Ella is a problem. The good kind of problem, the one your cock and your curiosity both say yes to before your brain even catches up. She’s a futa with a mouth that never shuts up, in a jungle that doesn’t give a fuck if she’s tired or horny or “on a mission.” She’s supposed to find this magic flower, some legendary thing everyone talks about like it’s the only thing that matters. And then she runs into these monster girls and suddenly the flower is not really the main thing anymore. Or it is. Or it’s just the excuse for everything she does after.

What hit me first is how the game really leans into teasing before it lets anything explode. Ella talks her way into trouble instead of fighting out of it. One moment she flirts with a monster girl with this fake innocent smile, touching her arm “by accident,” the next moment you’re watching her hand slowly slide over to that thick thigh. It’s that slow burn that fucked me up a bit. The monster girls are not just standing there like dolls either. They watch her. They stare at her body. There is this one scene where Ella pretends to be hurt and falls in a way that her clothes ride up just a bit too much, and you can almost feel their eyes on her ass like it’s something holy and dirty at the same time. It’s funny because I thought I just came here to fap and then suddenly I’m out here caring if she gets that flower or gets fucked into the ground first. She’s got big tits that are basically their own characters, and when someone grabs them, it looks like that moment has weight. There’s a lot of oral stuff, and I liked how the game doesn’t rush the first time Ella goes down on a monster girl. You see that hesitation, like she’s half doing it for the mission and half doing it because she really wants to taste her. And then she gets into it way too much for “just business.” The voyeur feeling is strong too. More than once you’re just watching from the side, like you’re in the bushes, seeing hands explore, lips kissing spots they shouldn’t, clothes pushed aside instead of neatly taken off. It feels messy in a good way. Mostly.

The art is 2D but not trying to be some perfect painting. Sometimes tits look a little too round, sometimes an angle is weird, and honestly that makes it feel more like some horny artist going all in instead of a sterile studio thing. I loved that. And at the same time I hated that one of Ella’s expressions keeps repeating in a serious scene and I couldn’t stop noticing it. The lesbian scenes with her and monster girls have this greedy energy, like both of them try to see who makes the other moan first, who gives in. Then when she uses her cock, it changes completely. Suddenly she’s the one pushing someone against the tree, sliding in slow, talking shit in their ear. My favorite tiny, stupid detail: the way their fingers dig into her ass when she thrusts, like they’re holding on so she doesn’t pull away. It’s such a small thing but it stayed in my head longer than the big “climax” moment. Story wise, it’s an adventure that keeps pretending it’s about this mystical bloom, but you know damn well it’s actually about Ella using her charm, her dick, her mouth, whatever she has, to bend this monster-filled jungle around her. The voyeur vibe, the teasing, the groping, all that builds up like fate is pushing her to meet exactly these girls in exactly this place. I like to think Destiny wanted this filth to happen. Or maybe I just want to believe that kind of thing exists, even in porn games on my phone while I should be doing something else.

Maya is a mess in the most relatable way. Girl wakes up horny, goes to class horny, comes back home even more horny, and half of the time she’s not even enjoying it, just zoning out with porn on her phone, doomscrolling Twitter between strokes, thinking about deadlines while fingering herself again. That kind of depressing, way-too-real masturbation loop. Then suddenly Heaven basically kicks down the door of her burnout life and tells her, “Congrats, you’re a chosen warrior, also your magic wand is that massive futa cock you keep failing to jerk off properly.” It sounds like a joke, but the game commits to it so hard it starts feeling weirdly earnest. One moment she’s choking on her own anxiety, the next she’s in a ruined chapel blasting horny demon girls with holy spells powered by edging herself. It absolutely should not work, and somehow it does.

What really hooked me is how it swings between horny clown mode and those quiet, uncomfortable scenes where Maya tries to act like a normal college student and just fails. You get her standing in a crowded hallway, clutching her phone, praying no one notices the bulge in her leggings while her “guardian angel” is whispering in her ear that she needs to go hunt succubi after midterms. Then cut to her in a forest, pants half-open, using her cock like a staff while a tentacled monstergirl coils around her legs and keeps trying to force a “you came, you lose” deal. The combat is turn based, but the rhythm of it feels more like edging than strategy: buff, tease, stall, big climax attack, try not to blow your load too early because you actually need that mana for the second phase. I like how blunt it is about failure too. Lose a fight, and you’re not just “defeated,” you’re getting milked, fucked, drained, creampied, used as a toy by whatever perverted thing you picked a fight with. Then you wake up back in your dorm like it was “just a dream,” still sticky, trying to pretend you’re fine on your way to group project meeting.

