Koji feels like that guy from every boring salaryman meme. Stable job, stable pay, stable marriage, stable everything, like his whole life is one long default setting on a porn site filter. Got the nice quiet wife at home, Minako, older but still lowkey hot in that “housewife who pretends she doesn’t know how good her ass looks in those leggings” way. Nothing really wrong, nothing really thrilling either. Then Rin drags home this smug little punk as her boyfriend and suddenly the whole safe little world Koji built starts dripping filth in the corners. Not in some overdone drama way, more like your brain just catches one angle too long and suddenly you’re rock hard and pissed off at yourself at the same time. You know that feeling when you watch something on XVideos that you swear you’re not into, then three tabs later that’s exactly what you’re searching for on purpose? Yeah. That.

The good part is how the game sits you right in that ugly horny spot. It doesn’t pretend Koji is a noble dude. He’s working late, tired, scrolling shit on his phone like FapHouse and Pornhub on the train, thinking about his sweet loyal wife while also getting turned on by clips where wives get passed around or talk back to their husbands. Then you come home and Rin’s boyfriend is there, way too loud, way too confident, way too handsy even when he’s just “helping” Minako with something. One scene you’re just watching them make dinner together and it feels normal, next second the camera goes a bit closer on Minako’s chest when she leans over him and Koji’s inner voice goes to a real dark place. Not dark as in murder, dark as in “why does it turn me on seeing my wife standing too close to another man” and then you get the choice to either shut that down or lean into it. Of course you lean into it, you animal. Tiny touches matter here. Stuff like Minako asking if her dress is too tight to meet Rin’s boyfriend, just casual, and Koji can either say “you look modest” or “you look a bit too sexy” and then secretly hope she doesn’t change. The tease is slow and kind of mean.

It plays a lot with the whole “who is stealing who” angle. Sometimes it feels like Minako is being taken from you, sometimes like you are the one serving her up on a plate and pretending to be upset. One route I had her texting other guys at night while Koji sits in the next room trying to focus on some boring company data, pretending he can’t hear the little alert sounds. Another moment she’s sitting on the couch with Rin’s boyfriend, both of them watching some stupid Netflix show, and you stay standing in the doorway too long. He spreads his legs, she doesn’t move away, your chest tightens, and suddenly the game throws you an option like “imagine her on his lap” that you didn’t ask for but your dick did. It’s not just straight “wife gets fucked and you cry”, it slides between jealousy, arousal, shame, actual love for her, and that fucked up happiness when she smiles more after getting attention from other men. And yeah, sometimes it goes full-on cruel, especially if you push the more hardcore stuff, but I liked that it lets Koji be complicit instead of only a victim. He corrupts himself, not just his wife. Though I’m still mad the game never explained why Rin’s boyfriend chews like that in one dinner scene. Couldn’t focus on the dialogue, just wanted to choke him and also watch Minako suck him off right there at the table. Anyway. The whole thing feels like someone recorded that phase where you discover a new kink from some random porn recommendation and turned it into a slow burn story that keeps rubbing salt and cum on the same wound over and over.

Special Harem Class feels like someone mashed a horny dating sim with a lazy summer in a city you only visit in dreams, then sprinkled in a bunch of “yeah this is totally an educational program” lies on top. You’re the guy who didn’t get into any normal college and somehow lands in this weird pre-college thing where every girl looks like she escaped from an anime convention and a porn studio at the same time. The teacher, Claire, is supposed to help you “prepare for higher education”, but she’s way more invested in helping you get inside every girl in the class. And herself. A lot. She’s kind of your pervert handler and it’s hilarious. One moment she’s telling you to study, next moment she’s jerking you off in the office while explaining how to “evaluate interpersonal relationships”. It’s stupid and hot and you just roll with it.

