You’re 21, fresh out of uni, brain full of half-broken dreams and porn tabs, alone in a tiny place that looks more like a temporary save file than a real home. No job, no plan, no clue. Just a bed, a phone, and this weird feeling that whatever girl walks through your life next is basically a glitch in the code that will push you in some fucked up direction forever. This game leans hard into that idea. It isn’t trying to be “romantic” in the vanilla Netflix way. It feels more like fate dragging you by the collar through kinks you never admitted out loud, while you keep telling yourself “yeah, I can stop anytime” and then obviously you don’t. You start as this regular, kinda lost guy, but the story quietly puts you in spots where you’re kneeling, begging, turned on, confused, all of it layered, like when you’re scrolling Pornhub and suddenly your recommended list is just one big accusation.

The girls are not just checklists of tags, they’re like different corrupt routes for your soul. Tangent shows up like a walking red flag, the kind of woman you’d swear you should avoid, and then you end up refreshing Telegram waiting for her next message anyway. She treats you like a toy she already owns, plays with your ego, talks down to you while she has you licking her clean after she uses your face, or makes you hold still while she rides your cock and casually insults how pathetic you look. One moment she gives you a handjob so slow you want to scream, staring right in your eyes like she can read every dirty thought, then next scene she has a plug in your ass and your dick throbbing untouched, calling it “training” like this is some sacred destiny instead of her just having fun. Humiliation here isn’t just chat text, it’s in tiny moments, like her making you thank her for letting you cum, right after she slapped you for asking. And yeah, there’s titjobs and oral and all the classic stuff, but the way she paces it, like she’s tuning your brain, makes it feel less like porn and more like a long, slow hack of your identity.

Then the story swerves. Penny slides in from a totally different angle, all soft colors and weird comfort, like those TikToks that look wholesome until you read the comments. The tone drops into this messed up “innocent” vibe that obviously isn’t innocent, and suddenly sex toys feel more like props in a role you’re not sure you chose. You’re supposed to be the adult, but scenes twist it so you’re the one who needs control taken away, who gets told what to wear, when to touch yourself, when not to. There’s this one part where you finish in a way that should feel normal, just basic vaginal sex, thrusting, her moaning in your ear, your hands on her hips, and then the aftermath turns it sideways with one line of dialogue that makes you realize you’re not the one writing your own story at all. Natalie isn’t any softer. She just attacks your gender, your pride, your whole idea of “what kind of man I am” and pokes it until it bends. She might start with a blowjob that feels like a reward, sloppy, spit running down your shaft, eye contact that burns, then a few scenes later she’s got you dressed up, sitting pretty, dick hard and useless, while she teases you with a vibrator and jokes about how you were never much of a “real guy” anyway. The thing with this game is that every route pretends it’s just a bit of kinky fun, but then you look back and realize each girl quietly edited a part of you, like fate didn’t give you choices, only different flavors of surrender.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

Game starts in that slow, sweaty way where you think it will just be training and grinding stats with your sensei, and then suddenly everything goes to hell. Two royal looking bitches crash into the dojo, collars and heels and smug faces, and you barely have time to breathe before you and your teacher are chained up like trophies. The story pretends to be about “rescuing your sensei” but most of the time it feels like you are the one who keeps getting captured, toyed with, pushed around. Which is good. And horrible. And good again.

Every new zone feels like walking into another woman’s fantasy of power. One world is all silk and red curtains, older women lounging around like bored queens, judging your body with lazy eyes while they decide if you’re going to be a servant or a toy. Another one is cold stone, iron cages, boots echoing on the floor while some empress type makes you kneel just to talk to her. The game really loves that moment where a woman leans close, voice soft, and tells you exactly how small and pathetic you are, then uses your dick anyway like it is royal property. If you like being in control, you’re going to hate this. Unless you don’t. I tried to play “dominant” the first run, choosing the most defiant answers, and the game almost laughed at me. One milf slapped my choices away with a single line and pinned my arms like they were decoration, rode me like she was proving a point, then called it “training” with this mock-sweet smile that actually made my stomach twist.

The 3D models are messy in a way I ended up kind of liking. Tits are big but not all perfectly symmetrical, faces change expression mid scene in slightly off timing, physics sometimes look like they are drunk, yet it all fits this weird dream feeling. There is one empress with this strict haircut and huge chest who leans too close during interrogation and her nipple clips through the armor a bit. It annoyed me, then suddenly I could not stop staring only there, reloading the scene in incognito Chrome like a complete idiot. The adventure bits are surprisingly not lazy: walking through ruined temples, desert palaces, corrupted gardens, picking choices, losing fights on purpose because you want to see what humiliating thing they do when you fail. Combat is not deep, you mash through and then you lose or win, but the punishment scenes carry it. One of my favorite moments was getting captured by a “priestess” who looked gentle at first, then strapped me to some ritual thing and edged me while reciting sacred lines about male obedience, only letting me cum when I begged in a way she liked. Another time, an older queen made me lick the dirt from her heel before she even allowed any nudity, which felt oddly more intense than the full-on sex that came later. Not everything hits: a couple of zones feel like filler, one character just loops the same “I own you” line until it loses bite, and the pacing around the middle drags because you walk too long between scenes. But then you meet another cold eyed ruler who treats your whole heroic quest like a joke, sits on your face like you are just furniture, and suddenly you forget you were annoyed five minutes ago. The game keeps doing that. It stumbles, then grabs your hair and pulls you right back into it.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.