Death in this game is like a bad Unity compile: you think “ok, that’s it,” and then it spits you back one year in the past and tells you to try again, except now you got a hard-on and godlike save scumming built into the story. You’re basically a horny superhero with the power of “what if I didn’t fuck that up?” and the whole town is your sandbox. One moment you’re chatting with a tired, hot older woman who has that soft-mom energy and cleavage that never quite fits in her clothes, next moment you’re quietly nudging events so some disaster never happens, while being absolutely distracted by the way her shirt sticks to her when it rains. The game pretends it’s about fate and responsibility, but half the time it feels like the devs asked: “what if time travel was just an excuse to flirt, screw up romances, then reload reality itself?”

The structure is pure visual novel, but it actually reacts. You say the wrong thing to her in one scene, brush off her feelings or push too hard when she clearly isn’t ready, and ten scenes later she looks at you like she remembers every tiny shitty choice you made. There’s this one moment where I tried to be the cool, distant hero, focusing on stopping something huge from happening, and I ignored a small, intimate talk with her in the kitchen. Later, when everything got tense, she just quietly said, “you never listen until it’s too late,” and that hit harder than any explosion. Right after that, the game lets you see her in a really tender, erotic CG, where she finally opens up… and you know you kind of didn’t earn it in that timeline. The hentai scenes are nice and shameless: soft lighting, curves that feel indulgent, a lot of focus on her face when she’s torn between “this is wrong” and “fuck it, I want this.” Sometimes the camera lingers a bit too long on one angle and I kept noticing a tiny shadow artifact on the edge of her hair. It annoyed me once and then I couldn’t unsee it. The dev will never fix it, I just know.

What I like is how your “superpower” is not just shooting lasers or something dumb. It’s messing with cause and effect, changing who comforts who, who survives, who falls in love, and that includes sexual tension that brews forever before it finally snaps. You might protect the town and lose her, or chase her so hard that the town quietly burns in the background, and the game doesn’t slap your wrist right away. It waits. Lets you sit in your mess. The romantic side is surprisingly sweet, almost softboy, then in the next scene you’re pinning her against a wall, kissing her neck while she mutters that this is insane and still pulls you closer. There’s this constant question: are you a hero, or just a guy abusing a cosmic reset button to get into a milf’s panties? The game doesn’t give you a clean answer and honestly it shouldn’t. I do wish there was one completely stupid route where you just waste your power on lottery tickets and porn subscriptions on Steam, but that’s never going to happen and that’s fine. I was going to talk about the supernatural side more but my brain keeps looping back to that one scene where she’s half undressed, asking if the universe is really worth saving if she ends up alone again, and you have to pick between touching her or stepping away. That choice stuck with me longer than any fancy effect or explosion. Maybe the real bug is that I kind of wanted the “wrong” option to feel even better.

Princess Sarah looks like the kind of girl who should be hanging in some palace gallery, not crawling through mud while a drunk mercenary decides if she’s going to pay for safe passage with coins or with her mouth. That contrast is basically the whole flavor here: fine perfume and rotten back alley mixed in one glass. The game really leans into her being this soft, educated royal girl who keeps getting dragged into situations she is absolutely not prepared for, and the hotter scenes are exactly when your “proper” choice brain fights with your nasty one. On Steam or itch I usually skip long text scenes, but here I caught myself reading everything on the phone in bed, auto forward off, just tapping slowly like some degenerate book club. The writing is simple but weirdly sharp at times, then suddenly clumsy in the next line, which kind of fits her whole fall-from-grace vibe.

The art is the main reason I even clicked it. Sarah’s body is not that plastic “porn gacha” style you see in a lot of browser stuff. She has this soft, almost painterly look, like someone spent real time deciding what her nipples look like in different lighting. Some CGs are insanely on point: her in a torn gown, cheeks wet, eyes half gone, that little royal necklace still on her throat like a joke. Then the next scene you get a weird hand that looks like it belongs to another species. It annoyed me for five seconds, then I was back zooming the screenshot on my tablet in Google Photos to check a tiny detail on her expression. The faces carry a lot of weight here. When she gives in, you can see the shift from panic to that dangerous “maybe I like this” flicker, and those are the moments where the lewd hits hardest. Also the sound is better than it has any right to be. No voice acting, but the moans and wet noises are just crunchy enough in my cheap HyperX Cloud II to make me lower the volume in Discord because I swear someone could tell what I’m doing through background echo. The subtle music loop when she’s trying to act noble at a feast and you know everything is about to fall apart is great, then later you hear a lonely variation of it when she is basically property in a tent. Stuff like that made me keep my headphones on even when I could have muted.

Gameplay wise it is just a wall of choices stacked like bad Tinder decisions, but the game is not shy about punishing you. You pick the “brave” option, suddenly you are half naked in a filthy barn, seed dripping down your thighs because you tried to stand up to the wrong guy. Pick the “coward” option, cool, now you belong to someone you hate and the scenes drag out that helpless roleplay. For example, I tried to keep her as untouched as possible on my first run, always taking the safest path, and I ended up in this weird survival route where she is constantly trading dignity piece by piece instead of one big collapse. On the second run I went full corrupt princess in about five clicks and somehow felt worse, because the game remembers what she was before. Little callbacks in the text stab you with “you used to be” while she is kneeling with a collar on. Consequences actually matter here, not in some number meter on the side, but in how the scenes are framed. Sometimes the same sex act plays completely different depending on how broken or proud she still is. One thing that annoyed the hell out of me: the skip and auto features sometimes jump you right past a line you wanted to savor, especially during longer gangbang setups, and of course there is no rewind, so you are stuck reloading an old save like a pervert perfectionist. Anyway, if you want to squeeze every dirty drop out of it, I’d say play “serious” the first time on PC with a decent screen, read slowly, don’t spam the quicksave like a coward, then go back in a second run on your phone or Steam Deck and deliberately ruin her, just to see how far the writers allow this princess to fall before the world finally eats her.

The reunion starts awkward as hell, honestly. You're back with these girls you used to know everything about, but now they're all grown up with curves that definitely weren't there before. Sarah's got this whole MILF thing going on now, massive tits barely contained in her sweater, while Jessica's ass has filled out in ways that make you forget how to form sentences. The cabin feels smaller than you remember, or maybe everyone just got bigger in all the right places.

What gets weird though is how the whole weekend keeps... repeating? Like you'll be getting a handjob from one of them behind the kitchen counter, then suddenly you're back at Friday night again. Except this time you remember what happened, so you can push things further. Maybe instead of just watching Sarah breastfeed her kid through the crack in the door, you actually walk in and see what happens. The lactation scenes hit different when you're not just some creepy voyeur - she actually wants you there, wants you to taste what she's offering. The game doesn't explain the time loop thing much, but honestly who cares when you're building a harem of your childhood friends?

The lesbian content comes out of nowhere but it works. Watching them explore each other while you're getting a titjob from someone else creates this whole group dynamic that feels natural despite being completely insane. Sometimes you're groping multiple girls at once, sometimes you're just observing them figure out their own desires. The reunion becomes less about catching up and more about catching feelings, or at least catching orgasms. Each loop lets you shape different relationships - maybe this time you focus on the shy one who gives incredible blowjobs, or maybe you corrupt the innocent one until she's begging for more. The CG scenes are unpolished but they capture that raw, desperate energy of people making up for lost time.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.