It’s weird how this one tries to be a parody but ends up accidentally saying something kind of tragic about Kobeni, like she keeps blushing through the whole thing yet the game never lets her be just cute or just desperate - it’s always both, tangled together. I kept thinking the demon part would be the main hook, but nah, it’s more about that half-panic look in her eyes when you push too far and she still whispers your name. The timing mechanic feels stupid at first, tapping along while she’s choking or trembling, but then it clicks and suddenly you’re syncing with her rhythm in a way that feels too real for a joke game. It’s messy, literally and emotionally, and the moaning voice lines loop wrong sometimes, which only makes it better somehow - like catching someone mid‑breath and refusing to let them finish.

What gets me is how the corruption doesn’t even feel evil. You start off thinking you’re dominating her, but by day five she’s the one steering things, pretending not to, grinding slow while talking about losing her job as if your cock’s the only comfort left. The writing trips over itself, grammar all over, and yet every line lands because it sounds like someone actually flustered trying to talk dirty and failing. There’s a scene in the bathroom where the mirror fogs up and for a second you see horns behind her reflection, tiny, twitching, like she’s halfway yours already. Then she laughs too loud. Totally ruins the moment. But it sticks.

I’ll say though, the creampie counter? Completely unnecessary and also perfect. It forces you to notice time passing, like this gross little calendar of need. The parody label doesn’t save it from being hot, and the humor doesn’t stop it from being kind of sad. Maybe that’s why I keep replaying it, telling myself it’s for the endings, but really just waiting to hear her gasp that same broken syllable again.

Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?

This one feels like some horny mage wrote his mid‑life crisis on a napkin, spilled beer on it, then actually cast a spell and turned it into a game. You play as Sam, or whatever name you type in when you’re already half hard, a guy who’s supposed to be powerful and wise but spends most of the story thinking with his dick around monster girls and old mistakes. It’s connected to that main List Saga thing, but this side story is more like sneaking out of a serious fantasy novel to go fuck in the alley behind the magic academy. You keep bumping into this whole mess from your past that refuses to stay buried: the wife you literally tied to a book, the kid you may or may not have screwed over, and these non‑human girls who want to either eat your soul or sit on your face. Sometimes both, honestly.

What makes it weirdly hot is how the game doesn’t rush. It’s not “click button, instant tits.” First you get that slow magical mind control stuff, where you’re not sure if you’re the one in charge or if the monster girl is just letting you think you are. There’s a scene early on where you’re arguing with this horned librarian chick about forbidden grimoires, and the dialogue suddenly slides into her pushing into your mind like warm fingers, asking why you’re still obsessed with that old book that has your wife’s soul. Next click and she’s on her knees, drool on her lips, eyes glowing, taking your cock in her mouth while you feel her in your head, whispering that your son will hate you forever. It’s filthy and kind of fucked up, and yeah, it works. The animated stuff sells it, you actually see the hips move when you’re pounding into her, the little shiver when you pull out and then change your mind and slam right back in. Creampie shots are not shy at all, cum pooling inside, dripping out, especially when it’s some monster girl pussy with weird details that’d get you banned on Instagram in half a second. Sometimes the pacing is like a party that forgot there was supposed to be music: long quiet scene, heavy lore talk about the old spell and your missing kid, then suddenly you’re balls deep in a slime girl who learns your memories by swallowing your load. Then nothing for a bit, just walking around, using spells, checking the same room twice because you swear the book on the table moved, but it didn’t. Or maybe it did, I still don’t know, the thing annoyed me the whole time. The good part is when Sam is supposed to stay focused, talk about “responsibility” and “consequences”, and instead you steer him straight into another mind‑controlled blowjob, or a rough vaginal scene where the monster girl begs you to finish inside so she can “keep a piece of your magic.” It’s filthy, a little pathetic, and somehow romantic in the wrong way, like arguing over who is the best waifu while you’re literally rewriting her brain with your cock. Honestly, I came, then felt bad for like twenty seconds, then wanted to test a different choice to see if I could still break her mind and leave her smiling with your seed leaking down her thighs.