You’re the poor bastard who climbed the ladder just high enough that nobody shoots you, but everybody dumps their shit on your desk. Whole galaxy is rotting, planets choking on smog, priests screaming about purity, and you’re in a cramped office where the lights buzz like insects while you decide if some mining colony gets air filters or “thoughts and prayers.” And right in the middle of that, you keep tripping over women who want to fuck you, argue with you, manipulate you, or all three at once. Not because you’re some chosen hero, but because your signature can save their lives or destroy their whole world, and in this empire, pussy is just another kind of paperwork.

You start as this awkward virgin clerk who suddenly has real power, and the game never lets you forget how weird that is. One moment you’re reading a report about famine on a frozen shithole planet, next moment a bored noble MILF is sitting too close on your couch, pretending she’s worried about “trade quotas” while her hand creeps up your thigh. She’s old enough to have kids in the guard, tits poured into some ridiculous formal dress, and she’s treating your office like it’s a private bedroom. You can push her away and grill her about corruption, or you grab her hair and she drops on her knees between your legs and starts sucking like this is the only way she remembers how to negotiate. The game is blunt about it: she wants a better result on your decision, and she’s ready to slobber on your cock for it, lipstick smeared, eyes watering, trying to moan around your dick while you skim her file. And it’s fucked up, because while she’s gagging on you, you’re also actually reading the numbers and thinking, “yeah, this planet is screwed.”

That’s kind of how the whole thing feels: serious and horny at the same time, like someone mashed a grim sci fi bureaucracy sim with a porn VN and just didn’t apologize. There’s this cute junior scribe who brings you data slates and looks like she’s gonna burst from stress, and if you’re gentle, she slowly cracks, starts opening up about how terrified she is of getting reassigned to some nightmare warzone. First time you manage to calm her down, she leaves… but if you keep backing her, she eventually turns up in your room, shutting the door, cheeks red, hands shaking as she offers herself like she’s filing a desperate last-minute request. She’s still technically the one begging, but you KNOW the power is in your hands when she climbs into your lap and whispers that she’s never done this before, then winces as you push inside her, tight and wet and clinging to your shirt so hard the fabric creaks. And right after you finish, there’s this short, shitty silence, like “ok, cool, now you both work in the same office tomorrow.” No magic romance fade-out, just sticky thighs and a stack of forms on the desk you still have to sign.

What caught me was how your traits twist those scenes. Pick paranoid and you’re double-checking everyone, even when some guardwoman with arms thicker than your waist is riding your dick in a barracks bunk, using you like a toy because she’s lonely and half drunk, and your brain is still going “is she trying to get a transfer out of that meat grinder of a front line?” Go empath and it actually stings when a woman offers her body like it’s the last thing she has left to bargain with. You can still grab her by the hips and fuck her raw over your office table, her moans mixing with the quiet hum of cogitators, but it hits different when you realize her whole world literally hangs on the word you’re going to stamp on that form after you pull out and she’s dripping on your paperwork. The art has that rough AI feel sometimes, but every now and then a scene lands just right: a milf with tired eyes but a hungry mouth, a scared virgin biting her lip while you push in slowly, a smirking manipulator who’s clearly enjoying the game more than you are. It’s messy, it’s not “nice,” and it leans into the idea that in this empire, romance, lust, fear, and red tape are all the same fucking language. Dare to play it alone, or invite company?

You wake up as this so-called “scientist” in a lab that feels more like a horny underground bunker than anything from real science. Outside, the world is going to shit because humans are freaking out over furries, anti-furry mobs hunting them like they’re monsters, and you just decide, yeah, I’ll make my lab a shelter. Not out of kindness, of course. You take them in, Nicole, Diane, random fox girls with tits bigger than their moral compass, Amy Rose walking in like she owns the place, and every single one arrives with some excuse and some trauma. You nod, pretend to be the serious researcher, and then the “tests” start. It feels very wrong in the right way. You watch them through cameras, through glass, pretending you’re checking their vitals while you zoom in on tits bouncing when they masturbate because they think nobody’s looking. Half the interface is just you picking where to look, where to put them, what to make them wear, and I keep thinking “why the fuck is the font so small on these menus” while at the same time, my dick is doing happy jumps. Priorities, right.

