This Scooby-Doo parody hits different when you realize they actually made Fred watch from the corner. The gang's got this new guy who's basically speedrunning corruption routes faster than you can say "jinkies," and honestly? The outfits are what got me first - Velma's sweater gets progressively tighter each scene until it's basically painted on, while Daphne's whole wardrobe screams "I'm definitely not the innocent one anymore." But then the writing kicks in and suddenly you're watching Fred get absolutely demolished emotionally while this newcomer just... takes over everything. The animation style works surprisingly well for what they're going for, though I kept getting distracted by how Velma's glasses somehow stay perfectly positioned during the most ridiculous situations. Like, physics much?

The sandbox elements let you corrupt at your own pace, which sounds great until you realize there's actually optimal paths and you've been doing everything wrong for hours. Mystery-solving takes a backseat to mystery-creating, if you catch my drift. Daphne's scenes escalate way faster than Velma's, but that might just be because redheads are apparently easier targets in this universe. The group dynamics get wild when everyone's involved - there's this one sequence where the van is literally rocking and Fred's just standing outside looking confused. Poor guy never saw it coming. The dialogue tries too hard to be funny sometimes, throwing in "zoinks" every other sentence like we forgot what show this is parodying. But when the corruption really kicks in and the girls start suggesting their own "investigations," the writing actually gets pretty clever about subverting expectations.

What really sells it though is how they handle the trainer aspects - you're not just clicking through scenes, you're actively choosing who gets corrupted how and watching the ripple effects. The netorare elements aren't subtle at all, which honestly works better than trying to be coy about it. Fred's reactions range from oblivious to devastated, and watching that progression while Velma discovers she likes being watched is genuinely hot. Just don't expect any mystery-solving by the end.

Royal Madness is probably the closest thing to a horny fairytale written by a very drunk court painter who really likes cats with huge tits and smug faces. You’re tossed in as Lewis, bastard ocelot prince, and the world instantly treats your royal blood like a kink rather than a title. It’s not subtle about it. Every rival, every “enemy,” every supposed threat ends up circling one question: are you fucking them into your harem, or are they turning you into their cute little pet instead. The game doesn’t pretend to be noble. It treats power as a sex toy and nobility as an excuse to collar people and re-style their bodies until they match your tastes a bit too perfectly.

What I liked is that the characters aren’t just recolors of the same cat-girl with different boobs. The art actually feels like someone sat there and thought “ok, what if a smug lioness warlord had hips like a fertility statue and armor that only makes sense if her nipples are a political statement.” Sometimes it looks messy, lines a bit shaky, anatomy going off on its own adventure, but that fits the energy. It’s not corporate clean, more like horny sketchbook that got out of control. There is this rhino general, for example, huge chest, scars across the muzzle, and when you win their challenge the magic doesn’t just slap “now they are pretty” filter. No, you literally watch the body warp piece by piece, broad muscles smoothing or sharpening, maybe the tits swelling stupidly big while they gasp halfway between outrage and getting turned on by losing. That slow change hits way harder than a simple “transformation finished” screen.

The actual structure is that loose sandbox style where you hop from one hot mess to another, switching perspective between male and female protagonist when the story feels like it, not when you are ready. One scene you’re Lewis using magic to slowly erode the pride of a tiger knight, teasing him until his cock and even his voice betray how much he wants to kneel. Next time the game flips and you’re playing as one of your own ex-rivals, now loyal, wandering your palace and accidentally starting something filthy with a new intruder who thought they’d be the one on top. That shift is the fun part. You see the same harem from different eyes, sometimes as a conqueror, sometimes as the newest toy, sometimes as the one being “improved” by your own magic. And the kinks slide around too. One route gives you a stacked lion queen that you carefully nudge from terrifying monarch into doting, overprotective mommy dom, then another throws you against a seemingly submissive bunny clerk that ends with you collared, hips reshaped, moaning her name while she tests how flexible ocelot royalty can be when properly “reformed.” Half the time I was cursing at the tiny UI buttons and weird pacing, the other half I was staring at the screen of my phone on the tram, trying not to bite my lip like a complete idiot.

If you really want to squeeze every filthy drop out of it, don’t rush straight to the obvious sex scenes. Poke around the challenges, lose on purpose sometimes, see how the transformations twist when you’re the loser instead of the victor. Talk to characters again after you’ve changed them, especially the big tits crowd and the ones who pretended they didn’t care about you. Watch how their new bodies and new roles corrupt their own original goals. Treat each battle less like a level and more like a negotiation with the world’s nastiest fashion designer. That’s where the game actually gets hot.

