Lazuli is that kind of protagonist you usually see as a side joke in hentai: horny mad scientist, weird potions, zero moral brakes. Here she’s the center of everything, and the whole game just leans into that idea of “what if a futa alchemist decided the world is her test lab and every girl she likes is a guinea pig with tits.” The Cumcoction is her proud invention, but it behaves more like a jealous deity than a simple drug. One drop and a shy virgin trainer girl suddenly starts grinding on a table corner; a proud swordswoman wakes up from “just a drink” with hazy memories, cum leaking out of her ass, and a faint sense that she liked it way too much. The story keeps this strange mix of silly and fucked‑up: Lazuli talks about alchemy like a nerd who reads too many grimoires, but then she’s also the same maniac who will jerk off behind a curtain, whispering little comments while a corrupted Hinata worships her cock with both hands and mouth, drool everywhere, eyes shining with that brainwashed devotion hentai artists love so much. Scenes go from goofy experimentation to really mean stuff: blackmail with magically recorded voyeur footage, “accidental” sleep sex justified with bullshit pseudo‑science, and that slow corruption arc where proud heroines from worlds like Naruto, My Hero Academia, Dragon Ball, Fairy Tail, One Piece or Pokémon tumble down from “No, never” to “Fine, just my hand” to “Why does it feel empty when you pull out?” without even noticing how far they fell.

What makes it weirdly charming is how inconsistent Lazuli is as a character. One moment she’s doing an almost tender titfuck with someone like Nico Robin, clearly enjoying the shape of those big soft breasts, carefully smearing cum on them like she’s painting. Next moment she’s using transformation tricks so suddenly Serena or Nessa find themselves with a fat new cock between their legs, panic mixing with arousal while Lazuli explains in that smug voice how “temporary” it is, then pushes them into group sex anyway. The game uses that 2D and 3D mix in a dirty way: sometimes you get a short animated loop of a character like Erza or Android 18 taking anal, her ass bouncing and jiggling, and then it cuts back to static art for the aftermath, thick creampie dripping while Lazuli notes something in her research book. It feels like a porn lab notebook: handjob success rates, mind control side effects, level of groping tolerated before resistance drops. There are cute slices of perv life too, like Lazuli just watching Nami and Lillie masturbate separately under a subtle spell, legs shaking, completely unaware they’re being observed like experimental mice, or a harem scene where Kushina, Hinata and Sarada end up sharing the same futa cock, half from drugged lust, half from Lazuli’s shameless manipulation. The tone never fully decides if this is still “fun” corruption or already full damnation, and honestly that’s what keeps it interesting: you’re stuck in that sticky line where fantasy, mind control, blackmail, anal, vaginal, sleep sex, creampies, big tits, big asses, all blend together into one long, filthy project of turning every famous girl in anime into Lazuli’s personal property, catalogued, studied, and thoroughly fucked.

Can’t lie, I clicked expecting another copy-paste anime mashup with the usual stiff models and dead-eyed moans, but this one hits different. There’s a sadness under all that skin, like someone coded their fantasies too carefully, you know? I found myself staring at Raven’s face - Batman’s Raven - and thinking, “she shouldn’t be looking at me like that,” while still dragging her into position anyway. Unreal how fast guilt turns into hunger when the animation breathes just right. And maybe it’s because of the Illusion engine doing its sneaky physics thing, or maybe because the transitions are almost clumsy, like real people fumbling with clothes and patience. It’s messy, which makes it hot.

The scenes jump from universes without pretending to make sense. One second I’m in some broken-down Capsule Corp lab, Bulma smirking like she *planned* to get caught; next, Yoruichi’s toes press against my chest, laughing, telling me to look up. I did. Of course I did. The voyeur mode feels wrong in the best possible way - it doesn’t even give you fake morality options, just lets you watch. But then again, maybe that’s lazy design. Or genius. Hard to tell when your brain’s half-melted. The weird part? The sound mix changes depending on position, so D.Va sounds distant if she turns away. I swear no one ever gets audio that intimate, not even those overpriced VR patches on Steam.

