Power in this game smells like cheap perfume and fear. You’re Lana, a “good girl” who somehow picked the worst possible college in the country, where professors smile for the brochure and then use their office keys for everything except teaching. On the surface it’s all clubs, exams, stupid cafeteria food, but the real routine is who’s getting touched, filmed, blackmailed or bought next. The game doesn’t pretend you’re a hero. You’re just the new toy drifting between a former cop who runs the dirty side of campus, a smug student who knows way too much, and a few teachers who really should not be allowed near students without bodycams. One minute you’re worrying about grades, next you’re kneeling under a desk while class goes on, trying not to moan when his fingers slip between your thighs and your classmates are right there. It feels messed up, nasty, and weirdly hot in that “I didn’t mean to enjoy this” way.

What I really liked is how your corruption doesn’t happen with some magic switch. It’s slow and sticky. First it’s harmless teasing, a flirty text, a “private tutoring” session where the teacher sits too close and his hand stays on your leg too long. Then you’re doing a handjob in the back of a police car so a certain ex-detective forgets what he saw on the security cams. You tell yourself it’s only this once, but suddenly you’re in a bathroom stall being used by two guys at the same time, one in your mouth and one pounding your pussy from behind, your phone sitting on the toilet tank recording everything because someone told you to. You try to cover your face with your hair while they fuck you, but then the game makes you watch that same video later, leaked to some secret campus chat, comments scrolling underneath about your big ass and how they want to fill you up too. There’s a really nasty little scene where Lana gets forced to strip in a half-empty lecture hall “as a punishment”, pulled over the teacher’s desk while he spanks her till her skin turns red, students pretending to take notes while sneaking pics. And then later, that same teacher makes her sit on his lap, dick pressed against her ass while he lectures about ethics, her panties wet and useless, trying not to grind on him with every word.

It’s not all men using her either. There’s this one girl, the “perfect student” who’s actually running her own game. She pulls Lana into the locker room, locks the door, and starts fingering her against the cold tiles, whispering in her ear about all the things she’s going to make her do for “protection”. She makes Lana lick her out on a bench where any other student could walk in, then casually wipes Lana’s face and sends her out like nothing happened. Later the same girl is the one holding the camera while Lana is on her knees, getting throat-fucked by some rich asshole, tears and mascara everywhere, his balls slapping her chin while he uses her as if she’s a hired slut. There’s pee play too, but it’s not some classy fetish shoot. It’s ugly and degrading: forced to kneel in a disgusting campus bathroom while a guy unzips and tells her to “be a good girl and drink”. You see her hesitate, then open her mouth anyway, cheeks burning. The game leans hard into voyeurism. Hidden cams in showers, windows where you can watch classmates getting groped, dark corners where slaves are collared and used as furniture at secret parties, bodies covered in cum, girls tied up and spanked until they cry. Sometimes Lana’s the victim, sometimes she’s already too far gone and starts touching herself while watching someone else get humiliated, rubbing her clit with a toy she “borrowed” from the BDSM club. If you want every dirty scene to hit harder, don’t rush. Let her resist a bit first, pick the options where she hesitates, then slowly drag her into worse stuff and watch how a shy student turns into the campus whore who moans when she gets creampied in the principal’s office with the door half-open. Take your time ruining her.

You wake up in a hospital bed, half-naked, half-lost, and some woman in a tight uniform is already yelling at you about “protocols” and “magical violations.” She’s got that kind of face that makes you want to argue just to see her lips move. That’s how this world greets you - no gentle handholding, just a slap of mystery and a hint of perfume. Before you know it, you’re in the Ministry’s investigation unit, poking around enchanted crime scenes and trying not to stare too long when your partner bends over the evidence board. The game doesn’t pretend to be subtle about it either. You’re supposed to notice. You’re supposed to want. And it knows exactly how to feed that want, one teasing smirk at a time.

