Local suburb, dead quiet, then this game drops you right in the middle of the kind of fucked up “family visit” everyone pretends never happens. You’re the short angry little dude in the house, the one with the chip on his shoulder and the impossible sister. She’s blonde, stacked like someone lost control with the breast slider, ass so fat it looks like the chair is about to file a complaint. She walks around like clothes are just a light suggestion, bending over in front of you, phone in her hand, half distracted, half teasing, like she knows exactly what she’s doing and still acts innocent. There’s this weird energy where you kinda hate her and kinda stare at her all the time. The game leans into that, hard. Sometimes she calls you “little man” and it stings more than it should. Sometimes she “forgets” to close her door and the angle you get is straight from a porn thumbnail. It feels trashy in a very deliberate way, like the dev is laughing and saying “yeah, you wanted this, don’t pretend.”

Then the local legends arrive. Big black dude, total neighborhood myth, the kind of guy every jealous little brother imagines as the worst possible scenario. Next to him, his smaller white sidekick, not small actually, just smaller than the giant. They show up with that lazy confident walk, like they already know what’s going to happen in this house and nobody can stop it. The moment they see your sister, the whole vibe shifts. Dialogue instantly goes from semi-normal to porn audition level, talking about her body, her ass, what they want to do to her, right in front of you. They’re not even subtle. It’s like the game wants you to sit in that humiliation, watching these walking meat towers size up your own blood, and the worst part is she doesn’t shut it down. She blushes, laughs, pretends to be offended, but she keeps giving them looks that say everything. The camera loves those moments, clinging to her huge boobs pressing against her shirt, her ass accidentally brushing against the black chad when she walks past him in the hallway. Accidentally. Sure.

There’s this one scene that stuck to my brain like gum on a shoe. You’re in the living room, pretending to play on your phone, but both of them are on the couch with her. She’s in the middle, practically drowning between them, the black guy’s hand stretched along the back of the couch, fingers a breath away from her shoulder, his white buddy leaning in close to whisper something in her ear that makes her cover her face with both hands. The text you get is pure taunt: they talk about “rearranging her insides,” about how your little body could never handle what she clearly wants. And the game doesn’t cut away. It lingers, zooms slightly, lets you see every little change in her expression while they crowd her space and you sit there, small, useless, pissed, and turned on in a way that makes you slightly hate yourself. It’s cheap, it’s crude, it’s absolutely not subtle, and then out of nowhere there’s one throwaway line from your sister showing she actually cares about you and it almost ruins the whole horny mood for a second. Almost. Then she bends over to pick something up, her ass swallowing her shorts, and your brain goes quiet again. I still don’t forgive the dev for the shitty text box font, by the way. It’s ugly as hell and I kept noticing it when I tried to focus on her tits, which feels like a crime.

It’s weird how a game can make your stomach twist like that - like jealousy and curiosity are kissing behind your ribs. Mina’s messages feel too real, her little hearts and half-sincere emojis landing harder than they should. You’re not just reading text bubbles; you’re kinda reading your own reflection, that insecure part that wants to check her phone when she’s in the shower. It’s not even about trust. It’s about the thrill of maybe finding something you shouldn’t. The game knows that. It plays you more than you play it. I kept thinking I’d stay calm, but then some random producer sent her a photo at midnight, and I swear I felt my pulse in my teeth.

There’s this moment - she sends a selfie that’s almost innocent. Almost. You can tell she’s not alone, though the frame pretends she is. That’s when I realized the point isn’t to “win” her back. The point’s to feel that sting, to let it crawl under your skin until it burns. The choices don’t really matter, or maybe they do, but the game’s so good at pretending they don’t that you start second-guessing your own reactions. I hated that. And loved it. Like when you know you’re being teased but you lean into it anyway. The music’s soft, too clean for what’s happening on-screen - it’s like watching a slow breakup inside a perfume ad.

I wish Mina’s typing bubbles didn’t take so long to appear. That wait feels cruel. But maybe that’s the best part. You stare, waiting, wondering what she’s doing while you wait. Sometimes I thought I wanted more pictures, more explicit proof, but when the game actually gives you something close to that, it’s worse. You want to look away, but you don’t. That’s the whole trick - it makes you complicit. It’s not about sex, not really. It’s about wanting to control what you can’t. And maybe that’s the dirtiest thing of all.