Waking up inside a smartphone because a horny trickster god got bored with you is already wild, but this thing leans into it hard. You used to fuck other guys’ wives, now you’re literally trapped inside their husbands, riding along in their bodies like a cursed passenger. You feel what they feel, see what they see, and you’re stuck with their hard-ons, their guilt, their shitty life choices. Loki basically turned you into a pervy parasite and then sits there laughing while you try not to lose your mind every time some big titty wife bends over in front of “you”. It’s not subtle. It’s not gentle. It’s that kind of story where the universe kicks you in the balls and then asks if you liked it.

The pace is weird in the best way. Sometimes you’re just scrolling messages and photos, swiping through this guy’s life, then suddenly the wife walks in wearing nothing but a towel that barely holds her big ass, drops it “by accident”, starts teasing him like she’s bored and horny at the same time. You’re inside his head, feeling the heat climb, his cock getting hard under the table while she pretends it’s no big deal, sucking on a popsicle right in his face like a joke that goes too far. There’s this nasty, delicious corruption vibe, because half the time you’re pushing him to give in, whispering in his thoughts, “Touch her, go on, fuck her, she wants it”, and the other half you’re actually panicking, because you know some of these women are already being fucked behind his back by someone else. Or they will. Loki keeps hinting, poking, showing you clips, screenshots, little details that make you question everything. The netorare sting isn’t a sudden shock, it crawls under your skin. You see a lipstick mark that shouldn’t be there, a chat icon popping up a bit too often, a photo angle that screams “someone else took this”. You’re still jerking off in your own head when you realize you’re probably not the only one tasting her tonight.

What really got me is how horny it stays even when it gets mean. You’ve got slow, intimate scenes where she sits on his lap and grinds on him through thin panties, whispering soft romance shit in his ear, kissing his neck, guiding his hands under her top, making him feel her huge tits while she bites her lip. Then suddenly she’s on her knees, sucking him off messy, drool on her chin, eyes staring up like she’s in love and also in total control. The AI CG stuff has that slightly unreal polish, but in a good way, like you’re watching a fantasy that became just real enough to hurt. Vaginal, oral, stripping piece by piece, teasing until you want to scream at the screen. And you’re not actually “doing” anything, it’s a kinetic story, so your only job is to watch this guy live the life you deserved and kind of hate him for it, while Loki treats you like a pet he toys with. The worst part is that it works. One moment you’re melting when she cuddles up, saying she’s scared to lose him, the next your gut twists because something she says doesn’t match, and you know you’re being played from both sides. It’s horny, cruel, funny in that “I shouldn’t be laughing, but I am” way. Dare to play it alone, or invite company?

It’s weird, the way *A Fortnight at Frenni Fazclaire’s 2* plays with tone - like, one moment it’s soft lighting and syrupy teasing from an animatronic wolf with silicone lips that catch the club’s pink glow just right, and the next second you’re hearing metal sc*** in the next room like something mechanical trying to breathe. I couldn’t decide if I was turned on or spooked half the time, which maybe is the point. The writing leans into that uncanny space where synthetic skin meets real loneliness, though sometimes it feels too self-aware about being a parody. It’s as if it winks so much it forgets to blink. Still, when Mia Mangle leans across the security desk and says things she shouldn’t know - stuff only the player would think - it hits that strange nerve of digital intimacy that good adult games sometimes stumble into by accident.

The furries here aren’t played for cheap fetish fuel (okay, not *just* that). There’s tension in every movement, more like stage performers improvising after hours than machines following code. I kept thinking about Nabokov because yeah, it’s sexy, but it’s also about control and play and being observed while pretending not to care. And then there’s the mobile version, where tapping through dialogue feels like petting something alive that pretends to glitch. Sometimes choices freeze for no reason - probably a bug - but it almost fits the mood: desire interrupted by static. The horror bits creep slow; shadows twitch behind velvet curtains even during explicit scenes, and the sound design hums under your skin like anxiety that smells faintly of perfume.

Honestly, the worst part is the damn loading screen image - I hate that smug smile they gave Aurora. Every time she flickers in before the menu loads, I kinda want her to malfunction just to break the eye contact. But when she starts singing that low note (yeah, she sings), everything stutters into this mix of comedy and obscene tenderness. Maybe I imagined that part. Or maybe the game wanted me to. Hard to tell where the line’s supposed to be anymore.