It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

This one starts like some quiet, nerdy space office drama and then suddenly you’re deep in this fucked up future where feelings are illegal, everyone talks like a robot on meds, and you’re the only guy in the room who actually wants to touch someone instead of just optimizing them. You’re this engineer who’s obsessed with clean numbers and perfect systems, and the game really sells that at first. Everything is cold metal, white light, perfect symmetry, your point of view just gliding from panel to panel like you’re inspecting a machine instead of a city. Then you meet her. And yeah, the way they do that first encounter surprised me a bit. It’s not “oh no I tripped and fell on your tits” bullshit. It’s small stuff: a quiet look that lingers half a second too long, a soft laugh that sounds almost illegal in that place. You feel the main guy glitch inside his own head. The text actually slows down there. Suddenly his perfect routine is fucked because now he knows someone else is faking it too.

Sex takes a while to show up and honestly I liked that. When it finally hits, it hits pretty hard. There’s this scene where you’re alone with her in this maintenance corridor, all humming cables and soft blue light, and she leans in way too close to “check a sensor” on your suit. Camera tightens, your POV right at her lips. Her mouth barely moves but you can tell she’s terrified and turned on at same time. When she finally goes down on you, it’s not some porn stunt. It starts slow, almost clumsy, like she’s never been allowed to just take her time sucking a cock. The animation works well there, especially the little throat movements and the way her eyes keep darting to the side like she expects security to burst in. It’s hot because it’s risky, not just because she’s got huge tits and a fat ass pressed against the wall. Later there’s a sex scene in her apartment that really sold me on the whole “forbidden feelings” thing. You’re inside her, riding this slow rhythm, and outside the window you can see that clinically perfect city, all straight lines and dead light, and she’s clinging to you like you’re the only real thing on that whole fucking planet. She wraps her legs around you, big breasts pressed against your chest, and she keeps whispering “don’t stop thinking, don’t stop feeling” like it’s some kind of anti-government spell. Corny as hell, but it works in context. You’ll know what I mean when you see how she looks at you right after you cum in her. There’s so much going on in that one look you kinda forget you’re still buried in her pussy.

It’s technically a kinetic story, so yeah, no choices, no grinding stats, none of that “if you picked the blue dialog box you get anal” nonsense. Weirdly, I didn’t miss it here. You just click through and let it happen, which fits this world where everyone’s path is “assigned” from birth. Sometimes that annoyed me, like in this one scene where you’re clearly screaming inside your head “kiss her, you idiot” and the script just makes him walk away, but at the same time that frustration actually matches who he is. Cold, controlled, scared of his own dick and his own heart. The romance parts are softer than I expected for a porn game. There’s a quiet moment where she’s lying on your chest after sex, naked except for this stupid regulation collar that tracks her vitals, and instead of going for round two you just… talk. About stupid things like favorite sounds, or what it feels like to dream, stuff nobody in that world is supposed to care about. I was low-key more turned on by that than some of the pure porn bits. Not saying everything works. Some lines sound like they were written by a very horny philosopher, and there’s one transition where it cuts from intense blowjob to sterile office briefing so fast it feels like your dick just alt-tabbed. Also the UI has this tiny little notification icon in the corner that pops in the middle of a deep kiss, and now I hate that icon more than the “are you still watching” message on Netflix. But anyway, if you like the mix of clinical sci-fi setting, big soft bodies, and sex that actually feels like rebellion instead of a minigame, this one does that vibe pretty well, even when it stumbles all over its own seriousness. The game kind of wants to be both porn and poetry, and sometimes it fails at both, but when it clicks, it’s that nice dirty-sweet zone where you’re jerking off and suddenly also wondering what it would be like if your feelings were literally illegal. Odd combination, but it stuck in my head.

Lydia feels like that quiet girl from your math class who never talked, then one night you see her at a party half drunk, lips on another girl, mascara ruined, and you realise you had no clue who she really was. That’s the whole vibe here. She walks into this fancy New York college with her planner, her high grades, her “good girl” brain, and then the game basically throws her into sex, pressure, weird relationships, and some very questionable choices that you, as the player, keep pushing her into because it’s impossible not to test how far she bends. One moment she’s blushing because someone saw her underwear under that too-short skirt, next moment you’ve got her deliberately “forgetting” to close the curtains in her dorm room, staring at her own reflection on the glass while knowing people in the next building can see everything. I liked how the game doesn’t scream at you “this is corruption now”, it just lets you nudge her a bit, then a bit more, and suddenly Lydia’s the one saying the filthy lines in dialog that would have made her faint in the intro.

The routes with the girls hit different than I expected. When Lydia ends up in those lesbian scenes, it’s not just “oh look, two girls, boobs, done”. You get soft, clumsy kisses on a dorm bed with a friend, the kind where they both stop and giggle because teeth bumped, and then twenty minutes later you might have her pinned against a bathroom stall, one hand over her mouth while some other student is washing their hands at the sink, clueless. Or maybe not totally clueless. The game is weird like that, it loves that almost-caught tension. The trans romances are actually where I felt the dev flexing a bit. There’s that moment when Lydia’s staring at a hard cock and pretty face at the same time, trying to process why she’s more turned on than confused, and the dialog actually leans into her brain spinning, not just her body reacting. Sex scenes go from sweet vanilla dates and handholding to Lydia on her knees taking it deep and letting someone use her hair as grip, then back to cuddles like nothing happened. Some scenes are kind of stiff and the pacing jumps around without warning, like a Ren’Py script got smashed with a hammer and taped back together, but in a weird way that matches how her college life feels. You think you’re going for wholesome romance, suddenly you’re choosing whether she agrees to wear a collar under her turtleneck to class. Or if she lets a girl tie her wrists to the headboard and take pictures, “just for us”, which of course is never just for them. I kept meaning to try the more normal path and then found myself pushing her into another risky exhibition stunt, like making her walk down the dorm hallway in nothing but an unbuttoned shirt and panties, praying no RA shows up. It’s messy, horny, sometimes awkward, sometimes really hot, and Lydia never fully stops feeling like that smart, slightly lost college girl who might either graduate with honors or end up skipping lectures because she’s too busy getting fucked in someone’s off-campus apartment.

You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.