Morty wakes up in this thing like half familiar, half totally fucked, and before he even gets his head straight he’s getting dragged into horny bullshit that somehow manages to be even messier than the original. The game throws you into a “find a way home” idea, but it forgets about that pretty fast and just says: ok, who do you want to fuck first, and how badly do you want to screw them up in the process. It calls itself a fan remake, but it feels more like some pervert took the base story, kept the recognizable faces and voices in your head, then went “what if every single wrong idea I had at 15 became a branching scene.” One second you’re talking about portals and universes, next second you’re getting blackmailed into licking someone’s feet while she pretends this is about “helping Morty grow as a person.” There is so much teasing it actually got on my nerves in a good way, like those Ren’Py menus where you think “ok this time I’ll pick the nice option” and then suddenly you agreed to join a bukkake event in a garage with fluorescent lighting and nobody blinks.

The thing that hit me hardest is how dirty it is while still pretending to have some kind of morals. You can play Morty as this timid virgin who keeps getting walked over, or you just give up and lean full ntr and corruption, watching him “borrow” people who obviously belong to somebody else and then act surprised when it bites him in the ass. There’s that feeling of constant consent blurring: mind control scenes where you’re technically “saving the world” but really you’re just turning people into your toys; sleep sex that the script tries to frame as “oops, weird circumstances”; tentacle labs that look like they were supposed to be a serious sci fi experiment until someone thought “what if this thing also fucks them in three places at once.” And then there’s all the group stuff: twins sharing him like a new toy, lactation jokes that suddenly turn into pregnancy talk, body fluids everywhere while the dialogue pretends it’s still a parody of the show. It’s funny, and then it’s not, then it is again. One moment you’re laughing at a cosplay scene where a MILF is squeezed into some alien suit, next moment you notice there’s a choice to creampie her raw and maybe knock her up, and the game just shrugs like “you clicked it, dude.” I like that it doesn’t waste time with grinding or fake sandbox systems, but at the same time the straight line structure makes the kinks hit faster and harder, and sometimes you’re in the middle of blowjob, spanking, anal, toys, multiple penetration, all in the same “episode” and you kinda wish it would breathe for a second. It won’t. It just keeps pushing Morty into deeper perversion while pretending it’s all part of getting home, and if you’re honest, by the time you’re watching him give some sloppy oral to avoid being turned into science goo, you don’t really want him to leave this universe anyway.

You wake up in Hell and the first thing you see is a demon girl with tits that look like they could crush a man’s soul. She’s smirking, tail flicking, voice dripping honey and venom at once. You’re not sure if she wants to fuck you, kill you, or both. Probably both. That’s kind of the rhythm of this whole thing - every encounter feels like a mix of danger and lust, like your dick’s leading you into bad decisions and you’re fine with that. The story pretends it’s about figuring out how you died, but let’s be honest, most of the time you’re just trying not to stare too long at Millie’s ass while she’s scolding you. Mildred (yeah, that’s her full name, but she hates it) has this way of spanking that’s half punishment, half mercy. It’s ridiculous and hot as hell.

The game throws you into scenes that swing between horny cartoon chaos and weirdly emotional bits. You’re an assassin now - or something like that - and the missions feel more like foreplay than combat. Sometimes you’re sneaking through some demon bar, trying to focus on the target, and then a monster girl with too many eyes starts flirting like she’s reading your thoughts. You can flirt back, or just let her pin you to the wall. The choices don’t always make sense, but that’s part of the charm. It’s messy. Like sex that goes a little wrong but still leaves you shaking after.

There’s this one moment where you catch your reflection - human face, demon eyes - and it hits weirdly deep. You remember you’re supposed to be solving something, but the next second someone’s moaning your name and the screen flashes red. That’s the kind of pacing it has: no warning, no clean lines, just lust and confusion and fire. The world feels alive, like it’s breathing down your neck. And the more you play, the more you start thinking maybe Hell isn’t punishment. Maybe it’s just where people like you finally get to stop pretending.

The cube thing is dumb. I mean, it's there, some ancient being trapped in a crystal prison, whatever. That's the excuse for why Raven from Teen Titans is suddenly standing next to Rias Gremory and asking if I want to "purify" her chakras. The point and click stuff is simple, you just cycle through locations and hope Gwen's shirt finally pops open.

And it does. Frequently. The AI CG is... look, sometimes Starfire's face melts into a vaguely orange puddle with eyes, and other times her tits are rendered with the kind of loving, hyper-detailed gloss that makes you forget she has five fingers on one hand and seven on the other. The corruption angle isn't a slow burn. You click a dialogue option that's basically "be a dick" and suddenly Raven's leotard is three sizes smaller and she's talking about how her dark side really wants to sit on your face. I'm not complaining. The oral sex scenes are where the art actually tries, Gwen's scenes especially have this messy, desperate energy that the stiff dialogue completely fails to set up.