The cases start simple - missing artifacts, a smuggled charm - but the deeper you dig, the more it all starts to feel like foreplay. Every interrogation is a kind of striptease: suspects squirming under your gaze, your magic brushing against their thoughts, the tension thick enough to taste. Sometimes you get the truth. Sometimes you get a blowjob. Sometimes both. The writing leans into that mix of absurd humor and raw heat, like it knows you’re here for the mystery but stays aware that your hand’s probably not on the mouse for long. The animations are smoother than they have any right to be, and the transitions between dialogue and action scenes hit that sweet spot where you forget it’s a game for a second.

What really caught me off guard was how much control you actually have - choices that twist the story, relationships that grow (or explode) depending on how you play it. One minute you’re connecting clues on a board, the next you’re being pinned against a wall by a sorceress with glowing eyes and a tongue that doesn’t care about rules. It’s messy, horny, and weirdly smart about pacing. Like it knows when to make you laugh, when to make you hard, and when to make you wonder if you’re the real criminal here.

A washed up low-rank yakuza idiot, a gorgeous demon who literally exists to murder people, and way too much sexual tension for anything to stay “strictly business” for long. That is basically the whole mood here. You start as this guy who cannot stop fucking up, even in crime. He’s not a badass, he’s more like the dude everyone uses to carry bags and take the blame. At some point this genius decides the only solution is to call a demon who can kill people for him… and what pops out is Ambrosilas, this tall, smug, white‑haired murder genie with abs like a sin and the kind of eyes that say “I am 100% judging you while also maybe picturing you naked.”

The first thing that hits you is how much their personalities clash. The MC is kind of pathetic but in that soft, puppy way, and Ambro is all sharp tongue, sharp teeth, sharp everything. He’s here for one reason: kill evil people, clean up the world, enjoy the view while he’s at it. Helping a trash-tier criminal survive his own bullshit? Absolutely not. Well, okay, maybe. If he’s in the mood. And if he can make him squirm emotionally first. Their contract has this nice brutal rule: give the demon a target who deserves to die or the one who summoned him gets his soul ripped out like old wallpaper. Simple, right? Of course the MC immediately picks someone who is… not that bad. And you can feel the “oh fuck” in the air. You spend the game stuck between “I don’t want this guy dead” and “I also enjoy breathing and orgasms, thanks,” while Ambro watches you try to untangle morality with the same expression people have when Windows decides to update in the middle of a porn session.

Sex-wise, it really leans into that mix of desperate and intimate. The anal scenes are not just “hole goes brrr.” You feel the power imbalance: demon on top of the food chain, human loser spread out under him, but the demon keeps slipping, accidentally showing actual care. There’s this one scene where he pins you to a wall, hand around your throat, voice all low, teasing you about how easy it would be to crush you right there. You’re terrified, hard, confused, it’s a mess. He pushes in slow, almost cruel pace, talking shit about how a criminal like you doesn’t deserve anything gentle, and then in the middle he just… softens. Calls you “pretty” with this weird tenderness that doesn’t match the bruises he’s leaving. It’s porn, yeah, but it’s also character development shoved deep where the sun doesn’t shine. At one point he uses his tail in ways that made me put my phone down and stare at the ceiling for a bit, and I mean that in a good way. Or maybe not good. Depends if you enjoy being emotionally wrecked by a magical murder twink who hates you and also is kind of your only chance at not dying. Anyway, it’s romantic. In a fucked up, “I could kill you or kiss you or both” kind of way that somehow made me feel weirdly cozy and also very, very dirty.

Angelica is a walking red flag and I adored her in like five minutes, then hated her in ten. She shows up in this filthy, beautiful city with one suitcase, dead dad drama, and that “I’ll turn my life around” lie we all tell ourselves while secretly wanting to fuck up on purpose. The game throws you into her first night pretty fast: that awkward moment when she’s crying in a tiny bathroom, mascara everywhere, then five minutes later she’s half naked on a balcony, cold air on her nipples while some guy on the street below pretends he’s not staring. That switch from grief to horny to “I shouldn’t be doing this” feels weirdly real. Or maybe I’m just broken, I don’t know.

