Ryo’s life is already kind of a mess, and then he gets shipped off to this tiny place called Wimblewick Isle, which sounds like a budget vacation spot but ends up being more like “horny supernatural student exchange program no one told you about.” He arrives expecting boring small-town vibes, maybe some quiet, maybe some time to cry in peace about his Tinder matches, and instead finds out half the “girls” on this island are walking around with curves, soft voices, and a big surprise between their legs that instantly makes your own issues feel… smaller. The game leans into that shock in a really playful way. The first time one of the futa girls casually presses up against him and you realize her bulge is not just the artist messing up the shading, it hits like that moment on Grindr when someone sends a pic before saying hello. Except here, they actually talk to you, tease you, and remember what you did for them yesterday.

It plays like one of those laid-back anime visual novels where you click around a map, poke your nose into places you probably shouldn’t, and stumble into scenes that feel way too intimate for how little work you did. One minute you’re “just helping with some chores” and the next she’s closing the door, saying how grateful she is, and Ryo is backed up to the wall with a very obvious problem tenting her skirt. There’s non-linear progression, so you can wander around, chase the girl you’re into, or just be a total degenerate and push every route at once like a horny completionist. I ended up checking the map like I check Instagram, just circling spots to see who’s free to emotionally ruin me today. Some scenes hit hard in a very embarrassing way: a futa “big sister” type stroking Ryo’s hair while casually jerking herself, talking in that soft “it’s okay, you did your best” tone that somehow makes everything filthier. The femboy energy is there too, but in this flirty, self-aware style that feels like the dev actually hangs out online and didn’t just google “trap anime” in 2012 and stop researching. You do small tasks, build affection, watch numbers go up, and get rewarded with things like getting pinned to a bed and used as a stress relief toy by someone who calls you “cute” while she’s absolutely not being gentle.

The writing is messy in a way that feels kind of real. Characters say dumb stuff, make awkward jokes, flirt badly, then suddenly drop a filthy line that punches straight into your brain and stays there while you’re trying to answer work emails. There’s a girl who looks all prim and polite, then she whips it out with this shy smile and asks if you can “help her relax” because she’s too pent up to focus, and it is ten times hotter than all the super-confident porn queen stuff you see everywhere else. At the same time, the game sometimes forgets its own pacing, so you might go from soft build-up to “ok now you’re swallowing her load” like someone accidentally skipped three scenes, but honestly, that feels a bit like real online dating too. You get side events popping up when you re-visit places, so poking around the island actually matters, and there’s this constant feeling that one wrong or right click could land you in the middle of a futa-on-male scene that would get you banned from at least three apps if you tried to describe it in public. Wimblewick Isle ends up feeling like that weird group chat you swear you’re going to leave but you never do, because every time you think you’re done, someone new pops up, blushes, adjusts her skirt, and asks if you’re free to “hang out” in a way that makes you close all your other tabs just in case.

House full of ghosts, but they all look like skinny pretty boys in thigh highs and skirts. That’s the vibe here. You move into this creaky old place after your dad dies, with that weird heavy silence in the walls, and instead of dust and spiders you get these tiny smooth femboys showing up in your room, your shower, your bed, your head. They’re not transparent, they’re not “woo spooky”, they sit on your lap, breathe on your neck, grind on you, but everybody else just walks through them like air. So you’re having this soft yaoi daydream, dick hard, while the neighbor talks about plumbing, and this little crossdressing brat is licking your ear and calling you “onii-chan” even though you’re not related at all and also he’s legally an adult, calm down. The game sort of leans into that mental question: are you losing it, or is this a very specific kind of gay blessing that only you get. And it doesn’t answer. It just smiles at you with another pair of glossy lips and asks if you want to kiss him or make him choke on it.