I got stuck on Rias's route for a while because I kept expecting some High School DxD plot to kick in. It doesn't. She just appears, all that crimson hair and physics-defying chest, and within three clicks she's forgotten Issei exists. Which is hot, but also, like, what was the point of the crossover? The male protagonist is a void, a pair of hands and a dick, which is standard but Raven's corruption arc deserved at least a line about her empath powers going haywire from the cube's influence instead of just "you're cute, let's fuck." The Total Drama Island characters feel lost, like they wandered in from a different, uglier game. Still, I kept clicking. That one scene where Starfire's eyes actually looked right, glowing and alien, while she... you know. Worth the price of admission. I just wish the ancient being had stayed in the cube. Its dialogue is pretentious nonsense that interrupts the good stuff.

Right off the bat the art is jank. Not in a charming way, more like someone's first blender project they abandoned halfway through but decided to slap tits on anyway. The waifus have these dead fish eyes that follow you around, and during the exorcism scenes the lighting goes all wrong so their skin looks like plastic wrap. I spent way too long staring at one ghost girl's elbow because it bent backwards and I couldn't unsee it.

The premise is you died and now you're some kind of ghost hunting horndog. Standard stuff. You wander around this city that's basically three streets and a park, clicking on sparkly things until a specter pops up. The combat, if you can call it that, is just picking dialogue options. Sometimes you banish the ghost, sometimes you end up in a surprisingly detailed sex scene with a milf spirit who has no business being that flexible. The crossover stuff gets weird fast, there's this one character who's clearly just a bootleg version of a famous anime exorcist and she keeps showing up in different outfits like the dev couldn't decide which parody to commit to.

The sound design is a mess. One track loops every forty seconds and it's this tinny piano thing that made me want to perform an exorcism on my own speakers. But then there's this one voice line during an intimate scene where the waifu whispers something and the audio crackles just right and suddenly I'm like okay maybe this has some soul buried under all the prototype jank. The romance paths are whatever, you give gifts, you get nudity, but the ghost routes are where it gets genuinely unhinged in a way I respect. There's a cursed bride specter who wants you to help her get revenge on her killer and also she's really into choking. Choices matter apparently because I picked the wrong dialogue option and she just vanished forever. No closure. Just gone.

The big tits are everywhere. Like comically so. Physics that make no sense. One character's chest clips through her own arm during a supposedly tender moment and I laughed so hard I had to alt tab. But then the next scene was actually kind of hot in a messy, unpolished way. I don't know man. It's a prototype that feels like a prototype but sometimes prototypes have that raw energy that polished games lose. Or maybe I'm just coping because I spent three evenings on this and now I'm writing about ghost tits on the internet.

Phil is that horny old landlord your mom told you to never trust, except here you actually want to see what kind of trouble he gets into. The game throws you into his shitty boarding house right when he lost everything: money, status, and his precious title of “universe top fucker” or whatever his ego calls it. Instead of some epic heroic story, you kinda shuffle around his house like a nosy ghost with a boner, peeking into rooms, catching girls in half-dressed moments, and poking your nose where it really shouldn’t go. First time I walked past Helga’s door and heard that muffled buzzing sound? Yeah, I knew it was a toy, but still clicked like a goblin. You catch her, pants around her knees, toy shining with lube, cheeks red as hell, and the game just lets you sit in that weird “am I being a bastard right now?” feeling. Accessibility wise, though, man, small text, tiny UI buttons, that pale font on a light background crap, like they hate everyone with bad eyesight. I had to lean closer to my screen like an old man myself.

Phil is clearly a pervert, they don’t even pretend otherwise. He sniffs panties, spies through doors, “accidentally” bumps into teens in towels, gets horny over MILFs like Olga and Layla, and the whole house is basically one long excuse to be a voyeur. Some moments are surprisingly funny, like when you catch Phoebe bending over and the camera angle is just pure “big ass appreciation”, no shame at all, with Phil’s inner monologue going from poetic to totally filthy in half a second. Then you jump into this mafia subplot and it feels like the game suddenly remembered it has a story. You go meet these ridiculous mob guys while still thinking about how to grope somebody in the hallway without getting slapped. It’s messy, but in a way that fits Phil’s brain. I kept wishing they had more proper options for people who can’t use mouse well, like keyboard navigation or at least bigger hitboxes on some of the tiny icons, but yeah, doubt they’ll ever bother. At one point I even tried to tab through things like I do in Chrome, and of course, nope.