What hooked me is how everyone in her orbit feels like they’re part of some twisted family horoscope you can’t escape from. There’s this older guy who’s supposed to be a “good influence”, but the way he looks at her when she bends over the couch is not fatherly at all. You feel the moment when a gentle hand on her shoulder becomes fingers sliding lower, then suddenly her legs are spread and she’s torn between shame and “fuck, don’t stop”. I love that corruption vibe, like fate keeps pulling her toward the dirtiest version of herself. At one point she’s in a car with two dudes, rain outside, city lights, her on her knees between the seats, spit on her lips, their hands grabbing her hair. One of them is darker skinned, the other pale and tatted, and the mix looks so hot when they both come on her tongue. Then seconds later they talk about business, guns, some criminal shit, and act like her slutty mouth was just part of the job.

There’s also this scene where she’s supposed to be just serving drinks at some sketchy club. Simple, right. But of course she ends up on the stage, hips moving, tits almost falling out, trying to pretend she’s doing it just for cash while the crowd chants for her to strip completely. A phone flashes, someone records, and you feel that little panic: “This video might follow her forever.” Still, she lets a guy slide his fingers under her panties in front of everyone, wet as hell, knowing she’s getting watched from the VIP booth by someone important and dangerous who might be related to her whole past. The story tries to be serious crime drama, and sometimes it works, other times it feels like a cheap porno excuse so they can stuff her with two cocks at once and call it “interrogation”. I’m not even complaining. Actually I am. I wanted more slow burn, more teasing. But then there’s this one alleyway scene where she’s got cum dripping out of her after a rough fuck, and someone close to her sees it and doesn’t say anything, just stares, and that silent tension hit me much harder than any of the loud group fucks. Fate is kind of cruel in this game, but it also feels like exactly what she secretly wished for when she left home.

Chicago in this game feels dirty in a good way. Not just “oh look, old cars and hats”, but the kind of dirty where you can almost smell cheap whiskey and sex sweat behind a club’s red curtain. You start as this young guy trying to crawl into the local mafia mess, and the story keeps asking you who you really want to be. A smooth talker that smiles while putting a bullet in someone’s back, or a straight up psycho that lets his cock and his gun make the decisions. Half the time I was clicking thinking “ok, this choice is just flavor”, and then suddenly a character hates you forever or opens her legs for you in a later scene because of one thing you said three scenes before. It feels like the game remembers that time you chose to keep your dick in your pants when you could have forced yourself on a drunk hostess, and later she’s the one on her knees, voluntarily, sucking you off in the back room while the band is playing upstairs and her husband is literally guarding the door for you like an idiot.

The older women here are the real treasure. There is a married milf running one of the speakeasies who acts all classy, pearls and perfect hair, but if you play your choices right, you can drag her into her tiny office, sit in her chair like you own the place, and make her kneel between your legs. The animation where she hesitates for half a second, then opens her mouth and you just push her head down, that one got me. She gags on your cock, mascara a bit messy, and you can decide if you treat her like a secret lover or like a convenient whore. It is not some soft romantic blowjob either. Teeth almost scraping, drool on your balls, your hand in her hair while you talk calmly about business with her gangster husband outside the door, planning a robbery. And the game actually lets you be a cold bastard and then go home and jerk off thinking about it, or feel a bit guilty and try to protect her from the mess you pulled her into. There is one path where she calls you in the middle of a big crime deal, crying that her kid might have seen something, and you have to choose between handling the cops or handling your horny conscience. Funny thing, I wanted to be the big bad mobster, but I still found myself sitting there, dick in hand, actually thinking about consequences like some moral philosopher with cum on his fingers.

