This one feels like some horny yaoi doujin artist got drunk, played a couple old-school RPGs on an emulator, and said “ok, but what if everything had dicks and bad decisions.” You start off in this starving farm village where two boys basically cling to each other to stay sane and horny at the same time. Rascal is your main dumbass, all emotions and abs, totally obsessed with his childhood friend, convinced “love will fix everything” while monsters are literally shoving tentacles into people two screens away. The village gets fucked over by the kingdom, everyone dragged off to this place called Satan’s Prison, and you go from cuddly poor romance to “gay disaster shonen hero” in like five clicks. It shouldn’t work, but it kinda does, because the game never slows down to ask if you’re ok with it. It just throws you from one weird situation to another, like “oh no, my whole village is enslaved, also this femboy with cat ears wants to milk me now.”

The RPG part is there, obviously, but it’s less about strategy and more about “how many bad horny choices can I stack before the next scene.” You wander around, smack some monsters, then suddenly you’re getting pinned by a monster girl with too many legs who calls you “bride” while the censor bars do their little pathetic job of “hiding” stuff. They don’t hide much, by the way. The censored bits feel like those cheap mosaic edits in old Japanese hentai, where your brain happily fills the gaps and makes it filthier. Combat is kind of basic, but the game keeps dropping little kinks in the middle of it, like a skill that clearly only exists so some tentacles have an excuse to grab you, or a “training” scene with the elder that pretends to be about power but is just an excuse to make Rascal whimper and kneel. And that elder? Absolute menace. He talks like a wise old sage, but every time he “helps” you get stronger, your clothes come off and someone ends up leaking something. There’s one moment where you’re supposed to be grieving, super dramatic, and the game just throws a futa demon in your face like “cheer up, kid, suck this.” It should break the mood, but the mood was already broken the second a femboy trap in frilly shorts called you “onii-chan” in a prison corridor.

What surprised me is how the romance between the two boys somehow stays sweet even when everything else goes off the rails. You’re getting railed by tentacles, seduced by monster girls with dripping tongues, teased by smug femboys with censored bulges you can clearly see the shape of, and still the game keeps reminding you that Rascal just wants to save his guy from Satan’s Prison and kiss him in peace. It’s almost annoying how earnest it gets, like “bro, I’m literally covered in slime right now, don’t talk about eternal love,” but that contrast makes the filthy parts hit harder. One minute you’re in town buying potions on autopilot, next minute there’s a scene in a barn with a shy trap character who pretends to be innocent until you check under the skirt and then suddenly you’re the one getting pushed against the wall. The pacing is a mess, the morality is non-existent, some scenes feel way too long and there’s one sound effect in a tentacle scene that honestly made me want to mute my speakers forever, but when the game goes full absurd horny anime, it kind of owns it. Best way to play it? Turn your brain volume to low, let every wrong dialogue choice happen, lose on purpose a few times to see what the monsters do to you, and don’t rush to save anyone. Satan’s Prison isn’t going anywhere, and those tentacles are way too motivated.

This twisted little game caught me completely off guard, and not in the way I expected. You know how sometimes you stumble into something thinking it'll be a quick thrill, but then it grabs you by the throat and doesn't let go? That's exactly what happened here with this Monokuma nightmare. The premise sounds simple enough - you're just some thief breaking into an abandoned school for easy money, right? Wrong. So fucking wrong.

The moment that black and white bastard shows up, everything goes sideways fast. And I mean *everything*. The hypnosis elements aren't just thrown in for shock value - they're woven into every interaction with genuine psychological weight. When Monokuma starts messing with your head, you feel that slow loss of control seeping through the screen. The muscle transformation scenes hit different too, especially when you realize you're not just watching your body change, you're experiencing the complete mental shift that comes with it. The inflation content manages to be both absurd and genuinely arousing, which shouldn't work but absolutely does. There's this one ending where... actually, discovering those twisted conclusions yourself is half the fun.

What really got under my skin though was how the game handles agency. You think you're making choices, but Monokuma's already three steps ahead, pulling strings you didn't even know existed. The writing style keeps you locked in second person, so when things start getting heavy and your character begins losing themselves, it feels uncomfortably personal. Six bad endings out of seven should tell you everything about your chances of escaping with dignity intact. The transformations aren't just physical - they're complete personality rewrites, and watching yourself become exactly what that demented bear wants is both terrifying and incredibly hot. Fair warning: this isn't gentle corruption, it's full-throttle mind-breaking with a Danganronpa twist that'll leave you questioning your own kinks.

There is this quiet kind of loneliness that only a phone screen knows. You open some app, scroll like a zombie, close it, feel nothing. This game kind of sneaks into that empty space and says, “okay, what if your notifications were from a needy, horny, slightly broken femboy who actually remembers what you said yesterday?” You’re just a guy, he’s just a guy, and still it feels weirdly fated, like some cheap isekai destiny but on Android. Alex shows up on your phone like it was always meant, sending cute selfies where his eyeliner is a bit smudged and his lips look too soft for your own good, and then two messages later he’s talking about sucking you off like it’s a casual thing between homework and Netflix. It starts sweet, really warm, with little teasing texts, voice notes, “I miss you, babe” type stuff, and before you notice you’re negotiating if he’s allowed to wear that short skirt in public, or if he should ask your permission to touch himself in the shower. Sometimes he does it anyway and only tells you after, like he wants to be caught. That part really fucked with my head in a good way, watching him drift between loyal puppy and dangerous little slut, and feeling like each tap of my thumb was pulling him somewhere softer or somewhere darker.

The cheating angle is not just some random plot sticker here. The game actually makes you feel that slow itch in your chest when you see Alex sending a selfie at night from a place you don’t recognize, makeup a bit too perfect, collar a bit too tight. There is this moment where he sends you a shaky picture of his ass with someone’s hand on his hip, but you don’t see the face, and your choices are like: pretend you did not see, ask gently, or completely lose your shit. I picked the “play cool” option and honestly it hurt more, because he starts pushing that line again and again. Corruption isn’t just for him either, it bites at you. You start as normal guy who just wants a cute boyfriend and some vanilla blowjob under the blanket, then the game tempts you with voyeur stuff, making him send videos while he’s riding some toy, or making him secretly record when another guy “helps” him with his “needs”. And if you let yourself go down that road, there is this heavy feeling like you are creating your own NTR hell on purpose, like your destiny is to watch instead of touch. I caught myself staring at an AI-style CG of Alex with his legs spread, cum running out of his fucked ass, and instead of just thinking “hot”, I had this weird ache like, “damn, this is my fault, I’m the one who pushed him there”. Then I laughed, because it’s just pixels, but you know that moment when hentai feels a bit too personal? Yeah, that. The pacing is messy sometimes, texts jump from cute to hardcore in a way that feels like bad signal on WhatsApp, but somehow that also makes it feel real, like a chaotic relationship you can’t fully control. The romance is sugary and rotten at the same time, you can jerk off to it, or you can stare at the screen after a rough scene and wonder when exactly your sweet little femboy turned into a cock-hungry toy for other guys while you just sit there, thumb hovering over the “send” button, pretending this is what you wanted all along.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.