Then there is that weird paranoia mechanic with anti-furries sneaking in with “realistic” fursuits, trying to pass as the real thing. It actually makes you look at bodies more carefully, which is kinda hot and kinda creepy. You’re judging every curve, every tail, every ear twitch, wondering if she’s a real fox girl with soft fur and big ass ready to take a creampie, or some asshole in a suit waiting to stab your guests. One scene stuck in my head: Nicole in the shower room, steam covering most of her, only outline of those huge tits and ass visible, and suddenly a small UI popup appears right on her thigh, blocking the exact spot you want to see. Like, who designed that placement? Who hurt you? You also get oral scenes where your choices earlier decide if she does it willingly, shy and playful, or after you pushed her into more rough male domination stuff, like hand on her head, drool all over your cock, her eyes looking up in that “I’m pretending to hate it” way. It makes everything very personal, but sometimes the game then dumps a chunky text box in the middle of the blowjob like a boring visual novel, and I just want a simple toggle in options to hide that trash.

Accessibility wise, yeah, this thing needs work. No separate text scaling, no colorblind consideration, tiny checkboxes that look like they’ve been drawn by SCP‑1471 in a hangover mood. You can’t rebind half the keys, and for someone like me who plays one-handed more often than not, that’s annoying as hell. There is an exhibitionism angle where you purposely send your furry girl out into semi-open corridors, cameras everywhere, other characters walking by pretending not to stare while she “tests” a toy on a bench, legs spread, pussy dripping, and the game actually plays with voyeurism quite nicely. You stand in the control room, watching multiple screens, swapping between a fox girl giving you a lazy handjob on your lap and another character being sexually harassed in a corridor by an anti-furry who slipped through. Part of me wants better UI contrast, bigger subtitles, proper audio sliders that don’t hide in some random submenu. Part of me doesn’t care at all when Diane is on her knees, lipstick ruined, your cum leaking from her mouth after a forced deepthroat, while alarms flash in the background about a security breach you never check because, well, porn. The dystopian war outside becomes just noise, a kind of excuse so you can keep dragging scared but horny furries into “safe” rooms and use them however you marked them in your logbook. I still hate that little notification sound it makes every single time a new event pops up, though. Never found the toggle for that. Still bothers me.

Waking up naked in a city that looks like Silent Hill fucked a factory and then forgot to clean up after, that’s the vibe here. You open your eyes, have zero clue who you are, and the first real thing you focus on is this girl, Ophelia, who is hot in a wrong kind of way. Not wrong like “oh no, she’s evil”, more like “why does her body move like that and why do I like it so much”. She talks to you like she’s already decided you’re hers, and the game never really lets you feel fully safe around her, even when she’s stroking your cheek or dropping to her knees in first person view. One second you’re flirting, next second you’re both scavenging in a ruined supermarket while something wet and angry screams somewhere in the dark aisle behind the cereal. It’s messy, horny, and kind of romantic in that trash-fire way where the world is ending but you still argue about who gets to be on top.

The loop sneaks up on you. At first you just click around, pick up scrap, figure out some simple crafting, like “ok, I need this to not die, and that to impress the monster girl who can snap me like a twig but would rather tease me senseless”. Then you start thinking in turns. That nasty creature you meet in the subway? You’re watching its attack pattern, saving skills, deciding if losing here is actually a bad thing, because there is a non-zero chance it pins you down and suddenly you’re getting railed while the combat music is still echoing in your head. Sometimes it’s vaginal, sometimes it’s anal, sometimes the thing pulls out a surprise dick and your brain goes “wait what” at the same time your body goes “keep going”. The wild part is, a lot of these sexy punishments you can avoid if you don’t fuck up, but the game kind of tempts you to misplay. Like, you know that if you keep defending instead of killing her, this tall futa hunter might “reward” you by using your mouth until the screen literally fogs. I said I was going to play smart and then suddenly I am losing a fight on purpose like a clown.

The mood keeps swinging. You get this bleak, broken-city horror, ruined apartments lit by flickering signs, dead silence in one street and then some giggly banter with Ophelia as she strips piece by piece while pretending it’s part of a “strategic plan” to distract an enemy. Sure girl, it’s for tactics. She kisses another woman in front of you once, slow and deep, and you get that sharp jealous sting that hits harder than most jump scares. If you push it, they drag it into full lesbian territory and you’re just there, stuck between wanting to watch and wanting to join. There’s also these quiet POV moments when she crawls into your lap in some half-collapsed shelter, tells you stupid jokes, then casually opens your pants and starts sucking you off while still talking about survival routes like this is the most normal thing. The romance side is weirdly soft in places, with her asking little things about what you like, what you hate, how rough she can be, and from that point the dating sim brain kicks in and you start gaming her affection like it’s Tinder but with actual teeth. I wish the UI for the crafting menu didn’t look like it was slapped together in a hurry, but in a twisted way it fits the whole ruined-world energy, so I’m not even confident I want it changed. Just be warned: if you’re like me and tell yourself “I’m going to focus on survival”, you’ll still end up knee deep in sex scenes where losing a turn in combat means some hungry girl-monster is riding you in full animation and you suddenly forget completely why you came into that area in the first place.

