Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.

Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.

Warm sand, lazy waves and that sticky summer heat that makes clothes feel too tight, that is the mood here. On the surface it is just this couple trip, Satoshi and Mary doing the cute romance thing, like some basic visual novel dating stuff, but the whole resort smells like sex and trouble from the first scene. As an ASMR brain I got weirdly fixated on tiny things: the sound of the elevator doors closing while Mary is still breathing a bit fast from being teased, the faint splash from the pool while uncle Kendo’s hand stays just a little too long on her back, the soft clothing rustle from those uniforms she really should not be wearing around her boyfriend’s uncle. The game loves that slow teasing, the “oops I brushed against your cock” kind of groping in crowded places, or that nasty little thrill when you peek around a corner and see way more than you should. It is not screaming moans all the time, more like whispered gasps in his office, tongue sounds during a half-hidden blowjob behind some plants, the wet slide during a lazy titfuck while the fan hums in the background. Those small sound loops are not even high quality sometimes, they repeat a bit awkward, but somehow that makes it feel more pervy, like you are stuck rewatching the same dirty moment in your head.

Story keeps pretending it is about romance, vacation, cute couples selfies and all that, then casually throws NTR in your face like “oh by the way, your girl is sitting on someone else’s lap now”. Mary starts the game as this sweet college girlfriend, normal student clothes, clingy but pure, then Kendo slowly corrupts her with flirty jokes, accidental skinship, then actual handjob routines and hidden sex scenes that only unlock if you picked the more cowardly, negligent choices as Satoshi. Those hurt in a delicious way. Watching her big tits pressed up against that older guy while she still texts her husband-to-be like nothing is wrong, that gave me this nasty ear-tingle similar to when someone whispers right into your earphone on TikTok lives. Some scenes really go for it: lazy oral sex in the office chair while the door is unlocked, creamy vaginal creampies where you can almost hear the thick squelch when he pulls out, her uniform pushed up, panties hanging at one ankle. There is one bathroom scene where the only sound for a few seconds is water dripping and her shaky breathing while his fingers work between her thighs, and that silence before she lets out a tiny whine is so much hotter than the actual animated thrusting that comes after.

Sometimes the humor hits at weird times, like during a pretty brutal cheating-wife moment the game throws in a goofy Konosuba parody reference with Aqua-level stupidity and a Megumin joke that almost killed the mood for me. Then right after, Mary is getting pounded from behind on the balcony, tits bouncing, Kendo grabbing her big ass with both hands, and I forgot I was annoyed. The tone is messy like that. One route had me listening to a police siren in the distance while a stepmom-looking milf with huge breasts lets herself get groped in a hallway, and my brain was like, why is that siren loop so loud compared to her moans. It never gets fixed. The multiple-protagonist thing is sneaky too: you think you are just Satoshi, then you slip into Kendo’s head for a bit and suddenly the same scene feels nastier, more direct, his inner monologue about Mary’s soft thighs and how easy it is to corrupt a bored young wife on vacation. There is family tension, step fantasy vibes, straight-up netorare where your “good boy” choices just make you more pathetic while she learns to love big cock and risky public groping. It is not subtle, not polished, sometimes the animated loops look a little stiff, but that actually fits this dirty-resort energy. Like a summer fuck that got way out of control and left you sweaty, frustrated, and still replaying her breathy little “don’t tell him” in your head when you close the tab.

Pandora’s Box 2 feels like someone took a slow-burn TV drama about a fucked up family, poured lube all over it, then left the camera running while everyone made terrible decisions with their bodies. Nineteen years passed in the story, but it still has this dirty “I should not be watching this” energy. You jump between the old protagonists and this new girl who walks into the mess like she’s joining a cult by accident. Half the time I was just clicking forward thinking “ok it can’t get more degenerate than this” and then it throws in some smug femdom scene where a woman sits on a guy’s face, talks shit about him while he rims her, and the game is like, totally casual about it. The corruption stuff is not instant either, it feels like you’re nudging people, pushing them from “I would never do that” to “okay maybe I’ll let her lick me while someone watches from the door crack.” And the camera really likes asses here, especially huge ones, it keeps finding angles where you’re basically staring at bouncing cheeks while someone is being used like a sex toy under them. It’s kinda shameless and that’s the charm.

The voyeurism and exhibition scenes are where it got me hooked more than I expected. There is this moment where the male protagonist thinks he’s sneaky, spying on two girls going down on each other on a couch, and then one of them suddenly looks straight at him, keeps fingering the other girl and just smirks. No jump scare, just “yeah, keep watching, idiot.” Later you get the opposite, where you’re basically pushed into being the show: public bathroom stall, door half open, girl on her knees stuffing your cock in her mouth, messy blowjob sounds, some random silhouette passing by outside while she strokes you with one hand and uses the other to play with herself. There is so much oral in this thing, like they really like mouths on everything: blowjob, handjob finishing into blowjob, footjob where she gives you a lazy jerk with her soles then leans down and sucks you just to tease, and even a scene where the girl is masturbating in front of a mirror and ends up licking her own fingers like she’s eating dessert. Also, yeah, NTR is there, not soft, not “oh we held hands,” I mean watching someone you care about ride another person, moaning for them, while you just exist somewhere in the background like a ghost. Some people are gonna close the tab right there, others will hate-click through it, no in between.

The adventure vibe is mostly in how the choices slowly twist the relationships, not in some big fantasy stuff. You’re basically walking through a sexual minefield: say yes to one thing and suddenly a girl that was shy is now grinding on another woman’s face, or a guy who seemed normal ends up licking cum out of someone after getting humiliated. The multiple protagonists make the whole thing feel like browsing different horny Reddit accounts of the same family from different angles. One moment you’re the guy getting a sloppy blowjob while trying not to think about how wrong the situation is, next you’re the woman who knows exactly how much control she has, telling him where to cum like he’s her pet, then you’re with the new female lead, getting dragged deeper into exhibition bullshit where she’s half naked, pressed against a window, getting eaten out, knowing damn well anyone outside could see. Sex here is not just “vaginal, oral, done.” It’s licking, sucking, watching, being watched, fingers in places you didn’t expect, faces pressed between thighs, and that slow, dirty shift where “I would never let her do that to me” turns into “ok, just this once” and then it never stops at just once.