Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.

Luke's got this whole university thing figured out - or at least he thinks he does. This isn't your typical college romance where some awkward freshman stumbles through dating mishaps. Nah, Luke's been through this rodeo before, literally. Time loops, resets, whatever you want to call it - he's lived his first year over and over until he's basically gaming the system. Now he's ready for what he calls "Phase Two," which sounds way more strategic than it probably should be for a guy just trying to get laid.

The whole premise is pretty wild when you think about it. Luke's essentially become a relationship speedrunner, knowing exactly which buttons to push with each girl. There's this maid cafe setup that becomes central to everything - because of course there is. The game throws you into managing relationships with different girls who each have their own specific kinks and fetishes. One minute you're dealing with some vanilla romance situation, next thing you know you're deep in BDSM territory or watching some serious NTR unfold. The variety is honestly overwhelming sometimes. You've got your classic anime parody characters mixed in too - I spotted what looked like Nico Robin and Boa Hancock variants, which feels both nostalgic and weird at the same time.

What gets me is how the game handles the whole "perfect base" concept Luke keeps talking about. It's like he's treating relationships like some kind of RPG stat management, which... honestly isn't that far from reality if we're being real here. The turn-based combat elements feel randomly thrown in, but somehow work with the overall simulator vibe. There's phone interactions, dating mechanics, and this whole corruption progression system that gets pretty intense. The multiple endings thing means you're constantly second-guessing your choices, wondering if you're optimizing for the right fetish path or missing out on some kinky scenario. Luke might have his advantage, but navigating all these relationship dynamics still feels like controlled chaos.

You start as this kinda broke, half‑sleeping journalism student who thinks he’s just chasing some dumb campus rumor, and then suddenly you’re knee‑deep in a blackmail mess where everyone’s horny, half‑guilty and way too hot to be real. It feels like opening a boring Google Doc for class and finding porn screenshots hidden between the paragraphs. One minute you’re asking normal interview questions, next minute a girl is “accidentally” spreading her legs in the library while pretending not to notice, and you’re choosing whether to keep it cool or lean into the pervy energy. The whole thing plays like a dating sim that got drunk and fell into a fetish forum. You bounce around the campus, coffee shop, staff rooms and weird quiet corners in this sandbox routine, chasing leads, sending risky messages, and trying not to jerk off every time the game tosses in a new explicit CG that looks a little too much like something generated at 3x strength on some AI art app.

The four main girls each pull you in a different way, and they’re messy in a very human way. Rina hits you with that “I don’t care about you, idiot” tsundere act, then five clicks later she’s pressing you against a wall and daring you to look her in the eyes while she strokes you off in some half‑lit corridor where anyone could walk in. She calls you a pervert while blushing hard, and then later blackmails you with your own dick pics you stupidly left in chat. Kira is the brainy one, all logic and spreadsheets, helping you track victims and suspects like she’s building a case file in Notion, but her mouth says “professional partner” while her hands wander under the desk, slipping into your pants mid‑conversation about motives. She’ll break down a pattern in the blackmail messages, then casually ask if you’ve ever let a futa girl use your throat like a toy. Sofie at the coffee shop is that chaotic energy. She flirts for tips, remembers your order, and suddenly you’re in the storage room with your pants around your ankles, her tongue sliding slow while she jokes about giving “premium customer service.” She’ll send you a selfie later, bra pushed up, asking if you’re masturbating to it right now. And Mila, the teacher, has that dangerous vibe: soft voice, strict eyes, and this way of stepping way too close when she’s “interrogating” you about the case. Half the time she looks like she wants to fail you; the other half she looks like she wants to bend you over her desk and see how good you scream when she doesn’t let you finish.