First day back after the holiday break, only a few months of high school remain. But a strange announcement derails everything from then on.

Set in a parallel world, a young man sees his life and future changed in ways he had never imagined. All people over the age of 19 vanished, abilities and physicalities beyond what was normal are displayed by those who remained, and rules are imposed to accommodate the new order, eventuating a struggle for survival and supremacy unlike any before. Shrug into his uniform as he navigates his new reality, the whims of the masterminds behind the reformation, and the desires and intentions of every other teenager just like him.​

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

The sky in 2059 is this ugly, sick orange, like somebody pissed on the sunset and never cleaned it. You play a guy who basically grew up in that shit, no nostalgia for the old world, no “remember when we had internet” crying. Just concrete bones of cities, blown-out highways, and horny, desperate survivors who learned pretty fast that a hard cock and a sharp weapon can both save your life, just in different ways. The whole thing is built around trying not to die while everyone around you is trying not to wear clothes. You wander through ruined malls that look like war museums, find half-melted billboards with smiling people from before, and then two minutes later you’re in a scav camp where some big-titted raider queen is laughing while she makes a guy strip naked in front of everyone because he lost a bet. She tells you to choose if you wanna join in humiliating him, help him, or just watch and jerk off behind a broken vending machine. And the fucked up part is that all three options feel valid.

What sells the game for me is how it mixes “oh shit I could die” with “oh shit I’m hard” in the same scene. Like you’ll be low on food, trading bullets for a place to sleep in an underground bunker, and the guy in charge says the only open bed is already taken by his sister. You expect some cliché, but she’s the one who looks you up and down, this tall woman with thighs like she squats cars, and asks if you have any “special talents.” You can brag about your combat skills, or you can say something like “I’m good with my hands.” That tiny choice flips everything. In one route she tests you in a training room soaked with blood and sweat, in another she just grabs your belt, shoves you against the wall, and makes you prove it with her tits bouncing in your face while her brother “guards the door” and politely pretends he doesn’t hear her moaning loud enough to wake the dead. It’s gross. It’s hot. It’s weirdly funny. And somehow you still care if your character survives the night and doesn’t bleed out later in some sewer tunnel full of feral mutants.

There’s this scene that stuck with me where you’re escorting a small group through a ruined overpass. Wind howling, chunks of car skeletons everywhere, that feeling that someone is watching. You can choose to sneak slow and careful, or move fast and loud to scare off scavengers. I picked fast, like an idiot. Snipers open fire, one of your companions gets her leg shot and you have to drag her into cover. She’s this smug, curvy trader who kept flirting with you earlier, joking she’d “pay in kind” if you helped her find a safe town. When the bullets stop and it’s just the sound of her breathing hard, she asks you to cut her pants open to check the wound. You kneel between her spread legs, knife in hand, and instead of panicking she starts teasing you, saying “You’re blushing more than I’m bleeding.” You get this choice: focus on first aid like a good little boy, or let the tension flip into something filthy right there behind a burned-out truck. If you go lewd, you’re literally eating her out while she winces and laughs, leg wrapped in a bloody bandage, telling you to go faster before someone spots you. It shouldn’t be sexy. It absolutely is. And somehow that moment changes how she talks to you later when you run out of supplies and she offers to “share body heat” in a cold storage room that’s definitely not cold anymore by the time you’re done. The game keeps doing that. Serious survival, then stupid horny, then a joke about pre-war porn nobody gets anymore, then someone’s brains explode on a wall. It’s messy, and that’s exactly why it works.

