Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.

Straight!? feels like some horny time traveler grabbed one of those old college slice of life anime, shoved it into a clumsy 3D engine, added dicks and awkward eye contact, then forgot to polish anything. And somehow it works. You start as Zack, this “totally straight” guy who narrates like he’s trying to convince himself as much as you. First day of college, new dorm, and suddenly there’s Braden, the roommate who looks like every “cute bro” meme on Reddit but talks like an actual dude, not some porn actor reading from a broken teleprompter. The story takes its time, way too much sometimes. Instead of jumping straight to cock in mouth, you get long nights on crappy dorm beds, shirtless stretching that lasts a bit too long, brushing teeth together, “accidental” eye contact at the worst times, and conversations that start with stupid jokes and end with “why the fuck am I thinking about his lips.” The whole thing is a slow corruption of Zack’s own idea of himself, mixed with self exploration in the most literal ways. Like you go from jerking off under the sheets trying not to think about your roommate, to having him straight up ask what you’re watching on your phone, and you feel that little panic in your chest, even though it’s just a visual novel.

The sex doesn’t pop out of nowhere. It kinda leaks in. A really long stare in the locker room, a dumb “I’ll help you shave” moment, then suddenly there’s a hand too close to your cock and the game just lets the silence stay there. When the first proper oral scene hits, it almost feels wrong, like you’re watching two dudes cross a line they built together over hours of talking about nothing. There’s anal, yeah, and it goes from “bro just helping out” to “I want to feel you” before either of them is ready to say it out loud. The romance lives in those tiny choices: do you look away or keep staring at his body, do you joke when he opens up about his past, do you touch his shoulder for one second too long. Sometimes the dialogue is clunky as hell, like someone typing in Discord while half horny and half insecure, and then out of nowhere you get a line that just hits you, because you remember that one guy from school you still stalk on Instagram. The 3D models are rough in early parts, like weird plastic dolls, but later scenes suddenly look better and you can almost feel skin where it used to look like wax. It’s inconsistent and kinda ugly in spots, which weirdly fits the story, because Zack is not some smooth porn fantasy. He jerks off alone, he freaks out, he says dumb shit, he pretends to be fine when he’s obviously falling for his roommate’s stupid smile. And even when you finally get to the heavy gay sex, it still feels like two idiots trying to figure out what they want from each other, not just bodies colliding. The game spends way too long on little things like brushing knees in bed or sharing a blanket during a movie, and not enough on big dramatic payoffs, but if you like that shaky first time feeling where lust and fear mix together until you can’t tell which is which, this thing nails it in the messiest way.

Alex isn’t some blank-slate hero. He’s tired, horny, confused, and still stupidly in love with his wife. The game throws you right into his messages, like you’re scrolling through someone’s private phone. Julia’s texts feel too real - half sweet, half cold - and when she starts posting those late-night blog updates, you can’t help but dig deeper. There’s that sick thrill of spying on someone you shouldn’t, mixed with the ache of wanting her back. You’ll find yourself switching between guilt and arousal faster than you can type a reply. It’s voyeurism wrapped in heartbreak, and it hits harder than expected.

The choices don’t just flip a switch - they twist the knife. One moment you’re convincing her to talk, the next you’re watching her “experiment” with another man while you pretend it’s fine. The game doesn’t hold your hand; it lets you drown in your own jealousy or curiosity. The sandbox bits let you chase different routes: rebuild what’s broken, open the door to other lovers, or just spiral into full-blown NTR madness. And yeah, the sex scenes go all in - no fade-to-black bullshit. Julia’s moans sound like confessions, not performances. Sometimes she’s teasing through the camera, sometimes begging, sometimes letting someone else touch her while you watch, and it’s messy and hot and awful in the best way.

What really got me though was how alive everyone feels. Chad’s that idiot friend who somehow gives good advice between dick jokes. The twins show up later and completely derail any moral compass you thought you had. Monster girls, MILFs, even a shy lesbian side route - it’s all there, tangled in one big horny emotional disaster. The writing swings from romantic to filthy without warning, and I kinda love that. It’s not polished, not safe, but damn if it doesn’t feel human. You’ll hate yourself for caring, then get off anyway.

Jean’s had enough of Klee’s chaos, but this time the little pyro menace isn’t just lighting up barrels - she’s lighting up the whole damn city with scandal. The story kicks off like a prank gone wrong, or right, depending on how you feel about blackmail and dripping wet revenge. You sneak around Mondstadt, catching the prim and proper girls in their “off-duty” moments - Lisa’s moaning over her own experiments, Barbara pretending she’s still pure while her fingers say otherwise, Ayaka blushing so hard it’s like her whole body’s about to melt. The game doesn’t pretend to be classy; it’s messy, horny, and sometimes weirdly funny, like when Fischl starts narrating her own blowjob in third person. I swear I laughed and came at the same time, which is a rare combo.

What makes it work is how the corruption sneaks up on you. It starts playful - Klee teasing Jean with harmless tricks - but then things twist. Voyeurism turns into participation, participation into obsession. There’s this one scene with Yae Miko where she basically toys with the protagonist’s sanity, whispering filth like she’s casting a spell. And then Noelle shows up, trying to act all knightly while she’s literally polishing more than just armor. The transitions between scenes are quick, sometimes too quick, like the devs got distracted mid-edit, but somehow that janky pacing adds charm. It feels raw, like watching someone’s fever dream of Genshin girls losing their morals one by one.

The animations? Rough in spots, but when they hit, they *hit*. Hu Tao’s grin when she’s riding you - it’s unholy. Rosaria’s confession scene made me pause the game just to breathe. Even the quiet moments, like Sucrose trying to explain the “chemical reaction” of arousal while clearly soaked herself, have this strange sincerity. It’s not a polished fantasy; it’s a filthy sandbox where shame doesn’t exist. You don’t play it for art - you play it because you want to see what happens when innocence burns out completely.