This Scooby-Doo parody hits different when you realize they actually made Fred watch from the corner. The gang's got this new guy who's basically speedrunning corruption routes faster than you can say "jinkies," and honestly? The outfits are what got me first - Velma's sweater gets progressively tighter each scene until it's basically painted on, while Daphne's whole wardrobe screams "I'm definitely not the innocent one anymore." But then the writing kicks in and suddenly you're watching Fred get absolutely demolished emotionally while this newcomer just... takes over everything. The animation style works surprisingly well for what they're going for, though I kept getting distracted by how Velma's glasses somehow stay perfectly positioned during the most ridiculous situations. Like, physics much?

The sandbox elements let you corrupt at your own pace, which sounds great until you realize there's actually optimal paths and you've been doing everything wrong for hours. Mystery-solving takes a backseat to mystery-creating, if you catch my drift. Daphne's scenes escalate way faster than Velma's, but that might just be because redheads are apparently easier targets in this universe. The group dynamics get wild when everyone's involved - there's this one sequence where the van is literally rocking and Fred's just standing outside looking confused. Poor guy never saw it coming. The dialogue tries too hard to be funny sometimes, throwing in "zoinks" every other sentence like we forgot what show this is parodying. But when the corruption really kicks in and the girls start suggesting their own "investigations," the writing actually gets pretty clever about subverting expectations.

What really sells it though is how they handle the trainer aspects - you're not just clicking through scenes, you're actively choosing who gets corrupted how and watching the ripple effects. The netorare elements aren't subtle at all, which honestly works better than trying to be coy about it. Fred's reactions range from oblivious to devastated, and watching that progression while Velma discovers she likes being watched is genuinely hot. Just don't expect any mystery-solving by the end.

Royal Madness is probably the closest thing to a horny fairytale written by a very drunk court painter who really likes cats with huge tits and smug faces. You’re tossed in as Lewis, bastard ocelot prince, and the world instantly treats your royal blood like a kink rather than a title. It’s not subtle about it. Every rival, every “enemy,” every supposed threat ends up circling one question: are you fucking them into your harem, or are they turning you into their cute little pet instead. The game doesn’t pretend to be noble. It treats power as a sex toy and nobility as an excuse to collar people and re-style their bodies until they match your tastes a bit too perfectly.

What I liked is that the characters aren’t just recolors of the same cat-girl with different boobs. The art actually feels like someone sat there and thought “ok, what if a smug lioness warlord had hips like a fertility statue and armor that only makes sense if her nipples are a political statement.” Sometimes it looks messy, lines a bit shaky, anatomy going off on its own adventure, but that fits the energy. It’s not corporate clean, more like horny sketchbook that got out of control. There is this rhino general, for example, huge chest, scars across the muzzle, and when you win their challenge the magic doesn’t just slap “now they are pretty” filter. No, you literally watch the body warp piece by piece, broad muscles smoothing or sharpening, maybe the tits swelling stupidly big while they gasp halfway between outrage and getting turned on by losing. That slow change hits way harder than a simple “transformation finished” screen.

The actual structure is that loose sandbox style where you hop from one hot mess to another, switching perspective between male and female protagonist when the story feels like it, not when you are ready. One scene you’re Lewis using magic to slowly erode the pride of a tiger knight, teasing him until his cock and even his voice betray how much he wants to kneel. Next time the game flips and you’re playing as one of your own ex-rivals, now loyal, wandering your palace and accidentally starting something filthy with a new intruder who thought they’d be the one on top. That shift is the fun part. You see the same harem from different eyes, sometimes as a conqueror, sometimes as the newest toy, sometimes as the one being “improved” by your own magic. And the kinks slide around too. One route gives you a stacked lion queen that you carefully nudge from terrifying monarch into doting, overprotective mommy dom, then another throws you against a seemingly submissive bunny clerk that ends with you collared, hips reshaped, moaning her name while she tests how flexible ocelot royalty can be when properly “reformed.” Half the time I was cursing at the tiny UI buttons and weird pacing, the other half I was staring at the screen of my phone on the tram, trying not to bite my lip like a complete idiot.

If you really want to squeeze every filthy drop out of it, don’t rush straight to the obvious sex scenes. Poke around the challenges, lose on purpose sometimes, see how the transformations twist when you’re the loser instead of the victor. Talk to characters again after you’ve changed them, especially the big tits crowd and the ones who pretended they didn’t care about you. Watch how their new bodies and new roles corrupt their own original goals. Treat each battle less like a level and more like a negotiation with the world’s nastiest fashion designer. That’s where the game actually gets hot.