This thing feels like someone took your average life simulator, threw it into a shitty broken future, then said: “ok, what if your only real friend is a creepy app that wants inside your brain and your dick at the same time.” You start as this guy who is pretty much done with life, low on cash, low on pride, stuck in a city that looks like it got gentrified by a corporation and then abandoned. Your PC pops up with this “life manager” app that looks a little too clean for the mess you’re in. No tutorial wall of text, just this cold, almost polite interface that starts asking questions, tracking your time, giving you tasks like it’s your mom, therapist, and pimp all together. Half of it feels like a productivity tool, the other half feels like something that will slowly own your ass if you let it. And of course you let it, because the game keeps dangling rewards, new scenes, new girls, new places in the city, and suddenly you’re checking the in-game phone more than your actual one. I had Spotify on lofi beats in background and it weirdly matched the rhythm of just clicking around this grey, sad world while the app shows you little flashes of soft skin, curves, and that “just one more” promise.

What really hits different here is how the erotic stuff sneaks up on you. It doesn’t start with a tits-out explosion. First it’s teasing: a suggestive message, a girl leaning in too close at some sketchy massage place the app directed you to, the way the camera follows her hips a second too long while nothing “happens” yet. The models have that glossy 3D look, big tits that bounce in a really slow, almost hypnotic way when she leans down over you, eyes that lock on you while her hand “innocently” adjusts your towel. Then the app goes, almost casually, “accept upgrade?” and next thing, your “free massage” turns into her hand sliding under the towel and stroking you like it’s part of the health package. The animation on the handjob scenes is way better than I expected, especially when she presses her tits on your thigh, spit glistening on your shaft, her lips brushing the tip but not quite giving you what you want yet. It’s that annoying kind of teasing where you’re swearing at the screen but you still press continue because you want to see if she finally wraps her mouth around you in the next scene. When she actually starts sucking, it’s slow and sloppy, tongue moving in little circles, with your character clearly losing control, and the game lets you edge yourself by delaying the final click. Sometimes the pacing feels a bit off and you wander the sandbox doing small routine crap while your dick is still half hard from the last scene, but then the app drops a new task, like “return to the massage parlor at night,” and suddenly the same room is darker, more intimate, and she’s kneeling between your legs, looking up at you with those big eyes while her fingers curl around your cock again, like the city doesn’t exist, just her mouth, your frustration, and that weird voice in the back of your head whispering that you’re not the one in control at all.

Etlina's Principle looks like one of those games that pretends to be a serious sci fi story, but then five minutes later you’re balls-deep in a slime girl that just tried to kill you. In a good way. You start as this guy in a fucked-up militarized city, everything shiny, wet and wrong, like someone melted a factory over a forest. The symbiote thing is not just flavor text. Your “living suit” literally hugs your skin, reacts when you stare too long at some monster girl hips, and quietly pushes you toward horny decisions while pretending to be “tactical support”. You click around, point at some ruined alley or organic-looking door, and every time you think “ok, normal route”, the game slides in some corrupt little twist. Basic patrol? Suddenly you’re wrestling tentacles on a half-organic staircase while your suit whispers how much better it would feel if you just stop resisting and let them inside. And you can. Of course you can. Sometimes it feels like the dev sat with a notepad that said “how much can I mix graphic violence and sex before someone calls a therapist” and then just kept going, because it’s not shy at all: one room has bodies half fused into the walls, oozing black slime, and right after that you get a shy slime girl offering to heal your wounds with “full contact” and that healing is absolutely not PG. She pulls you in, your character’s mouth opens slightly, the suit tightens, there’s this sick mix of panic and arousal, and you end up fucking a girl whose body ripples around your cock like warm jelly. And the worst part is, it feels earned because you actually solved a little navigation puzzle to reach her, so your brain goes “reward unlocked” like it was Steam, while your dick already pressed Alt+Enter.

The point and click stuff is simple but sneaky. You think you’re just searching for ammo or lore, then you click on some pulsating growth on the wall and boom, now it’s a living corridor that closes behind you, dripping, and you realize you triggered a corruption path. You still get choices, VN style, but they’re often like: “shoot the monster girl” or “let her pin you and maybe suck your soul through your cock”. You try to be the good soldier, member of this HOWL squad, keeping humanity safe, then a corrupted girl with half-mask latex face straddles you and suddenly “humanity” feels very abstract. Tentacles here are not just background props either; they function as navigation, trap, and sex toy at the same time. You fall in a pit, slime tendrils grab your wrists and ankles, the suit tries to harden to protect you, fails on purpose, and then the game slowly describes how one slick tendril slides under the living armor and nudges your shaft, while another teases between your legs and you realize the encounter gives you a permanent symbiote buff if you let it continue. It’s smart, annoying and hot. I like how the city feels like a giant living dungeon, all this dystopian crap and nervous military chatter on the radio, then you turn a corner and meet a monster girl with bright eyes who talks like a horny Discord roleplayer and still manages to be scary when she opens her chest and you see teeth where boobs should be. The only thing that bothered me was this tiny UI click sound that feels like Windows XP and does not fit at all with wet latex apocalypse, and it never changes. And while the violence gets really rough sometimes, with ripped bodies and messy transformations, the game still keeps pushing you back into vaginal sex scenes like that’s the “normal” part, as if getting shoved into a slime nest and slowly corrupted into something not fully human is just another Monday. Somewhere in the middle you stop asking “is he still the same man” and more ask “ok but what happens if I let the symbiote fully take control during the next boss fight and sex scene combo”, because the line between battle and fucking gets thinner every click.