What surprised me is how often masturbation itself is part of the story instead of just a “you failed, go jerk off alone” scene. Your protagonist can end up back in his shitty room, covered in street dust, replaying the way a club singer licked her lips around her cigarette, and you get this little animated loop of him stroking his cock while the city noises drift in from the window. Or he sneaks into the office early and finds a hidden photo of the boss’s wife, legs half open, and you can choose to jerk off right there on the wood desk, risk getting caught, or keep it in your pocket as blackmail. Maybe I am weird, but that felt more real than some of the actual sex. Also, the crime stuff is not just background. One wrong choice, you blow a deal with the mafia, and suddenly that milf that used to suck you off is pretending she doesn’t know you while you sit in the bar alone, horny and kind of humiliated. The game is horny but also a bit cruel like that. I liked it. I hated it. I kept clicking.

City 9 feels like the kind of place where Google Maps should just show a middle finger instead of directions. You arrive there as this transfer student, totally out of your depth, pretending you care about lectures and assignments while the whole city is quietly run by people who solve problems with guns, blackmail and pretty faces. On the surface, it looks like one of those elite private universities: fancy buildings, smug rich kids, teachers who dress too sharp for the salary they pretend to have. Under that shiny layer, everything smells like money, sex, and trouble. And you are right in the middle of it, pretending you’re just another normal guy who worries about exams, not about which gang lieutenant wants to use you as their pet student.

The nice thing is, the game doesn’t rush you. You wander between classes, dorms, shady backstreets, strip-club-ish spots, and those quiet expensive apartments where nobody ever opens curtains. Conversations are where the fun begins, because every character feels like they’re hiding something. Some of them hide it inside their panties, some in their phone gallery, some in a locked safe in a nightclub office. You get little choices everywhere: skip a lecture to meet a suspicious contact, flirt with the dean’s assistant while she clearly checks you out, follow a girl from your class into a taxi you know is linked to a gang. One moment you’re talking about homework, next you’re pinning someone against a wall in a bathroom stall while trying not to say something that reveals exactly how much you know about the mafia structure in the city. The sex scenes hit that sweet spot where people are messy, loud, not posing for some porn shoot, and after you finish, the game still remembers it, like a favor you owe or a weakness somebody can use. I liked that a lot, and then I didn’t, because sometimes I just wanted to fuck without worrying that some thug will bring it up later like “hey, you banged the boss’s girl, right?” and suddenly that becomes a quest line.

All the management stuff creeps in slow. At first it’s tiny things: handling your university schedule, money, buying better clothes so you don’t look like a lost puppy among spoiled kids, checking messages on your phone like it’s WhatsApp and Telegram had a horny baby. Later the criminal side opens more, and suddenly your “part time work” is helping control territories, picking sides between gangs you’re supposed to stay secret from, and somehow still passing tests so your cover doesn’t blow. You juggle contacts, girls, guys with bad tempers, meetings in dark corners, and that weird feeling that one wrong click and somebody dies or you get dragged into a gangbang scene you didn’t expect. Sometimes I loved that feeling of being pulled in two directions: sit at a study group and pretend to care about formulas, or sneak off to a club office where a gangster queen waits in lingerie and a gun on the table, asking questions you really don’t want to answer while she rides you slow. The city map, your phone, the different hangouts, it all ties together into this sandbox where you just drift from one bad decision to another. I still hate how the cafeteria tables look, though. Something about them annoys me every time and I can’t even say why. Anyway. Dare to play it alone, or invite company? Actually, forget that, just do what you want.

You wake up in this game as the mafia prince who absolutely did not earn any of his power, and it shows. One minute you’re cruising through life with money, guns, and a crazy hot bodyguard in tight combat gear, next moment everything is on fire and you’re crawling through sand with a dry mouth and a hard dick. The whole thing sticks you right inside his head, so every scene is like you’re looking out of your own eyes, watching bullets fly past your face while you’re also trying not to stare at Natalya’s ass bouncing in front of you. She’s supposed to be protecting you, but half the time you’re just thinking “please pin me to that rock and use me like a toy.” That kind of game. The mood jumps from “shit, I might die” to “shit, I might cum” without any warning at all, and weirdly that fits the story. People are hunting you, you’re running, hiding behind burned cars, your clothes dirty, she’s yelling orders at you like some mad sergeant, and then when you’re finally somewhere safe, she starts talking soft but still treating you like property.

