Kinoff City looks all fancy on the tourist posters, rainbow flags and smiling faces, but when you drop into Stronger Bonds it hits more like some horny soap opera that got hijacked by horny rhinos with way too much baggage. You play as Samson, this huge, broad-shouldered rhinoceros cop who just landed the job of police chief in the so-called gay capital. Big uniform, bigger ego, and a past that’s a total mess. He’s not just here to write tickets. He’s stomping around the city, poking his nose into clubs, gyms, back alleys, and “private” apartments, trying to bring order to a place that doesn’t really want to behave. The whole city basically looks at him and thinks “strict daddy who needs to loosen up”. Which, yeah, the game makes sure he does. Slowly. With a lot of dick.

What makes it fun is how the story keeps mixing heavy drama with horny bullshit. One minute Samson is remembering his dead wife or how he screamed at his four sons until they ran away, next minute you’re in a locker room with a cocky lion officer testing his “respect for authority” with his tongue buried in Samson’s lap. Sex scenes feel like arguments that turn into blowjobs. Fights that end with someone bent over a desk. When Samson pulls rank, he really pulls it. The male domination vibe hits hard, especially when he’s in full uniform, hand on the suspect’s neck, using his weight to pin them and then they’re suddenly gasping with his cock deep in their throat. A lot of oral, a lot of “you’re gonna take all of it” energy. And the game doesn’t pretend these guys are shy. Asses are big, heavy, shaking against his hips, tails lifted, begging for anal while still pretending they’re too proud for it. You get those slow scenes where he pushes in, inch by inch, and the other guy’s talking tough but his back keeps arching and you know he’s gone.

The tension with his sons sits in the background and keeps poking at you. They’re in the city, hiding, watching what kind of man he is now. Sometimes you think you’re just lining up another hookup, then the dialog drops something small, like “you sound like my old man”, and it hits you that these boys grew up under his old, harsh version. Harry, the younger brother, is like this sweet disaster trying to keep Samson from falling apart again, but he’s also a horny rhino in a very gay city. He jokes, flirts, shoves Samson toward guys who clearly want to get pounded by a chief who doesn’t know the meaning of “gentle”. The mobile format actually works: playing on the train with headphones, pretending you’re reading news on Chrome while Samson is railroading some smug fox over the squad car hood is a special kind of shame. I even almost tapped the wrong icon and opened WhatsApp while a scene had Samson tongue-deep under a wolf’s tail, which would have been hard to explain. The game is messy, emotional, sometimes melodramatic, sometimes just “shut up and suck me”, but that combo of family guilt, city secrets, and a hulking rhino cop using his authority to breed half the gay capital into submission sticks in your head way longer than it should.

Vault Wanderer is one of those horny little parody projects that feels like it started as a shitpost between friends on Discord and somehow became an actual game. You play this guy who crawls out of a comfy underground vault into a wasteland that is less about radiation and more about who is fucking who, and with what. The whole thing mixes classic turn based RPG combat with stupid jokes and very explicit scenes that just kind of slam into you out of nowhere. One second you are clicking through some goofy dialogue about bottle caps, the next you are watching a futa raider get her dick sucked in a surprisingly long animated loop while your character pretends he is not into it. The game loves voyeurism like crazy. Almost every location has some “oops I walked in on them” moment, except it is never really an accident and everybody is cool with you standing in the corner jerking off. Or pretending to “research.” The writing knows exactly what it is doing: it makes fun of the wasteland clichés, then uses the same clichés to justify a harem route where every big tits, big ass, wrong-race-for-this-town waifu somehow ends up in your camp.

What surprised me most is how messy but confident the sandbox structure is. You are just dropped on the surface with this point and click map and told to explore, and the game absolutely does not care if you go straight to a lesbian futa bar and stall your “main quest” for two hours doing nothing except footjobs and blowjobs in different outfits. There is real RPG stuff happening in the background: stats, turn based fights, random encounters that sometimes end in actual combat and sometimes turn straight into oral sex scenes if you pick the horny dialogue option. I lost one fight because I was too distracted watching the enemy’s boobs bounce in the attack animation, which is a stupid reason to reload, but here we are. The art is simple 2D CG but the animations have just enough motion to make the scenes feel alive without turning into weird rubber people. Some of the interracial setups are actually hot, then the game drops a joke so bad it short circuits the mood and you kind of hate it for ten seconds, until the next harem scene where three girls are roleplaying “capturing” you and you forget you were mad. The mobile support is oddly good too; I tried it on my phone while half-slouching on the couch with Chrome open and it ran smoother than some serious games on Steam. Sometimes the text spacing gets fucked on smaller screens and nobody bothered to fix it, which annoyed me for like a full minute while I was trying to read a masturbation scene and the last line wrapped in a stupid way, and then I clicked next and forgot. That is basically the whole vibe here: horny, rough around edges, a little broken, but when the wasteland mommy with huge boobs kneels down for oral and the camera zooms in just right, your brain stops caring about polish completely.