Anyway, I could say it’s perfect, but I won’t. Some things twitch too mechanically - the faces sometimes freeze mid-expression, like they remember they’re code. Yet that’s also the charm. You see the seams, and you keep touching them. Like rubbing a wound for pleasure. Half the cast shouldn’t exist in the same space - Orihime beside Tifa beside Samus - but here they crowd my screen like they’ve been waiting forever. Maybe that’s why it works: it’s absurd, obscene, familiar, and somehow lonelier than expected. I closed the browser and immediately reopened it. Couldn’t help it.

First thing, I didn’t expect this game to feel so *alive* on mobile. It looks like another parody, you know, those cheap ones where characters just move stiff and blink too much. But then I met Serena and Nemona in that first area - yeah, the one where you can “accidentally” grope if you tap the wrong icon - and suddenly the whole thing had this weird energy, like it wasn’t sure if it wanted to be a love sim or just straight-up filth. Which I liked. The small dialogue before every scene makes it hit harder, kinda awkward English mixed with moaning, feels more real than the polished stuff. And Bea? Damn. She’s got that bossy tone that made me mess up the quicktime thing just to see her reaction. She doesn’t forgive mistakes.

I got lost halfway through the story, not because it’s confusing, but because I stopped caring about the map. The sandbox thing lets you wander anywhere, but why wander when Cynthia literally drags you into something that’s part fight, part... something else. I’ll say this: the tentacle scene with the “monster” felt too much but also not enough, like the devs wanted to shock and then chickened out. Still, I didn’t skip it. The sounds alone - some wet mix of pleasure and horror - work better than any dialogue. Then there’s Nessa and Sonia showing up later, like the game assumes you already have a preference. I kept switching between them just to see the contrast in how they handle oral scenes. It’s not fair, but Nessa’s got the rhythm.

What bugs me? The touch controls sometimes don’t register during group scenes, and the camera snaps weirdly when you’re in the middle of, well, you know. But when Hilda joins - oh, man, that part changes the entire tone, like someone just remembered this was supposed to be an adventure. It’s messy, rough, sometimes too much even for a parody. But I’d lie if I said I didn’t keep it open longer than planned, pretending I was just checking messages.

May has been sexualized in fan art for so long that seeing her here almost feels like watching a meme grow up, put on slightly better shoes, and then go straight to the nearest bush to get railed. The thing that stands out with this little animation is how absolutely unapologetic it is about what you’re actually here for. No fake story about “training journey” or “bonding with your Pokémon partner” or some cringe dialogue about badges. It skips all that and drops you right into May, half-dressed in that classic orange top and bandana look, getting fucked outdoors like the route grass is the most natural place to bend her over. She is very much recognizably May, just with her expression doing things the original anime never let her do: flushed face, slightly parted lips, that “I shouldn’t be doing this outside but I really fucking want it” vibe. It’s like someone took the horny subtext of early 2000s fan forums and boiled it into a single scene where she finally stops pretending she’s just here for a gym challenge.

What makes it work more than it has any right to is the tiny amount of control you get, which sounds boring on paper but in practice hits right in that late-night porn brain. You switch between her pussy and her ass, and it doesn’t feel like two separate modes, more like you’re telling the scene “ok, now fuck her there instead” and the animation just obeys. Anal doesn’t feel like the afterthought it usually is in fan stuff either, it has its own weight, her body reacting differently, that tiny clench when you first swap over that will make some people replay it too many times. The cum options are the same kind of simple but nasty in a good way. You choose where you finish, watch her get filled, and there’s a moment where she just kind of holds the pose like she’s trying not to let anything leak out. That tiny held breath look is way dirtier than the actual cumshot. The outdoor setting is basically window dressing, but it does its job: a bit of grass, some open-space light, enough that your brain goes “oh, this is happening out on a route, someone could walk by” even though nobody ever will. There’s a light customization layer that lets you tweak colors and surroundings a bit, like changing her bandana shade or the tone of the background, and it feels like using the Instagram filter menu on something you absolutely cannot post on Instagram. Totally trivial, absolutely unnecessary, and yet I still sat there clicking through them like a dumbass, deciding which version of Haruka getting pounded in the ass felt most “canon” in my head.