This thing feels like somebody smashed a horny college drama, a ghost story and a fucked up power trip into one of those clicky visual novels, then forgot to clean it up. You start as this “spirit” kid who’s supposed to be dead or half-dead or just really broken in the head, and you get dropped into campus life like nothing happened. Class schedules, dorm gossip, hot girls everywhere, guys who look like they live in the gym, but the whole time there’s that weird silent question: am I actually here, or just haunting my own life? The game doesn’t really answer it. It just keeps giving you choices and those little CG scenes where hands are in places they absolutely shouldn’t be, in public hallways, in dark lecture rooms, and sometimes right in the middle of a crowded party while everyone pretends nothing is happening.

What I liked first is how fast it goes from “oh, poor traumatized soul, must heal” to “strip naked in this locked classroom while someone holds your jaw and calls you trash.” One minute you’re picking dialog like some shy kid trying to blend in, next you’re clicking through a masturbation scene in the dorm shower where you know anyone could walk in. They drag out those scenes nicely; the MC’s hand trembling, you hearing voices from the other stalls, and you still keep going because the tension is the whole point. Then the game swings the camera hard and suddenly you’re not touching yourself anymore, you’re being watched. There’s this one early scene where you get cornered on a stairwell by a girl with big tits, bigger attitude, and zero interest in your consent. She starts groping you like you’re just a toy she checked out of the library, orders you to strip piece by piece, and if you try to resist she just laughs and pushes harder. I kind of hated it. I kinda replayed it three times on my lunch break at work with Slack open in the other window.

Where it gets really nasty is the group stuff. It isn’t presented like some loving harem fantasy, more like everyone in this college is a little broken and really horny and there’s no real adult in the room. One of the wildest scenes I hit was during what’s supposed to be a “study group”, and you know how that goes. Door closes, books move, and suddenly the MC is in the middle of a couch, pants around their ankles, while hands from all directions start exploring. Some grab your ass, someone yanks your head back by the hair, someone else just slaps your face with their cock like they’re marking territory. The game really likes humiliation, not just the physical stuff but the way they talk to you: “you’re lucky we even touch you,” “this is all you’re good for,” things like that, right when your character is clearly still dealing with all that trauma from before. It’s messed up. But then, in the next scene, that same girl who made you strip in the stairwell might act like a soft dom, teasing you with a slow striptease on her bed, making you watch her play with her huge boobs while you sit on the floor jerking off and not allowed to cum until she snaps her fingers. The tone keeps zigzagging between cruel and almost tender, and honestly, it’s confusing in a good way. College parties in this world are just excuses for more public exhibition: balcony blowjobs, some girl riding your face in the back of a crowded room while people drink two meters away, that kind of thing. There’s blood in some scenes too, real graphic hits when the “mystery” part of the story pops back in, and it clashes awkwardly with the sex, like the game itself can’t decide if it’s about healing or about breaking you further. But that’s kind of why I couldn’t stop clicking through during work, phone in one hand, pretending I’m answering a Teams message while the MC is getting used and filled by a group that keeps calling them “our little ghost toy.”

Dreams of Desire is like one of those trashy hentai OVA you told yourself you’d watch just for the “plot”, then suddenly it’s three routes later and you know everyone’s bad habits, favorite underwear color, and exactly how far they’ll go if you whisper the right words into their ear. The setup is simple enough: guy doesn’t want to get shipped off to some dead boring military academy, stumbles over a creepy old book that basically says “hey, you can hack people’s brains if you’re horny and irresponsible enough,” and then everything around him turns into a playground of lust, lies, and a bit of morality yeeting itself out the window. What I like is how it goes from kinda normal slice of life to “ok, this household is one wrong decision away from a full-on corruption spiral” without making a big dramatic show. One minute you’re talking about chores and dinner, next minute you’re peeking through doors, catching somebody fingering themselves, and the game asks you if you just walk away or stand there like a degenerate and enjoy the view.

The corruption stuff is the real meat here. It’s not like, instant brainwash with glowing eyes and everyone turns into sex drones. It’s slower, messy, and sometimes awkward in that way only this genre really knows how to do. You try pushing someone a little too hard and they snap at you, or you say the “wrong” suggestion and instead of sexy obedience you get guilt, weird tension, and you sitting there thinking “ok, I kinda deserve that.” Then two scenes later that same character is giving you this shy little striptease, pretending they’re in control while clearly melting inside. Some of the best moments are small things, like when the “good girl” character starts swearing when she gets fucked rough for the first time, or when the dominant one suddenly blushes when you flip the power dynamic and tease her feet until she begs. The game really loves watching you turn hesitation into addiction: first a stolen glance in the shower, then mutual masturbation, then blowjob in a place that’s absolutely not safe, and then suddenly you’re sharing a bed with three women who should absolutely not all be okay with it, yet nobody is saying no anymore. And the worst part is how natural it feels inside this world, like the book didn’t just unlock manipulation, it pulled the mask off everyone’s hidden kinks and said “go on, you already wanted this.”

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.