What I liked is how it swings between horny and kind of sad without warning. One second you’re picking a dialogue option about whether you want to pull his panties aside or make him keep them on while you push inside, the next second he’s asking if you’re scared to end up alone like your dad. The writing is weird, like the dev’s first language was feelings and porn, and English somewhere after that. Some jokes hit, some lines feel like Tumblr from ten years ago glued to Pornhub comments, but it sort of fits. The boys are all petite, flat chests, soft tummies, smooth thighs, and yeah you can tell the art is AI if you stare too long at hands or backgrounds, but honestly I was zooming in on the bulges and the way the skirts ride up when they sit wrong on your face. There’s this one scene on the stairs where your foot clips inside the step a bit, and it drove me insane, like, why that specific angle, why that tiny glitch, I kept thinking about it during a blowjob scene for no reason. Dialog choices actually do matter a little, you can be gentle or trashy, “are you okay?” or “open wider”, and they react in these small ways, shy smile, needy whine, a little blush when you call them “good boy”. Sometimes the pacing drags with too much inner monologue about grief, and then suddenly a petite femboy is riding you raw in your dead dad’s bedroom and moaning your name like it’s a blessing. The whole thing feels like someone’s horny therapy session turned into a visual novel, sloppy at the edges, kind of broken, sometimes really sweet, sometimes just filthy, like when the quiet one sits on your face and pretends you’re not there, “since I’m only in your mind anyway”, while your character is literally gasping into his damp panties. It’s romantic, but also not, but also yes. I don’t know. I clicked every lewd option I could and still felt weirdly soft in the chest after the last route, like I’d just masturbated to my own loneliness in cute thigh highs. In a good way, or maybe not.

First thing that hit me with this one was how casual it feels, like some horny side project that got out of hand in the best way. You drop into this Dragon Ball world as some dude yanked from another reality, and instead of saving planets you’re mostly trying to not get crushed between curves and power levels. It’s very “yeah yeah, plot, now let’s see what Android 18 looks like when you push her patience too far”. And it works. The 3D girls have that Koikatsu flavor, kind of doll-like but expressive enough that when Videl rolls her eyes at you, you actually feel like you earned that disrespect. Then three clicks later she’s on your lap talking way sweeter than she should, like your choices actually mattered even when they kind of didn’t. I kept clicking through scenes on autopilot and suddenly realized I’m min-maxing affection points like it’s some horny JRPG, while chilled music in the background makes it feel way more wholesome than it actually is. The soundtrack is funny in a good way, it’s lo-fi chill beats that sound like something from a 24/7 YouTube study playlist, playing over a blowjob scene. My brain was confused but also very okay with it.

The game is still rough though, and honestly that’s part of the charm. Some menus feel like they were slapped together in Ren’Py at 3 in the morning, buttons in weird places, a log that you forget exists, auto mode that goes too fast that one time and you never tweak it again. You move from Bulma teasing you in the lab, straight into Chi-Chi scolding you like a strict mom and then suddenly it’s full-on sexual and you’re like “okay, that escalated fast, but fine”. Sometimes the pacing is all over the place: one route with Android 21 takes its time, lots of flirting and little touches, and then in another scene with Android 17 it’s like he barely gives you space to breathe before you’re dragged into something you absolutely shouldn’t be enjoying, but you are. I had one moment where Videl is talking all serious about your isekai situation, and in the background the chill track is looping this same snare hit that sounds weirdly off-beat. It drove me insane. I kept thinking about that tiny sound instead of her boobs, which feels like a crime for an adult game. I never fixed it, just kept playing with this small annoyance poking my ear like a mosquito. Still, there’s this one route with 18 where she starts out cold as ice, you pick the slightly smug answers, push her just enough, and by the time she’s grinding on you while pretending she’s still in control, the lo-fi track swirling gently in the back, it all clicks. Messy, horny, kind of stupid in spots, but it scratches that “I shouldn’t enjoy fucking up the Dragon Ball canon this much” itch perfectly.

Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.

