You know that quiet point in a long relationship where everything’s kinda fine but also kinda dead inside? That’s where this game lives. You play as Mila, this pretty normal girl who’s been with the same guy since school, and instead of breaking up or doing therapy like a sane person, her brain just starts wandering into all the filthy corners she pretended she never had. The whole thing is written like someone slowly losing their sexual filter. One scene she’s just bored on the couch, scrolling on her phone, half-watching some series on Netflix, and a couple hours later she’s in front of a mirror, panties around her ankles, trying not to moan too loud because she’s imagining her boyfriend watching her get wrecked by someone else. It escalates like that a lot. Not in a big dramatic way, more like “oh shit, this went further than I planned” over and over.

The paths are where the game really messes with your head. Loyal route is still horny as hell, it’s not some PG “good girl” option. You still get anal, toys, a lot of teasing, some proper choking and spanking, dirty talking in your ear, that kind of stuff. It just stays inside the couple and focuses on them waking up again, with Mila taking turns being bratty and then just melting when he finally grows a spine and pins her to the bed. There’s this POV blowjob scene where she keeps eye contact way too long, drool on her chin, and the voice acting has this little breathy laugh that kinda hits harder than the actual cum shot. The NTR and sharing stuff is where it gets nasty though. You get that gross hot feeling in your chest when she walks into a bar in that short dress, pretending she’s “just flirting a bit”, and suddenly there’s a dude’s hand on her ass and you can choose to pull back or… not. Watching her bend over in front of another guy, trying to look confident while she’s clearly embarrassed and turned on, is very much the vibe here. Humiliation, ahegao faces, getting called out for being a slut while she moans louder, all of that. There’s a scene with a footjob on a hotel bed while her boyfriend is on a video call, and if fucked up guilt mixed with arousal is your thing, that one stays in your head after you close the tab.

The art sits in that 2D CG plus AI-touched zone where sometimes her face looks unbelievably hot and sometimes you stare at a detail like a weird toe and can’t unsee it. Animations help a lot though, especially during anal scenes where you actually feel the rhythm and you see her clench and twitch instead of just reading about it. Sounds are hit and miss; some moans are legit good, like the kind that make you pause your Spotify because you want to hear them clear, others feel copy-pasted, but when the VA nails that mix of shame and pleasure, it’s killer. I played super pacifist in a way: always picking the less aggressive options, trying to avoid the full-on “ruin her life” choices, and the story still dragged me into some nasty corruption bits. There’s this one moment where she’s masturbating on the balcony at night, half naked, clearly visible if anyone looks up, and afterward she just goes back inside like nothing happened, fixing her hair while you know she’s soaked. That tiny detail of her wiping her fingers on the curtain annoyed me for some reason and I kept thinking about it, but I also kinda loved that they put it in. The game is basically like that curtain. A little dirty, kind of wrong, but you still keep looking.

You start out thinking it’s just another weird sandbox about hypnotizing girls, but the tone hits different. There’s this slow, sticky corruption that creeps in - not all fire and brimstone, more like a soft rot under the skin. The demon Maria doesn’t even feel evil, more like she’s bored and horny, dangling her deal in front of you while you pretend you’re not already imagining what you’ll do with that “Supower.” The city feels alive in that fake kind of way, like a porn set pretending to be a neighborhood, and somehow that makes it hotter. You walk into the school, or the cheap apartment, or the nun’s little chapel, and everything hums with that dirty energy of something forbidden but inevitable.

It’s a game that rewards patience - though I don’t mean gameplay-wise. The real fun is watching how the women change. Their eyes go from defiant to glassy, their voices soften when they say your name. One moment they’re scolding you for being a creep, next they’re begging to taste you, moaning like they forgot who they were before you touched them. It’s not subtle, and thank god for that. There’s NTR bits that sting if you’re too attached, but also moments where you realize you’ve become the bastard doing the same thing. The MILF’s story goes places I didn’t expect - one second she’s the responsible type, then she’s on her knees, tits bouncing, drool dripping down her chin while you tell her she’s nothing but your pet. And yeah, it’s animated, but the roughness of it almost adds charm. Like watching an old fan animation that accidentally nails the filthiness better than polished stuff ever could.

Sometimes I forget what the “main quest” even is. I just end up chasing scenes - the footjob behind the school, the nun whispering prayers while you fill her mouth, the monster girl moaning through transformation. It’s chaotic, half-finished, but I keep coming back. Maybe because it feels like a modder’s dream: imperfect, dirty, and personal. Like someone’s fantasy spilled straight onto the screen without cleanup.

Naruto: Family Vacation sounds innocent until it isn’t. The thing starts like some casual summer getaway - sun, sand, family, all that “wholesome” crap - but five minutes in, you realize this trip’s got nothing to do with bonding over campfires. It’s a messy, sweaty, unapologetic fantasy playground where every familiar face from the Hidden Leaf seems to have left their morals (and most of their clothes) at home. You’re the guy in the middle of it all, watching Hinata try to keep her calm while her sister teases her, Tsunade pretending she’s too mature for this before she’s the loudest one moaning, and Ino doing that thing with her tongue that makes you forget your own damn name. It’s not subtle, and it doesn’t try to be.

What’s wild is how it mixes that goofy parody vibe with moments that feel way too personal. Like, you’re watching Sakura give a footjob while Naruto’s voice echoes from another room, and it hits you - this is both ridiculous and kinda hot in a way you didn’t expect. The art style helps; it’s got that soft, hand-drawn feel that makes even the dirtiest scenes look almost sweet. Almost. There’s a voyeur thing going on too - you catch scenes you weren’t supposed to see, like Temari sneaking into Shikamaru’s room or Mei Terumi playing with a toy that looks like it came from another dimension. It’s all a bit chaotic, but that’s part of the charm.

Sometimes it feels like the game’s trolling you - one moment you’re deep in a BDSM scene with ropes and blindfolds, next you’re watching Boruto walk by eating ramen like nothing’s happening. It’s absurd, horny, and kind of brilliant in its own broken way. The pacing’s weird, the dialogue swings between hot and hilariously bad, but somehow that just makes it feel more real. Like a dirty secret you shouldn’t be enjoying this much, but you keep clicking anyway.

It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.