The parody side is kinda unhinged. They just look at “Hey Arnold” and go, “yeah, we’re horny now,” and suddenly you’re dealing with Helga and friends but aged up, turned gloriously hentai, boobs way too big for any back, and asses made for screenshots. It’s weird, slightly cursed, and that’s kinda the charm. One scene with Ronda teasing you in the corridor, slowly backing up against Phil, grinding that thick ass on him while pretending she didn’t notice he’s hard, stuck with me way longer than the plot twist about who ruined his life. Anal scenes pop up more like rewards than story, but when they happen, they’re not shy: spit, toys, Phil grunting like his back is about to give out. Tabbing through menus though? No proper highlight, no screen reader cues, nothing. If you use stuff like NVDA or even basic Windows zoom, it feels like you’re fighting the game more than enjoying it. Still, you walk away remembering Phil’s stupid grin when he finally gets his hands on those panties he wanted from the start, and how disgustingly proud he looks. Dare to play it alone, or invite company?

Chainsaw Love feels like somebody took a horny fever dream about Chainsaw Man, shoved it into a cheap mobile visual novel format and then accidentally made it way more fun than it has any right to be. You’re in this weird building at night, everything kinda quiet and tense, and then it’s just you and these three women who could absolutely ruin your life in the best and worst ways. It’s not trying to be classy. This thing is a dating sim where Love and Lust are basically your scoreboard, and half the time you’re pretending to care about conversation just so you can push those numbers high enough to see what happens when the clothes start to vanish. And yeah, the girls are exactly who you think they are: Himeno being all messy and dangerous and a little broken, Power acting like a horny goblin with big tits and zero shame, and Makima with that cold smile that makes you feel like you’re both pet and toy.

What I like is how low-key the whole thing is. You’re not running around, no big map, no grinding nonsense, just that building, those girls, and your choices. One minute you’re picking a “Talk” option where you’re trying to say something normal, like a decent human, the next you’re clicking “Flirt” and suddenly she’s leaning in, asking if you’re really that bold or just stupid. When I picked a more pervy answer with Himeno, she laughed, called me out, then still gave me this sloppy, half-drunken blowjob scene that looked like it came straight out of some cursed ai cg generator in the sexiest way. It’s rough, not perfect, but somehow that makes it hotter. Like, it feels wrong, but you still keep tapping. Power’s stripping parts are stupid and amazing at the same time: she talks big, throws her clothes off like it’s nothing, then complains about something random while she’s on her knees. I swear at one point I was supposed to feel romantic, and instead I was just laughing while also fully turned on.

The Lust gates are kind of annoying sometimes. You want to jump straight into oral or a special scene and the game is like “nah, you didn’t flirt enough, go talk more first”. But then you get a little hooked, trying to find the exact dialog chain that makes Makima drop her fake kindness and go full predator on you. Those moments where your choice actually flips the mood are the best: one wrong line and she treats you like a clueless dog; hit the right vibe and she gets close, makes you feel lucky, then reminds you she’s in control while she’s using your mouth or body for her own fun. The art is that ai 2dcg stuff that sometimes looks slightly cursed if you stare too hard, but when she’s swallowing you in some dim room and the camera is just focused on lips, tongue, spit, and those eyes, you stop caring real fast. I kinda wish there were more tiny reactions, like different lines if you fail, but whatever, I still keep replaying trying to unlock that one variation I probably imagined. Chainsaw Love is messy, horny, stupid, hot, and surprisingly cozy to open in a browser on your phone when you’re supposed to be doing something else.

Alright, let's talk about this game. It's a crossover harem sandbox thing, basically someone took a bunch of waifus from different places and dumped them all into one parody adventure in "the country of the rising sun." You know the setup. You're the male protagonist, you get a chance to travel, and suddenly every woman you meet has massive, animated, 3DCG big tits and eventually wants to jump your bones. I spent way too long just clicking around the first town area because the boob physics are genuinely unhinged. Like, someone on the dev team spent their entire budget on making sure a slight breeze causes a jello earthquake. I respect the commitment to the bit.

The gameplay loop is your standard sandbox fare. You click, you grind, you unlock scenes. There's this one early adventure section where you're looking for your lost... something, I already forgot, and you stumble into a hot spring. Of course you do. The humor lands sometimes, mostly when it's being self-aware about how absurd the crossover logic is. Why is that character here? Doesn't matter, she's about to have vaginal sex with you in a bamboo forest. The romance paths are there but calling them "paths" is generous, it's more like a straight highway to pound town with a few dialogue pit stops. The mobile game design is obvious, everything's built for short bursts of clicking.