Special Harem Class feels like someone mashed a horny dating sim with a lazy summer in a city you only visit in dreams, then sprinkled in a bunch of “yeah this is totally an educational program” lies on top. You’re the guy who didn’t get into any normal college and somehow lands in this weird pre-college thing where every girl looks like she escaped from an anime convention and a porn studio at the same time. The teacher, Claire, is supposed to help you “prepare for higher education”, but she’s way more invested in helping you get inside every girl in the class. And herself. A lot. She’s kind of your pervert handler and it’s hilarious. One moment she’s telling you to study, next moment she’s jerking you off in the office while explaining how to “evaluate interpersonal relationships”. It’s stupid and hot and you just roll with it.

The city map is where the roguelike part of my brain woke up a little. You just wander. Click around. Go to the café at the wrong time of day and suddenly you walk in on one of the girls doing lewd cosplay in the backroom for some extra cash. Go to the park “just to farm affection” and you end up getting a blowjob behind a tree after picking the dialogue option that sounded like a joke. The game loves those small chains. Like you talk to a side girl once at the bus stop, forget about her, then twenty in-game days later she shows up at the mall with a completely different outfit and drags you to the bathroom for a quick, sloppy fuck because “you looked lonely”. The scenes are not just copy-paste either. There are these moments where the camera stays way too long on a girl’s face while she’s moaning and drooling on your cock, and it feels uncomfortably intimate, in the good porn way. Animation loops are everywhere, so every thrust is shown, every little twitch, tits bouncing in this hypnotic, slightly janky rhythm.

What I really liked is how the affection grind tricks you. At first you’re just chasing numbers like a min-max goblin, then suddenly you hit a sex scene that feels way more personal than expected. One of the main girls starts as the “tsundere” cliché, you know, all attitude, but her later scenes are basically her losing control on top of you, begging for your cum and admitting she checks her phone every night waiting for your messages. And you’re sitting there pants around your ankles going “wow ok feelings now, cool”. Then five minutes later you’re raw-dogging a random side chick in a stairwell, zero romance, just sweat and spit and hurried thrusts because someone might come in. It swings between sweet and filthy without warning. There’s a ton of content already, and the dev clearly has a fetish for variety in positions. Titjobs with cum dripping down, anal scenes where the girl’s expression goes from “no way” to “harder” in one loop, public stuff in the city where she’s trying to keep quiet and absolutely failing. Also there’s that one Claire scene in the classroom with the desk, you’ll know when you get it, where she’s riding you slowly while still acting like a serious teacher, glasses and all, and then breaks character mid-sentence when you grab her ass and pull her down harder. I replayed that like, too many times. Only thing that annoyed me is sometimes I’d click through a day trying to trigger a new event and end up with nothing, just empty routine, but then the next week the game drops two new sex scenes on me back to back and I forget I was annoyed at all.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.

So there's this game called Cartoon Hearts and honestly? It's kinda weird but in that good way where you can't look away from a car crash, except the car crash is horny teenagers and cartoon characters going to high school together.

You play some random dude - because it's always some random dude, isn't it - walking around what looks like a normal city but surprise! Raven's doing her goth thing in art class, Violet Parr's trying not to phase through her desk during math, and Starfire's probably setting something on fire in chemistry because that's just Tuesday for her. The whole setup is unhinged in the best possible way. Like someone took Saturday morning cartoons and said "what if they all went to the same school and had raging hormones?" which is either brilliant or deeply concerning depending on your perspective. The writing bounces between actually clever character interactions and moments where you're like wait did Raven just say that? Because she did and it's weird but also... kinda works?

Each girl's got her whole personality thing going on - shy artist with mysterious vibes, popular athlete who's secretly insecure, alien princess who doesn't understand human customs but definitely understands human anatomy. Standard visual novel fare but with characters you actually recognize instead of Generic Anime Girl #47. The dialogue gets pretty explicit when things heat up, which they do because that's literally the point. Some scenes hit different when it's characters you've known since you were like twelve, creates this whole cognitive dissonance that's either your thing or absolutely not your thing. No middle ground here. The art style does this thing where it tries to stay true to the original designs while making them more... adult-oriented, if you catch my drift. Sometimes it works great, other times Starfire looks like she walked out of a completely different universe than Teen Titans but whatever, you're not here for art consistency anyway.