Trapfield Hotel's got this whole weird economy simulation thing going on, except instead of managing spreadsheets you're managing... well, let's just say the staff qualifications are pretty specific. The premise is absolutely ridiculous - apparently there's this magical hotel where only the most endowed femboys and hung futas can get employment. Makes about as much sense as pineapple on pizza, but hey, at least it owns its absurdity.

What really caught me off guard was how committed this thing is to its own internal logic. You'd think a game built around hiring hypersexualized employees would just be mindless clicking, but there's actually some thought put into the corruption mechanics. Characters don't just flip a switch from innocent to depraved - there's this gradual sissification process that feels surprisingly well-paced. The humor helps too; some of the dialogue had me genuinely chuckling between the more explicit scenes. Though I gotta say, the pacing gets wonky in places where it feels like the dev couldn't decide if they wanted a slow burn or immediate gratification.

The visual novel format works well enough, especially with the POV elements during the steamier moments. You get these first-person perspectives that really sell the domination dynamics, whether you're on the giving or receiving end. The art style leans heavy into that exaggerated hentai aesthetic - we're talking comically oversized assets across the board. Some might call it over the top, but honestly? It fits the ridiculous premise perfectly. The femdom scenes pack the most punch, probably because the power dynamics feel more natural in this setting. Just don't expect deep character development beyond "innocent worker becomes hotel slut" - though sometimes that's exactly what you're looking for in a kinetic novel like this.

Kislev looks normal at first glance. Streetlights, cheap shops, that one park bench where everyone pretends not to stare at each other. Then you notice how empty it feels, like the city is holding its breath. Officials keep saying “just a weird cold, nothing serious,” while half the people you meet have this strange tired look in their eyes and the other half are just horny as fuck and pretending nothing is wrong. You play this dude who goes “yeah, I’m out, I’m leaving the city until shit calms down,” but of course he’s late, like every protagonist with a big ego and a bigger cock. And somehow running away turns into drifting deeper into this mess of sex, money, and that quiet fear that maybe tomorrow you won’t wake up at all. Or worse, you will.

The whole thing feels like a fantasy about the end of the world where everyone deals with panic by getting freaky. You’re out there sweet talking thick women with soft bellies and massive tits spilling out of bras that never quite fit. There’s something really nice about how the chubby girls are treated, actually. They’re not a joke, not “before the glow up,” they’re just hot. Big asses, big boobs, big everything, and the camera really takes its time. You’re flirting, buying them shiny crap like cars and jewelry, acting like some budget sugar daddy, and half the time you know it’s stupid but it works, so you keep doing it. One milf leans over your new car, huge tits pressed against the window while she asks you if the seats are comfy enough to “test suspension.” And yeah, you say something smooth. Or you try. I misclicked the dialogue, told her something lame, and she still ended up palming my dick through my pants, super slow, teasing like she has all the time in the world even though the city might be dying around us. That scene actually made me pause Spotify because I wanted to hear every tiny sound. Then I put Spotify back, because I’m an idiot.

I like how the MC’s cock is treated like an actual presence. When a thick girl wraps her soft fingers around it for a lazy handjob, the visual really sells the weight, the size, the way her cheeks flush like “fuck, I didn’t expect it this big.” There’s a moment where a bbw presses your shaft between her heavy tits, and you can practically feel the warmth off the screen. It’s detailed, but sometimes weirdly clumsy, like the dev spent 3 days on the curve of a nipple and 3 minutes on the background. Also whoever designed the jewelry shop UI clearly hates humans, I swear one button is half a pixel off and it still annoys me. The game likes to tease too much sometimes: lots of grinding, lots of “almost” scenes before you finally get release, but when you do, it’s thick, messy, and right in her face or over her giant chest, and she looks proud like she just survived the apocalypse by taking your load. The virus, the panic, the lies from the authorities, it all just becomes this excuse for everyone to live harder, fuck louder, and pretend choices still matter. They probably don’t, but you keep clicking like they do.