The city map is where the roguelike part of my brain woke up a little. You just wander. Click around. Go to the café at the wrong time of day and suddenly you walk in on one of the girls doing lewd cosplay in the backroom for some extra cash. Go to the park “just to farm affection” and you end up getting a blowjob behind a tree after picking the dialogue option that sounded like a joke. The game loves those small chains. Like you talk to a side girl once at the bus stop, forget about her, then twenty in-game days later she shows up at the mall with a completely different outfit and drags you to the bathroom for a quick, sloppy fuck because “you looked lonely”. The scenes are not just copy-paste either. There are these moments where the camera stays way too long on a girl’s face while she’s moaning and drooling on your cock, and it feels uncomfortably intimate, in the good porn way. Animation loops are everywhere, so every thrust is shown, every little twitch, tits bouncing in this hypnotic, slightly janky rhythm.

What I really liked is how the affection grind tricks you. At first you’re just chasing numbers like a min-max goblin, then suddenly you hit a sex scene that feels way more personal than expected. One of the main girls starts as the “tsundere” cliché, you know, all attitude, but her later scenes are basically her losing control on top of you, begging for your cum and admitting she checks her phone every night waiting for your messages. And you’re sitting there pants around your ankles going “wow ok feelings now, cool”. Then five minutes later you’re raw-dogging a random side chick in a stairwell, zero romance, just sweat and spit and hurried thrusts because someone might come in. It swings between sweet and filthy without warning. There’s a ton of content already, and the dev clearly has a fetish for variety in positions. Titjobs with cum dripping down, anal scenes where the girl’s expression goes from “no way” to “harder” in one loop, public stuff in the city where she’s trying to keep quiet and absolutely failing. Also there’s that one Claire scene in the classroom with the desk, you’ll know when you get it, where she’s riding you slowly while still acting like a serious teacher, glasses and all, and then breaks character mid-sentence when you grab her ass and pull her down harder. I replayed that like, too many times. Only thing that annoyed me is sometimes I’d click through a day trying to trigger a new event and end up with nothing, just empty routine, but then the next week the game drops two new sex scenes on me back to back and I forget I was annoyed at all.

There is this trashy little tropical resort game that feels like somebody mashed a sleazy dating sim with a lazy idle tycoon and then asked, “how far can we push the horny?” and just never stopped. You show up on this sunny island because daddy died and left you a resort, and instead of grief you get a UI and a to-do list that’s basically: hire busty women, pretend to care, squeeze both their labor and their bodies. It’s not subtle. The first time you promise a girl “a real career” while the dialogue clearly nudges her toward stripping down for “special client service”, it feels like a hentai parody of every fake inspirational LinkedIn coach. One moment you’re adjusting room prices and assigning shifts, next moment you’re in a Ren’Py scene where she’s bent over a desk, tits bouncing, you clicking through lines about “team building”. Very professional, yes. Totally HR compliant.

The part that actually got me is how fast your brain switches between numbers brain and degenerate brain. You’re checking profit margins, then a new horny event pops up: that island cutie you put at the front desk is complaining she can’t pay rent, and suddenly the “solution” is you fucking her brains out as “staff housing benefit”. The game pretends it’s comedic, and to be fair, some lines are actually funny in that dark, mean way: jokes about selling “emotional security” while your dick is literally inside her, side comments about your dead father probably doing the same shit before you. Sometimes the humor hits, sometimes it’s like your uncle discovered hentai memes and tried to write them himself. The girls are written like classic eroge archetypes, just with the morality slider ripped off: the shy one that folds under pressure with a wet moan, the ambitious one you bribe with promises of promotion if she swallows, the island girl who “owes the resort” and works off her debt on her knees. Ren’Py makes it all feel familiar: click, fork a choice, watch an H-scene, open another menu to make more money off the same girl you just creampied. It is trash, but that kind of trash where you catch yourself min-maxing your harem and thinking, “ok, but if I make this one my personal assistant, does that unlock more office sex or just better income?” and then you realize you don’t care, because she’s already moaning your name in another event window. Tropical capitalism, but with cum everywhere.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.