Alex is the kind of guy you scroll past on Grindr and don’t even remember. Regular face, regular clothes, regular “nah I’m straight lol” profile line. The fun starts when this painfully average, porn-poisoned, “I only watch straight stuff bro” dude gets trapped in his own dick-brain. A cute femboy called Noah actually replies to his thirsty little message, and suddenly all that straight-posting goes straight to hell. It’s not some epic anime thing. It’s two idiots texting, one of them trying way too hard to act normal while his cock is doing an entirely different orientation than his mouth. The VN just sits there with him through the awkward silences, the panic over what emoji to send, the “shit, did that sound gay?” thoughts that hit him every two seconds. And when they finally meet, Alex is staring at Noah’s thighs and calling it “fashion interest” like that ever fooled anyone.

What I liked is how horny and small everything feels. Not small like dick, relax. Small like: you’re stuck in this chat window, looking at Noah’s pics on your phone, noticing tiny details. Nail polish that’s chipped, a skirt that’s a bit too short for how shy Alex pretends to be, that one selfie where Noah’s lips look soft enough you understand why Alex forgets how to breathe. The erotic stuff sneaks in sideways. It’s not just “they fuck now”. It’s Alex sitting on his bed, half hard, scrolling through their conversation, re-reading the flirty parts, rubbing over his boxers, trying to convince himself that it’s only because Noah looks kind of like a girl “from some angles”. Sure, dude. Totally. Meanwhile the game is shoving his denial right in your face while also letting you enjoy the very explicit, very gay mess he’s drowning in. There are bits where he watches porn after talking to Noah, tries to put on the usual straight clip, then ends up pausing on a pretty boy’s face, and the text just lingers on his confusion longer than it should. It feels gross and honest in a good way.

The romance side is scuffed and half-formed, which sort of works. This build focuses on that first spark, when your stomach feels weird and your dick feels great and your brain goes “no thanks” and “more please” at the same time. Noah is dangerous in the soft way. The kind of femboy who says “it’s okay, you don’t have to label it” while sending a picture that makes you grind your hips into your mattress. The sex is not wall to wall, but when it hits, it hits dirty. You get those detailed, sweaty, needy moments where Alex is too turned on to pretend anymore, moaning like a slut over a body he wouldn’t even admit he’s into if you put a gun to his search history. There’s that slice of life vibe too, the annoying stuff like checking messages while on the toilet, or worrying about what your phone might pop up while you’re sitting next to someone. It’s all very gay, very insecure, very “oh fuck, I like this too much”. Feels like watching a closeted browser tab slowly fill itself with yaoi, sissy captions, femboy porn and then pretend it’s just a phase, while your hand already knows the truth.

House full of ghosts, but they all look like skinny pretty boys in thigh highs and skirts. That’s the vibe here. You move into this creaky old place after your dad dies, with that weird heavy silence in the walls, and instead of dust and spiders you get these tiny smooth femboys showing up in your room, your shower, your bed, your head. They’re not transparent, they’re not “woo spooky”, they sit on your lap, breathe on your neck, grind on you, but everybody else just walks through them like air. So you’re having this soft yaoi daydream, dick hard, while the neighbor talks about plumbing, and this little crossdressing brat is licking your ear and calling you “onii-chan” even though you’re not related at all and also he’s legally an adult, calm down. The game sort of leans into that mental question: are you losing it, or is this a very specific kind of gay blessing that only you get. And it doesn’t answer. It just smiles at you with another pair of glossy lips and asks if you want to kiss him or make him choke on it.

What I liked is how it swings between horny and kind of sad without warning. One second you’re picking a dialogue option about whether you want to pull his panties aside or make him keep them on while you push inside, the next second he’s asking if you’re scared to end up alone like your dad. The writing is weird, like the dev’s first language was feelings and porn, and English somewhere after that. Some jokes hit, some lines feel like Tumblr from ten years ago glued to Pornhub comments, but it sort of fits. The boys are all petite, flat chests, soft tummies, smooth thighs, and yeah you can tell the art is AI if you stare too long at hands or backgrounds, but honestly I was zooming in on the bulges and the way the skirts ride up when they sit wrong on your face. There’s this one scene on the stairs where your foot clips inside the step a bit, and it drove me insane, like, why that specific angle, why that tiny glitch, I kept thinking about it during a blowjob scene for no reason. Dialog choices actually do matter a little, you can be gentle or trashy, “are you okay?” or “open wider”, and they react in these small ways, shy smile, needy whine, a little blush when you call them “good boy”. Sometimes the pacing drags with too much inner monologue about grief, and then suddenly a petite femboy is riding you raw in your dead dad’s bedroom and moaning your name like it’s a blessing. The whole thing feels like someone’s horny therapy session turned into a visual novel, sloppy at the edges, kind of broken, sometimes really sweet, sometimes just filthy, like when the quiet one sits on your face and pretends you’re not there, “since I’m only in your mind anyway”, while your character is literally gasping into his damp panties. It’s romantic, but also not, but also yes. I don’t know. I clicked every lewd option I could and still felt weirdly soft in the chest after the last route, like I’d just masturbated to my own loneliness in cute thigh highs. In a good way, or maybe not.

"You will play as Yuki, a sweet-faced boy who, for certain reasons, has to attend an all-girls school—without letting anyone find out that he’s actually a boy! "“How long can he hide his true self?”​

Q. What this game about? Is it femboy or futanari?
A. This game is not a femboy or futanari-themed game. It is simply a standard boy-meets-girls school romance game.