What surprised me is how the humor and the dirty stuff keep tripping over each other. One scene you’re grilling a suspect about anonymous blackmail texts, and the next scene you’re helping a girl compose her own anonymous message that’s literally just her teasing she’s not wearing panties in the classroom. There’s this whole exhibition streak running through it: girls flashing you in public spaces, blowjobs in risky corners, forcing you to keep your voice down while they ride you in a room that’s way too close to other people. Some of the AI‑generated CGs look wild, like the hands are a bit cursed or a boob’s angle is kinda off, and I liked it more because of that. It feels raw, like a horny sketchbook, not some polished corporate porn. You’re constantly choosing whether to be sweet, manipulative, romantic, or just absolutely filthy. Sometimes your “good guy” answer somehow leads to even kinkier payoff, which is funny and a bit fucked up. You can go from awkward first kiss to swallowing cum in a bathroom stall in like ten clicks, then sit in your dorm later staring at your in‑game phone, wondering if you should send that risky text that might turn into blackmail power over her or backfire and put your nudes in someone else’s hands. The game doesn’t really care if you play lover, perv, or amateur detective; it just keeps tossing situations where romance, threats, and sex tangle together until you forget if you’re solving the case or just using it as excuse to watch beautiful disasters of girls fall apart on your dick in every wrong place possible.

Office is quiet, Outlook is frozen again, so I alt-tabbed into this thing and suddenly my productivity went to hell. The game throws you into this “normal” married couple setup, except nothing stays normal for more than five clicks. They start as that typical cozy pair who probably has a joint Netflix account and matching coffee mugs, and then you poke a few dialogue options and boom, you’re pushing them straight into every filthy fantasy they were pretending they didn’t have. It’s not subtle. One moment you’re having this cute banter about daily life, next moment you’re choosing if the husband encourages his wife to wear that too-tight top to meet the neighbor or tells her not to… and obviously you click the bad option, because we all know why we’re here. The humor is actually decent, not that “haha so random” cringe, more like sarcastic couple jokes, horny and a bit mean, the kind that sounds like people who have actually been together for years. Sometimes it tries too hard to be funny, but at least it’s not talking to you like you’re a dumb teenager.

What really hooked me is how the wife’s personality shifts depending on what you push her into. You can keep her more shy and romantic, or slowly twist her into this hungry exhibitionist who gets wet just from being stared at, and the change feels earned because it comes from a hundred little choices. There was one scene where the husband “jokingly” dares her to flash in a parked car, and if you keep picking the bolder answers her breathing changes, the way she talks changes, and suddenly the joke’s not a joke anymore. If you go further, you end up in situations where she is flirting way too hard with a guy who should absolutely be off-limits, while the husband watches and pretends he is still in control. He isn’t. The game loves that line between “we are doing this together” and “she is slipping away into her own new kink world.” One route I picked had her drunk on attention from some smug asshole with perfect hair, and the husband is basically half cheering it on and half dying inside. That scene was hot and uncomfortable and I hated it and then replayed it to try an even worse choice. Also, her tits are huge in the nice useless way where a single button on her blouse is technically “clothing,” and the game knows exactly how to frame that, especially when you push her into tighter outfits. The corruption hits slow then hard, like that extra beer you really shouldn’t open during a “quick” lunch break.

Not every branch is gold. There is a path that tries to be all sweet and wholesome, and yeah, it’s cute for five minutes, then you’re just sitting there waiting for someone to get their clothes off properly. Some of the more hardcore options come a bit out of nowhere too, like you pick a slightly edgier choice and suddenly you’re knee-deep in a fetish scene that probably deserved two more steps of buildup. But at the same time, that messy feeling also kinda works for this story, because sex in long relationships is rarely clean and logical anyway. One run I had the wife turning into this bold, dirty talk machine, then a few scenes later she was shy again with a different guy and it felt like the script forgot what route I was on, which annoyed me more than it should. Also I still don’t like one of the blonde side characters; she talks like a TikTok comment section and I kept clicking through her lines just to get to the next bad decision for the main couple. Still, whenever I told myself “okay, last scene, then back to Excel,” I ended up chasing one more branch just to see how far the game would let me push this poor marriage before it snaps or mutates into something even hotter and more broken.