might be temperamental and deadly, but hey, at least the other prisoners are gorgeous monster girls who apparently have nothing better to do than chat you up.

The 3D animations are surprisingly smooth when things get steamy, and trust me, they do get steamy. Each demon girl has her own personality quirks and backstory that actually matter - not just cookie-cutter "I'm horny" dialogue. One minute you're having a philosophical discussion about imprisonment, the next you're getting a handjob from a succubus who's genuinely curious about human anatomy. The contrast is jarring but somehow works. What doesn't work is how the male protagonist occasionally sounds like he wandered in from a completely different game, spouting generic hentai lines that clash with the otherwise decent writing.

The castle exploration feels pointless though - you can wander around all you want, but there's really only a handful of rooms that matter. I kept expecting some kind of escape plot or deeper mystery about why you're there, but nope, it's just "talk to demon girls, get sexual favors, repeat." Not that I'm complaining about the sexual content itself - the big-titted demon designs are genuinely creative, mixing traditional succubus elements with more exotic monster features. The handjob scenes have actual technique variety instead of the usual repetitive motions. Still wish there was more plot substance beyond "don't anger the boss lady while you fuck her subordinates." But sometimes simple works.

You wake up as this pale girl in a filthy underground “medical” room, wearing almost nothing, with tubes in your arm and some creep’s blood bags hanging around. The first thing that hits harder than the jump scare is the camera slowly zooming on your face when you realize the blood smells good. Not “hospital good”. Dick‑hardening good. Pussy‑throbbing good. It’s not shy about it. The game just locks you there for a while and lets you stare at that one dripping bag, and I swear that scene lasts too long, but in a nice sick way. That’s when it clicks: alright, I’m a vampire, I’m starving, and every person I see is either a snack or a fucktoy or both. After that, it just throws you in this big modern city where all the lights look too bright and every human heartbeat sounds like porn BGM. They pretend it’s a normal “arrive in the city, get clothes, find job, meet people” start, but under that it’s basically a slow horror build where you keep wondering if you are about to suck someone off or tear their throat out. Sometimes both. The story keeps dropping small weird details like people scared of ancient myths, news about mutilated bodies, a girl with almost yellow eyes who stares at you a bit too long on the subway. You keep thinking “ok this will explode later” and then it… doesn’t. At least not yet. That’s kind of hot too, like edging with plot.

Sex scenes don’t rain from the sky right away, and I actually liked that, which is funny because I also hated it when I was horny and clicking through dialogue like a degenerate who has three other tabs open with Pornhub, xHamster and Discord. When they finally let Kyra get off, it goes from zero to “I’m fingering myself in a stranger’s bathroom while trying not to bite through my own lip” really fast. There’s one masturbation scene in a crappy rental apartment, blinds half broken, city noises outside, where she’s trying to stay quiet because her new roommate is on the couch. The camera spends a ridiculous amount of time on her thighs tensing, not even on the pussy. I kept thinking “move down, move down” and at the same time I was kinda happy it didn’t. Like, the tease is better than the shot sometimes. Then you get group situations later where things stop being gentle. There’s this club scene, shitty techno, neon everywhere, and you end up in a back room with too many hands on your body, mouths on your neck, someone’s cock rubbing your inner thigh while another girl is kissing your jaw. You can either lean into the “I’m the hungry monster, use them” vibe, or just drown under them, and both paths feel dirty in different ways. The oral stuff is nice and messy, spit and blood mixing, and the game doesn’t flinch from graphic violence when you finally stop holding back and rip someone open like a meat toy. The weirdest, most memorable bit for me was when you wake up after a kill, covered in dried blood, and you realize you came while doing it. They don’t overexplain it. No long monologue. Just her staring at her hands, shaking, then getting horny again when she smells herself. It’s fucked. It’s kind of romantic too, in a twisted way. And no, I’m not going to talk about that alley scene with the monster girl, the one where you’re not sure if you’re dominating or being milked. That thing is stuck in my head for all the wrong reasons and I’ll probably still think about it in a week while pretending I opened Chrome for “emails”.

This one feels like some horny mage wrote his mid‑life crisis on a napkin, spilled beer on it, then actually cast a spell and turned it into a game. You play as Sam, or whatever name you type in when you’re already half hard, a guy who’s supposed to be powerful and wise but spends most of the story thinking with his dick around monster girls and old mistakes. It’s connected to that main List Saga thing, but this side story is more like sneaking out of a serious fantasy novel to go fuck in the alley behind the magic academy. You keep bumping into this whole mess from your past that refuses to stay buried: the wife you literally tied to a book, the kid you may or may not have screwed over, and these non‑human girls who want to either eat your soul or sit on your face. Sometimes both, honestly.

What makes it weirdly hot is how the game doesn’t rush. It’s not “click button, instant tits.” First you get that slow magical mind control stuff, where you’re not sure if you’re the one in charge or if the monster girl is just letting you think you are. There’s a scene early on where you’re arguing with this horned librarian chick about forbidden grimoires, and the dialogue suddenly slides into her pushing into your mind like warm fingers, asking why you’re still obsessed with that old book that has your wife’s soul. Next click and she’s on her knees, drool on her lips, eyes glowing, taking your cock in her mouth while you feel her in your head, whispering that your son will hate you forever. It’s filthy and kind of fucked up, and yeah, it works. The animated stuff sells it, you actually see the hips move when you’re pounding into her, the little shiver when you pull out and then change your mind and slam right back in. Creampie shots are not shy at all, cum pooling inside, dripping out, especially when it’s some monster girl pussy with weird details that’d get you banned on Instagram in half a second. Sometimes the pacing is like a party that forgot there was supposed to be music: long quiet scene, heavy lore talk about the old spell and your missing kid, then suddenly you’re balls deep in a slime girl who learns your memories by swallowing your load. Then nothing for a bit, just walking around, using spells, checking the same room twice because you swear the book on the table moved, but it didn’t. Or maybe it did, I still don’t know, the thing annoyed me the whole time. The good part is when Sam is supposed to stay focused, talk about “responsibility” and “consequences”, and instead you steer him straight into another mind‑controlled blowjob, or a rough vaginal scene where the monster girl begs you to finish inside so she can “keep a piece of your magic.” It’s filthy, a little pathetic, and somehow romantic in the wrong way, like arguing over who is the best waifu while you’re literally rewriting her brain with your cock. Honestly, I came, then felt bad for like twenty seconds, then wanted to test a different choice to see if I could still break her mind and leave her smiling with your seed leaking down her thighs.