Local suburb, dead quiet, then this game drops you right in the middle of the kind of fucked up “family visit” everyone pretends never happens. You’re the short angry little dude in the house, the one with the chip on his shoulder and the impossible sister. She’s blonde, stacked like someone lost control with the breast slider, ass so fat it looks like the chair is about to file a complaint. She walks around like clothes are just a light suggestion, bending over in front of you, phone in her hand, half distracted, half teasing, like she knows exactly what she’s doing and still acts innocent. There’s this weird energy where you kinda hate her and kinda stare at her all the time. The game leans into that, hard. Sometimes she calls you “little man” and it stings more than it should. Sometimes she “forgets” to close her door and the angle you get is straight from a porn thumbnail. It feels trashy in a very deliberate way, like the dev is laughing and saying “yeah, you wanted this, don’t pretend.”

Then the local legends arrive. Big black dude, total neighborhood myth, the kind of guy every jealous little brother imagines as the worst possible scenario. Next to him, his smaller white sidekick, not small actually, just smaller than the giant. They show up with that lazy confident walk, like they already know what’s going to happen in this house and nobody can stop it. The moment they see your sister, the whole vibe shifts. Dialogue instantly goes from semi-normal to porn audition level, talking about her body, her ass, what they want to do to her, right in front of you. They’re not even subtle. It’s like the game wants you to sit in that humiliation, watching these walking meat towers size up your own blood, and the worst part is she doesn’t shut it down. She blushes, laughs, pretends to be offended, but she keeps giving them looks that say everything. The camera loves those moments, clinging to her huge boobs pressing against her shirt, her ass accidentally brushing against the black chad when she walks past him in the hallway. Accidentally. Sure.

There’s this one scene that stuck to my brain like gum on a shoe. You’re in the living room, pretending to play on your phone, but both of them are on the couch with her. She’s in the middle, practically drowning between them, the black guy’s hand stretched along the back of the couch, fingers a breath away from her shoulder, his white buddy leaning in close to whisper something in her ear that makes her cover her face with both hands. The text you get is pure taunt: they talk about “rearranging her insides,” about how your little body could never handle what she clearly wants. And the game doesn’t cut away. It lingers, zooms slightly, lets you see every little change in her expression while they crowd her space and you sit there, small, useless, pissed, and turned on in a way that makes you slightly hate yourself. It’s cheap, it’s crude, it’s absolutely not subtle, and then out of nowhere there’s one throwaway line from your sister showing she actually cares about you and it almost ruins the whole horny mood for a second. Almost. Then she bends over to pick something up, her ass swallowing her shorts, and your brain goes quiet again. I still don’t forgive the dev for the shitty text box font, by the way. It’s ugly as hell and I kept noticing it when I tried to focus on her tits, which feels like a crime.

It’s weird how a game can make your stomach twist like that - like jealousy and curiosity are kissing behind your ribs. Mina’s messages feel too real, her little hearts and half-sincere emojis landing harder than they should. You’re not just reading text bubbles; you’re kinda reading your own reflection, that insecure part that wants to check her phone when she’s in the shower. It’s not even about trust. It’s about the thrill of maybe finding something you shouldn’t. The game knows that. It plays you more than you play it. I kept thinking I’d stay calm, but then some random producer sent her a photo at midnight, and I swear I felt my pulse in my teeth.

There’s this moment - she sends a selfie that’s almost innocent. Almost. You can tell she’s not alone, though the frame pretends she is. That’s when I realized the point isn’t to “win” her back. The point’s to feel that sting, to let it crawl under your skin until it burns. The choices don’t really matter, or maybe they do, but the game’s so good at pretending they don’t that you start second-guessing your own reactions. I hated that. And loved it. Like when you know you’re being teased but you lean into it anyway. The music’s soft, too clean for what’s happening on-screen - it’s like watching a slow breakup inside a perfume ad.

I wish Mina’s typing bubbles didn’t take so long to appear. That wait feels cruel. But maybe that’s the best part. You stare, waiting, wondering what she’s doing while you wait. Sometimes I thought I wanted more pictures, more explicit proof, but when the game actually gives you something close to that, it’s worse. You want to look away, but you don’t. That’s the whole trick - it makes you complicit. It’s not about sex, not really. It’s about wanting to control what you can’t. And maybe that’s the dirtiest thing of all.