You start as this shiny holy boy, all blessed and important, marching in to kill the big bad succubus, and the game just immediately laughs in your face. Nox wipes the floor with you, steals your power, and suddenly the mighty chosen hero is more like a walking protein dispenser in a world full of horny monsters that all want a taste. The whole thing feels like you accidentally clicked the wrong link on your church’s website and ended up here. Every area you go through is basically a trap: monster girls that look like they belong on some sketchy Pixiv page, smug milfs with that “I’ve ruined better men than you” look, futa demons with way too much confidence, fluffy girls with tails that distract you at the exact moment they’re pinning you down. You think “ok, this time I’m going to focus on combat, grind some levels, be serious” and then three seconds later some big tit demon bends over in front of you and the game is like, “sure you are, champ.”

What I liked is how it keeps playing this joke on your ego. You’re supposed to be holy, but half the time you’re flat on your back, getting milked, pinned, ridden, or just used like some toy. You win a fight? The monster girl still teases you, strokes your cock with her foot, presses her huge ass against you and whispers about how much you must be holding back. You lose? They sit on your face, fuck you stupid, ride your dick until you shoot inside them and they moan about how “the church raises such obedient little cum donors.” There is a lot of view-from-your-own-eyes stuff, with thighs closing around your head, tits smooshing against you, and those moments where you’re staring up at a smug face while she grinds on your lap and you can feel yourself giving up both the fight and your stats. Creampies are not subtle either. You see it, you hear it, they talk about it. Some girls get off on stuffing you dry, rubbing your leaking cock on themselves, looking you in the eyes while you twitch and spill inside them again. Oral scenes flip around a lot: sometimes they worship you, sometimes they grab you by the hair and shove your face between their legs until you are basically just a tongue with a body attached. There are furry girls that act like they’re “just curious” and then five seconds later they’re riding you, tail wrapping around your leg while they moan in your ear. A few scenes really go hard on the feet stuff too, like this one where a demon queen keeps your hands bound and makes you cum only from her soles and toes, then laughs that a “holy hero” got trained by her feet. You can pretend you’re here for the RPG elements, the sandbox, the power climb, whatever. But then you’re peeking around a corner just to watch two monster girls play with each other, or letting a milf priestess “cleanse” you with her mouth while your stats mysteriously drop again, and you realize the real boss fight is just how long you can last before you give in on purpose.

The first thing I thought after a few minutes was - why does it feel like a fever dream made by someone who got lost between a lab manual and a wet dream? The tone is weirdly confident, like the game knows it’s absurd and just leans into it. One moment you’re staring at a microscope screen, the next a pair of soft giggles echo in your ear and you forget there’s supposed to be *science* involved. The twins - god, they’re both trouble in different flavors. The older one pretends she’s got morals, the younger one pretends nothing at all matters. They circle you like cats, teasing until you can’t tell who’s leading anymore. It’s the kind of harem setup that should feel predictable, but doesn’t, because everyone acts like they’ve read too many philosophy posts on Twitter and now weaponize flirting as research.

There’s this one scene - animated in that slow, almost-too-smooth way - where she’s trying to keep a serious conversation while her hand is very much *not* serious, and you can feel the POV shake like the dev forgot to stabilize it. It’s oddly intimate, messy even, which I liked more than I expected. The humor sneaks in during those in-between breaths; the hero mutters something about “empirical data” right before a creampie moment, and it’s so dumb it becomes sexy again. Sometimes the pacing flatlines, like the game just needed a cigarette break. Other times it spikes into this blurry intensity that makes you forget your phone is heating up in your hand. I still don’t get the romance angle though - it’s half sincere, half ironic, like everyone’s pretending not to be lonely while naked.

I keep thinking how the visuals give everyone that soft plastic shine, but I don’t even care after a while. The dialogue is clumsy and weirdly poetic, like it was translated by someone half-drunk on dopamine. There’s a virgin subplot I wanted to hate, but then it turns awkward and human and suddenly I did care. I started imagining sketching the twins, one smirking, one looking away, both glowing under fake lab light. Maybe that’s the spell - it’s trashy and stupid and kind of brilliant.

It’s weird how this one tries to be a parody but ends up accidentally saying something kind of tragic about Kobeni, like she keeps blushing through the whole thing yet the game never lets her be just cute or just desperate - it’s always both, tangled together. I kept thinking the demon part would be the main hook, but nah, it’s more about that half-panic look in her eyes when you push too far and she still whispers your name. The timing mechanic feels stupid at first, tapping along while she’s choking or trembling, but then it clicks and suddenly you’re syncing with her rhythm in a way that feels too real for a joke game. It’s messy, literally and emotionally, and the moaning voice lines loop wrong sometimes, which only makes it better somehow - like catching someone mid‑breath and refusing to let them finish.

What gets me is how the corruption doesn’t even feel evil. You start off thinking you’re dominating her, but by day five she’s the one steering things, pretending not to, grinding slow while talking about losing her job as if your cock’s the only comfort left. The writing trips over itself, grammar all over, and yet every line lands because it sounds like someone actually flustered trying to talk dirty and failing. There’s a scene in the bathroom where the mirror fogs up and for a second you see horns behind her reflection, tiny, twitching, like she’s halfway yours already. Then she laughs too loud. Totally ruins the moment. But it sticks.

I’ll say though, the creampie counter? Completely unnecessary and also perfect. It forces you to notice time passing, like this gross little calendar of need. The parody label doesn’t save it from being hot, and the humor doesn’t stop it from being kind of sad. Maybe that’s why I keep replaying it, telling myself it’s for the endings, but really just waiting to hear her gasp that same broken syllable again.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.