Velvet - v1.8
Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.
The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.
The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.
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👁 3.2K
💬 1
★★★★★
Lust Goddess
Collect prizes and items in the mail with each battle won, as they will help you evolve your educated fighters. The longer you evolve your warriors, the more their corporal appearance switches. And by "switches", we suggest "that they become supah unveiling, taunting you endlessly". And, if you can not escape from this headspace these hot hot visuals have pushed one into, the game does include a useful "auto" mode which can perform the top moves, so you can keep concentrating on your latest win - or even, you knowthat anything is holding your focus.
Play with the #1 finest sex game in the world. Exactly why wait around? It's free-for-all!
Play with the #1 finest sex game in the world. Exactly why wait around? It's free-for-all!
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👁 95.3K
★★★★★
Special Harem Class v0.4.5a
Special Harem Class feels like someone mashed a horny dating sim with a lazy summer in a city you only visit in dreams, then sprinkled in a bunch of “yeah this is totally an educational program” lies on top. You’re the guy who didn’t get into any normal college and somehow lands in this weird pre-college thing where every girl looks like she escaped from an anime convention and a porn studio at the same time. The teacher, Claire, is supposed to help you “prepare for higher education”, but she’s way more invested in helping you get inside every girl in the class. And herself. A lot. She’s kind of your pervert handler and it’s hilarious. One moment she’s telling you to study, next moment she’s jerking you off in the office while explaining how to “evaluate interpersonal relationships”. It’s stupid and hot and you just roll with it.
The city map is where the roguelike part of my brain woke up a little. You just wander. Click around. Go to the café at the wrong time of day and suddenly you walk in on one of the girls doing lewd cosplay in the backroom for some extra cash. Go to the park “just to farm affection” and you end up getting a blowjob behind a tree after picking the dialogue option that sounded like a joke. The game loves those small chains. Like you talk to a side girl once at the bus stop, forget about her, then twenty in-game days later she shows up at the mall with a completely different outfit and drags you to the bathroom for a quick, sloppy fuck because “you looked lonely”. The scenes are not just copy-paste either. There are these moments where the camera stays way too long on a girl’s face while she’s moaning and drooling on your cock, and it feels uncomfortably intimate, in the good porn way. Animation loops are everywhere, so every thrust is shown, every little twitch, tits bouncing in this hypnotic, slightly janky rhythm.
What I really liked is how the affection grind tricks you. At first you’re just chasing numbers like a min-max goblin, then suddenly you hit a sex scene that feels way more personal than expected. One of the main girls starts as the “tsundere” cliché, you know, all attitude, but her later scenes are basically her losing control on top of you, begging for your cum and admitting she checks her phone every night waiting for your messages. And you’re sitting there pants around your ankles going “wow ok feelings now, cool”. Then five minutes later you’re raw-dogging a random side chick in a stairwell, zero romance, just sweat and spit and hurried thrusts because someone might come in. It swings between sweet and filthy without warning. There’s a ton of content already, and the dev clearly has a fetish for variety in positions. Titjobs with cum dripping down, anal scenes where the girl’s expression goes from “no way” to “harder” in one loop, public stuff in the city where she’s trying to keep quiet and absolutely failing. Also there’s that one Claire scene in the classroom with the desk, you’ll know when you get it, where she’s riding you slowly while still acting like a serious teacher, glasses and all, and then breaks character mid-sentence when you grab her ass and pull her down harder. I replayed that like, too many times. Only thing that annoyed me is sometimes I’d click through a day trying to trigger a new event and end up with nothing, just empty routine, but then the next week the game drops two new sex scenes on me back to back and I forget I was annoyed at all.
The city map is where the roguelike part of my brain woke up a little. You just wander. Click around. Go to the café at the wrong time of day and suddenly you walk in on one of the girls doing lewd cosplay in the backroom for some extra cash. Go to the park “just to farm affection” and you end up getting a blowjob behind a tree after picking the dialogue option that sounded like a joke. The game loves those small chains. Like you talk to a side girl once at the bus stop, forget about her, then twenty in-game days later she shows up at the mall with a completely different outfit and drags you to the bathroom for a quick, sloppy fuck because “you looked lonely”. The scenes are not just copy-paste either. There are these moments where the camera stays way too long on a girl’s face while she’s moaning and drooling on your cock, and it feels uncomfortably intimate, in the good porn way. Animation loops are everywhere, so every thrust is shown, every little twitch, tits bouncing in this hypnotic, slightly janky rhythm.
What I really liked is how the affection grind tricks you. At first you’re just chasing numbers like a min-max goblin, then suddenly you hit a sex scene that feels way more personal than expected. One of the main girls starts as the “tsundere” cliché, you know, all attitude, but her later scenes are basically her losing control on top of you, begging for your cum and admitting she checks her phone every night waiting for your messages. And you’re sitting there pants around your ankles going “wow ok feelings now, cool”. Then five minutes later you’re raw-dogging a random side chick in a stairwell, zero romance, just sweat and spit and hurried thrusts because someone might come in. It swings between sweet and filthy without warning. There’s a ton of content already, and the dev clearly has a fetish for variety in positions. Titjobs with cum dripping down, anal scenes where the girl’s expression goes from “no way” to “harder” in one loop, public stuff in the city where she’s trying to keep quiet and absolutely failing. Also there’s that one Claire scene in the classroom with the desk, you’ll know when you get it, where she’s riding you slowly while still acting like a serious teacher, glasses and all, and then breaks character mid-sentence when you grab her ass and pull her down harder. I replayed that like, too many times. Only thing that annoyed me is sometimes I’d click through a day trying to trigger a new event and end up with nothing, just empty routine, but then the next week the game drops two new sex scenes on me back to back and I forget I was annoyed at all.
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👁 1.1K
💬 1
★★★☆☆
Escaping The Goblins v0.3
Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.
What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.
Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.
What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.
Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.
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👁 1.1K
💬 1
★★★★★
Oridelle's Anti Evolution v0.1.4
This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.
The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.
The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.
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👁 207
💬 1
★★★★★
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👁 94.3K
★★★★★