The sex doesn’t happen in some fantasy bubble either. It grows out of bad decisions, fear, and that messed up rush when you almost die. I had one scene where we were holed up in an abandoned desert house, low on ammo, guys circling somewhere outside. The MC is shaking, and she just pushes him against the wall, grabs his throat and tells him to “focus” while her hand is already inside his pants. You see her face way too close, sweat, dirt on her cheek, her eyes still scanning the window while she jerks you off. It’s not romantic, it’s angry, desperate, and somehow it turns into this rough blowjob with her knees on the dusty floor and his fingers tangled in her short hair. She spits on it, looks up with that “shut up and cum” stare, and yeah, that broke me. Then the game suddenly throws you into another tense bit where you’re supposed to care about who betrayed your father. Honestly I forgot, I just wanted more of her. There’s scoring moments where you try to make the right call under pressure, like choosing if you shoot first or try to talk, or if you follow her plan or act like the big boss boy, and your choices sometimes open scenes with other women on the road, like a scared bartender hiding her tattoos under a uniform, or a girl connected to some rival family who wants to use your dick and your name at the same time. None of it feels safe. Even the “romance” has knives hidden inside it, like they could kiss you and then sell you out right after.

What surprised me is that the game doesn’t treat you like some god of seduction. You screw up, you panic, you pick cowardly options because you don’t want another shootout, and women notice. Natalya mocks you if you play too soft, calls you out for hesitating, then later rides you with her hand pressing your chest down, whispering that you’re useless without her. It’s filthy as hell, but it hits that fantasy where you’re important because of your bloodline and still completely under her heel. At the same time, there are sweeter pockets that almost feel wrong in this world, like sharing a cigarette behind a crumbling motel, her sitting on the hood, legs spread just enough for your eyes to wander, talking quietly about the old days with your father, then dragging your head between her thighs and using you to forget. The game throws these scenes at you between gunshots and desert sunsets, and it doesn’t really ask if you want to be a good man or not. It just keeps pushing: survive, fuck, maybe fall in love, probably get betrayed. You click, you read, you pick who to trust, you pick who to bend over the nearest table, and half the time you’re not sure if the next kiss will come with a bullet. That’s what kept me going: that feeling that every orgasm could be the last one before everything goes to hell again.

Fashion-wise, this game is like someone spilled expensive whiskey on a thousand dollar suit and just decided to wear it anyway. The whole thing happens in this smug New York law office where everyone looks like they sleep in silk sheets and fuck on mahogany desks, and yes, I am absolutely stealing half the lingerie ideas from here. You play this fake lawyer guy who kind of fell into the job while running from a bad drug deal, and I like that energy: not classy, but pretending very hard to be. Fits the mood. The boss, Logan, is this shark in a three-piece suit, slick hair, smile that says “I’ll ruin your life and make you thank me.” Every conversation with him feels like foreplay and a job interview crashed together. There is this one scene where he leans on the edge of his desk, tie loose, hand on your shoulder, and talks about “loyalty” while a female associate with ridiculous tits pretends to be busy in the glass office next door. You can see the curve of her ass in the reflection. That’s the moment I started sketching a bra cut in the shape of a power tie.