Q. Does this game have Ntr or male to male?
A. The protagonist is not attracted to men in any way. There will be no NTR content and no male–male romance. However, female–female relationships may appear...

Need something devilishly enticing? Step aboard…
Welcome to the most hellish train ride you'll ever take. The Violet Sunset isn't just a train — it's the last stop between damnation and rebirth. You play as Yuzu (name changeable), a demon queen bound to this cursed locomotive for as long as she can remember. Alongside your closest ally, Violet, you oversee its eternal journey and the souls who board it. Your role? The adjudicator of the damned. The ticket master of death. The final hurdle before redemption. Each ride brings nine passengers, but only three at a time will share the journey with you. These are sinners, condemned by their past lives. Get to know them. Laugh with them. Bond with them. Even romance them. The deeper your connection, the more of their story they'll reveal. But when the Violet Sunset halts… one must be condemned back to hell. Only the soul left standing aboard earns sweet rebirth.​

Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.

Special Harem Class feels like someone mashed a horny dating sim with a lazy summer in a city you only visit in dreams, then sprinkled in a bunch of “yeah this is totally an educational program” lies on top. You’re the guy who didn’t get into any normal college and somehow lands in this weird pre-college thing where every girl looks like she escaped from an anime convention and a porn studio at the same time. The teacher, Claire, is supposed to help you “prepare for higher education”, but she’s way more invested in helping you get inside every girl in the class. And herself. A lot. She’s kind of your pervert handler and it’s hilarious. One moment she’s telling you to study, next moment she’s jerking you off in the office while explaining how to “evaluate interpersonal relationships”. It’s stupid and hot and you just roll with it.

The city map is where the roguelike part of my brain woke up a little. You just wander. Click around. Go to the café at the wrong time of day and suddenly you walk in on one of the girls doing lewd cosplay in the backroom for some extra cash. Go to the park “just to farm affection” and you end up getting a blowjob behind a tree after picking the dialogue option that sounded like a joke. The game loves those small chains. Like you talk to a side girl once at the bus stop, forget about her, then twenty in-game days later she shows up at the mall with a completely different outfit and drags you to the bathroom for a quick, sloppy fuck because “you looked lonely”. The scenes are not just copy-paste either. There are these moments where the camera stays way too long on a girl’s face while she’s moaning and drooling on your cock, and it feels uncomfortably intimate, in the good porn way. Animation loops are everywhere, so every thrust is shown, every little twitch, tits bouncing in this hypnotic, slightly janky rhythm.

What I really liked is how the affection grind tricks you. At first you’re just chasing numbers like a min-max goblin, then suddenly you hit a sex scene that feels way more personal than expected. One of the main girls starts as the “tsundere” cliché, you know, all attitude, but her later scenes are basically her losing control on top of you, begging for your cum and admitting she checks her phone every night waiting for your messages. And you’re sitting there pants around your ankles going “wow ok feelings now, cool”. Then five minutes later you’re raw-dogging a random side chick in a stairwell, zero romance, just sweat and spit and hurried thrusts because someone might come in. It swings between sweet and filthy without warning. There’s a ton of content already, and the dev clearly has a fetish for variety in positions. Titjobs with cum dripping down, anal scenes where the girl’s expression goes from “no way” to “harder” in one loop, public stuff in the city where she’s trying to keep quiet and absolutely failing. Also there’s that one Claire scene in the classroom with the desk, you’ll know when you get it, where she’s riding you slowly while still acting like a serious teacher, glasses and all, and then breaks character mid-sentence when you grab her ass and pull her down harder. I replayed that like, too many times. Only thing that annoyed me is sometimes I’d click through a day trying to trigger a new event and end up with nothing, just empty routine, but then the next week the game drops two new sex scenes on me back to back and I forget I was annoyed at all.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.

So there's this game called Cartoon Hearts and honestly? It's kinda weird but in that good way where you can't look away from a car crash, except the car crash is horny teenagers and cartoon characters going to high school together.

You play some random dude - because it's always some random dude, isn't it - walking around what looks like a normal city but surprise! Raven's doing her goth thing in art class, Violet Parr's trying not to phase through her desk during math, and Starfire's probably setting something on fire in chemistry because that's just Tuesday for her. The whole setup is unhinged in the best possible way. Like someone took Saturday morning cartoons and said "what if they all went to the same school and had raging hormones?" which is either brilliant or deeply concerning depending on your perspective. The writing bounces between actually clever character interactions and moments where you're like wait did Raven just say that? Because she did and it's weird but also... kinda works?

Each girl's got her whole personality thing going on - shy artist with mysterious vibes, popular athlete who's secretly insecure, alien princess who doesn't understand human customs but definitely understands human anatomy. Standard visual novel fare but with characters you actually recognize instead of Generic Anime Girl #47. The dialogue gets pretty explicit when things heat up, which they do because that's literally the point. Some scenes hit different when it's characters you've known since you were like twelve, creates this whole cognitive dissonance that's either your thing or absolutely not your thing. No middle ground here. The art style does this thing where it tries to stay true to the original designs while making them more... adult-oriented, if you catch my drift. Sometimes it works great, other times Starfire looks like she walked out of a completely different universe than Teen Titans but whatever, you're not here for art consistency anyway.