The animation during the sex scenes is smooth, I'll give it that. But the sound design? It's the same wet slapping noise on a loop and it started to drive me a little crazy after the third harem member joined the party. I wish there was more variety in the foreplay, but I know that won't happen. It's a parody game, you get what's on the tin. The big tits tag isn't just a suggestion, it's the entire architectural philosophy. Every character model looks like they'd have permanent back problems. So naturally I kept playing. Don't expect a deep visual novel, but if you want to see a bunch of familiar faces in uncompromising situations with zero respect for canon, you found it.

The card game in the Beacon cafeteria. That's where it starts. I kept clicking through dialogue thinking "okay, another RWBY parody where someone learned Ren'Py last weekend" and then Ruby's sitting there with Cardin fucking Winchester of all people and the whole thing feels wrong in exactly the right way. You know that specific flavor of "wrong" I mean. The one that makes you keep reading.

The AI art is... look, it's AI art. Sometimes Ruby's face looks like Ruby. Sometimes she looks like she's melting slightly at the edges. Cardin's jaw could cut glass in one render and looks like a thumb in the next. But here's the thing, I stopped noticing after the first sex scene because the writing actually commits. It's based on some old fanfic called "A Rose in Pain" and you can tell the creator gave a shit about the dynamic. Ruby's nervous but not in that annoying anime virgin way. Cardin's an asshole but there's something underneath. The romance beats hit different when you've watched the show and know these two should hate each other. Should. But don't.

The moaning sounds come from MagicalMysticVA and I spent way too long trying to figure out if I recognized the voice before realizing that's not the point. The point is Ruby Rose getting railed by the guy who bullied her friends and somehow it works. The sex scenes are explicit. Like, fully explicit. No fade to black bullshit. The dialogue during those scenes is better than it has any right to be for a spare time project. There's this one moment where Cardin says something that made me actually pause and stare at my ceiling for a second. Not because it was deep. Because it was hot in a way I wasn't prepared for from a RWBY porn game.

I wish there was more Jaune content but that's just me being greedy. The soundtrack is Pixabay stuff, nothing memorable, but you won't care. You're not here for the music.

The first monster girl you meet has an ass that could derail a train of thought. I spent maybe fifteen minutes just on that first encounter, not even progressing the dialogue, just clicking through the same animation loops because the jiggle physics in this deliberately unpolished mess are somehow more hypnotic than anything in a AAA title. The 3DCG is rough, like someone learned Blender last month and decided horny was the best motivator. And honestly? It works. The jank becomes part of the charm, especially when the protagonist's deadpan internal monologue clashes with these ridiculously proportioned monster girls throwing themselves at him.

The whole gimmick is you physically cannot lie, which sounds like a setup for some deep philosophical porn game but really it just means every conversation goes off the rails immediately. You're supposed to be this cynical bastard forced into comedy, and the writing actually lands some genuine laughs between the lewd scenes. There's a bit where a slime girl asks if her new form looks good and your only dialogue options are brutal honesty, which leads to her crying, then somehow that pivots into a surprisingly tender handjob scene. The tonal whiplash should be annoying but I kept playing. The harem elements pile up fast, maybe too fast, and the romance paths feel like they're fighting with the parody aspects for dominance. I wish the masturbation scenes had more variety, they recycle the same two animations way too often and it starts feeling like checking a box rather than a reward.

The soundtrack is just... there. Some lo-fi beat that loops endlessly until you mute the tab and put on your own playlist. I had a youtube video about competitive wood carving playing in the background during one scene with a catgirl and now I can't separate the two in my mind. The sound effects are stock stuff, wet slaps and moans that cut off awkwardly at the end of each loop. Voice acting is nonexistent, which is probably for the best given the budget. Monster girl designs range from surprisingly creative to "someone traced a hentai and called it a day." The big tits tag is doing a lot of heavy lifting here, almost literally given the physics engine's enthusiasm. There's this one harpy character whose breasts move independently of her body model and I laughed so hard I had to stop playing for a bit. Came back though. The replayability angle for a roguelike fan like me is weird because there's no procedural generation, just branching dialogue paths that lead to different lewd scenes. You can't really lose, just make different choices that unlock different variations of the same core encounters. It's more of a visual novel with extra steps and a protagonist who hates himself almost as much as he hates everyone else. The male protagonist's design is refreshingly average, just some guy with permanent bedhead and the expression of someone who's seen too much and also not enough. His masturbation scenes have this desperate quality that feels more honest than the polished stuff in bigger games. Anyway the catgirl's tail clips through every piece of furniture and I'm still thinking about it three days later.