The women here are exactly how some partners secretly want to dress their assistants but HR would explode. Pencil skirts like second skin, blouses that are one button away from HR complaint, those bra outlines that tell you everything without showing anything. When the main girl sits on the conference table, legs crossed, laptop open, jacket off, and you can see the lace of her bra shadow under the white shirt? That’s not just horny, that’s storytelling. She bends forward to whisper about a “secret file,” and suddenly the whole scene is about her cleavage and the risk of getting caught. I kept pausing to zoom in, not to masturbate, but to check how the light hits her fabric… and then, okay, sometimes also to masturbate. I wish the game used more colors though. Too many navy suits and gray. A deep wine red lingerie set peeking from under a crisp white shirt would have murdered me, but no, they keep going back to black. Black lace, black bra, black panties. It works, but it’s lazy. Like, give me one emerald satin garter set in the whole office, is that so hard?

The criminal side sneaks in just enough to make the sex feel dirty in the right way. You are hiding this big lie, Logan knows, some coworkers probably know, and everyone uses it like leverage. One moment you are reviewing a contract, the next your “mentor” corners you in a file room, tells you to bend over the cabinet while she blocks the door with her heel. Her tits press on your back while she whispers legal threats in your ear and asks how bad you want that promotion. Half my brain is thinking about how to recreate her sheer stockings with that seam up the back, the other half is thinking “this woman absolutely ruins men on purpose.” I liked one paralegal with a huge ass who keeps pretending she is innocent, then turns around and accidentally brushes it against you every time you pass behind her chair. Her panties shine through her skirt when the office lights are low. It is subtle, but not really. Actually, nothing in this game is subtle. Even the way they sit in chairs is horny. I started thinking about a lingerie line called “Hostile Takeover” with little gold clips shaped like cufflinks. Anyway, the dirty talk hits, the asses are thick, the suits look expensive, and the whole place feels like a place where everyone lies for a living and fucks for fun. The coffee cups in the background look weirdly small though. It bothers me. Never mind.

Rob is the kind of protagonist who feels like that dude you saw in the corner at a college party, the one who left early and then somehow ended up in a police report. On paper he’s just some broke student with a shitty family situation, but the game quickly turns that into something way nastier and more fun than “sad boy drama”. The poker game is where it flips: one bad decision, some shady people, and suddenly you’re knee-deep in crime, blood, and way too many girls wanting a piece of you for all the wrong reasons. It starts small, like “do this little job, no big deal”, then you’re pulling clues from crime scenes and trying not to get a stiffy while a girl with a fucked up sense of morals helps you hide a body. The investigation parts are not too heavy, more like: talk to this person, click that thing, follow threads. But they actually matter. You screw up, people die. You succeed, people still sometimes die. And in between all this, there’s a lot of sex, a lot of wet sounds, and way too much eye rolling ahegao for someone who just watched a man bleed out ten minutes earlier.

The harem angle is strong as hell, but it’s not the usual soft, “oh, all girls just magically love you because you’re nice” bullshit. You’re a guy orbiting around crime, lies, and trauma, and somehow that just attracts unstable pussy like a magnet. One girl is the type who will ask you to choke her while there is literally a dead guy in the other room. Another one looks innocent, then drops to her knees and starts swallowing you to “help you relax before the next job”. You get a lot of oral, a lot of messy spit, and those animated loops actually go on long enough to enjoy, not that two-second jerk you see in some other games. Vaginal scenes hit hard too, especially when the camera stays close when she clenches around you, tongue out, eyes rolled up. There is this one scene where you just came back from some brutal shit, still half covered in someone else’s blood, and a girl decides that this is the perfect time to ride you raw, moaning louder every time your hands grip her hips like you’re about to break them. It’s wrong in all the right ways. The tone is wild: one moment you’re picking apart motives like some low-rent detective, next moment you’re slamming into a girl who drools all over herself like she’s broken. Sometimes it feels edgy just to feel edgy, but then you get a line of dialogue that hits, or a small detail in a room that ties back to an earlier event, and you go “ok, the dev actually thought this through”. I wish the text box didn’t jump a pixel when auto mode kicks in, it irritates me every single time and I still keep playing. The game is brutal, horny, kind of stupid, kind of smart, and absolutely not trying to be wholesome in any way, which honestly fits this messy little criminal sex fantasy perfectly.