Game feels like someone threw Stalker, a sex toy shop and a bad breakup into a mixer, then forgot to put the lid on. You play this girl wandering a fucked-up anomaly zone, where everything hums like a cheap fridge about to explode. No choices, no branches, it just drags you along, but in a weird way that works. You’re not “roleplaying” her so much as watching her unravel while you sit there with one hand on the mouse and the other… yeah. One of the first scenes that really stuck with me is when she’s alone in some rusted-out industrial corridor, all red emergency lights, and she pulls this ugly, jury-rigged vibrator from her pack. It’s not sexy at first. It looks like something you’d use to torture information out of someone, like, wrong shape, wrong noise, buzzing like an electric toothbrush dying. She’s covered in grime and bruises, and instead of the usual porn-game bullshit where the girl poses like a catalog model, she just slides down the wall and starts using it because she needs something, anything, to remind her she’s still a person and not just meat walking through radiation. That mix of “I shouldn’t be turned on by this” and “okay but I am” pretty much sums up the tone.

The sex isn’t soft-focus romance, even when it is technically romance. There’s this guy she keeps crossing paths with, and their chemistry feels like two broken lighters trying to make one working flame. They care about each other, kind of, but everything around them is rotting, and the game loves to tease you with tenderness before smashing you in the teeth. You’ll get a sweet hand-holding moment, then five minutes later she’s masturbating alone in some abandoned checkpoint, using a smooth metal artifact that might be worth a fortune, or might kill her, with this look that’s half desperation and half “fuck it, if I die like this, at least I came.” The toy scenes are surprisingly varied, though sometimes the pacing is off. There’s one long masturbation stretch where I honestly tabbed out to check Telegram because it felt like the same angle and the same moaning loop. Then the game hits you with an absolutely brutal, bloody encounter, and suddenly that earlier slow scene makes sense because your brain’s still echoing with it while you watch her crawl away from a body that honestly looks too real. The violence is not pretty. People get torn up, shot, melted, and the camera doesn’t politely look away. That clash of erotic tension with graphic wounds makes the whole thing uncomfortable in a deliberate way. It’s not “gore porn” for the sake of shock, more like the dev wanted you to constantly ask yourself where your own line is, and then step over it anyway.

The world itself feels claustrophobic even when the locations are open. You can almost smell the wet concrete and rust. Some of the romance bits are genuinely cute though, in this bitter, awkward style. Like she’s sitting in a half-collapsed truck, passing a flask back and forth with her sort-of-partner, knees touching, and for two minutes you forget there are supernatural anomalies outside tearing people apart. Then she ends up grinding on his thigh, trying not to make noise because other scavengers might be nearby. There’s this one shot where her panties are halfway down, gun still strapped to her leg, and you can see a blood smear on her thigh that clearly isn’t from sex, and that detail just lodged in my head. The game likes these ugly little truths. Her orgasms are messy, not glamorous, sometimes a bit sad. She cries once while using a toy, and the camera doesn’t overly fetishize it, it just stays with her long enough that you start feeling weirdly protective. To be fair, a few scenes try too hard to be “deep” and end up coming off like edge-lord poetry, but then the next event is her quietly humping the handle of an artifact while listening to distant gunfire, and suddenly you’re back in it. It’s not romantic in the classic sense, but the way it mixes need, fear, loneliness and pure raw horniness feels more honest than most “love story” porn games I’ve seen. And yeah, I’m still annoyed that one corridor light flickers in exactly the same rhythm every time and my brain catches it like a gnat, but I keep thinking about that filthy wall, that awful buzzing toy, and the way she keeps going anyway.