The sex is very “no modesty at all” in the best way. Maya titfucking older milfs that were supposed to be respectable professors, grinding her huge cock between their tits while they pretend it’s still about “extra credit.” Oral scenes where she’s deepthroated by a demon with a halo, or doing the choking herself during a sloppy blowjob behind a campus building, leaving mascara stains and cum streaks on the brick wall. Anal, vaginal, quick handjobs in weird places, masturbation scenes where she’s hunched over her phone in the bathroom trying not to moan as notification sounds keep popping off. And yeah, there are tender moments in all that filth. Monster girls that start as enemies turning into awkward half-friends you can date, sleep with, creampie, then actually talk to about your anxiety. One of my favorite bits is this goofy “training” session that just turns into mutual masturbation under glowing angel sigils on the ceiling while lo-fi style fantasy music loops in the background. It’s trashy, it’s horny, it’s often sad in a way that hits way too close to real mental health shit, and then suddenly you’re laughing because some demon just called her “Heaven’s cum cannon” and it actually kind of fits.

Zeus gets a prophecy, freaks out like always, and throws you into the underworld before you even get to enjoy your first breath. That’s your childhood. Now it’s your eighteenth nameday, and suddenly all the stuff they kept from you hits at once: divinity, lust, raw destructive magic, the kind of power that makes mountains nervous and mortals wet. You’re Thalya, a futa demigoddess with a dick that is honestly treated more like a weapon than a body part, daughter of a titan of love and a war goddess who solves problems with blood and orgasms in equal measure. You’ve been hidden away in the dark, raised on stories about the world you’re not allowed to touch, and now the leash finally snaps. The whole ancient Greek world opens up like a toy box full of temples, monsters, snarky demigods with parent issues, and gods who think they’re untouchable. Spoiler: they’re not. The story just pushes you along, no choices, no fake “morality system”. You’re not here to be a hero. You’re a walking middle finger to Olympus, powered by horny spite and daddy Zeus’ paranoia.

The fun part is how the game treats your power like something alive. Lightning crawling over your skin while you pin a smug demigod against a ruined pillar and fuck the arrogance out of them. A priestess trying to pray to Athena and ending up on her knees for you instead, your hand on the back of her head, your magic seeping into her thoughts until the only worship she cares about is your cock. One scene has you stepping out of the underworld for the first time, everything blazing sunlight and marble, and the first thing you do is test your new “dominion” on a squad of armored soldiers. They raise their shields, you raise your hips, and in a blink their weapons are clattering to the ground while they stare at you with that mix of fear, awe, and desperate need. It’s not subtle. It’s not shy. The game loves big tits, big attitudes, and your big, very busy shaft, wrapping all of it in this messy, oversexed Greek mythology that feels like someone mashed together old legends, horny deviantart, and a lot of late-night power fantasies. Sometimes the writing trips over itself, like the dev typed faster than their brain, but honestly that just makes it feel more personal. You’re not guided, you’re dragged, from encounter to encounter, from orgasm to spell blast, until the idea of “good” or “evil” feels kind of pointless and all that matters is how hard you can screw over Olympus… and how many people you’ll literally screw along the way.

Ayumi looks like that quiet girl on the bus you lowkey stare at and then pretend you didn’t, except here she’s a witch, futa, and basically public enemy number one. The whole thing starts with her already in deep shit, hiding in this creepy forest and trying not to get caught and burned, and I like that the game doesn’t baby you with long lore, it just throws you in the middle of her mess. One second you’re checking the trees for monsters, next second some huge-ass busty monster girl with claws is pinning you against a rock and sniffing you like you’re dinner and sex toy at same time. It’s survival but in a really horny, soft-brutal way. You’re trying to keep Ayumi alive, yeah, but also there’s this sick curiosity, like, ok, what happens if I actually lose here? And the game absolutely answers that. Sometimes too well. I opened this in another tab while pretending to type in Excel and instantly regretted not having a second monitor because the first corruption scene is way too obvious if someone walks by.

What caught me off guard is how Ayumi’s whole futa thing is treated. It’s just there. People care way more that she’s a witch than about the big cock between her legs. You get these scenes where she’s shaking from fear while some angry milf inquisitor is threatening to hurt her, and yeah, it’s intense, but at the same time you catch Ayumi getting turned on by it and you’re like girl, same, but also what the hell. There’s a corruption bar that keeps creeping up every time you let someone use her, or she masturbates when she should be hiding, or you pick the flirty option when a monster girl clearly wants to break her. I liked teasing the hell out of a certain tall, smug knight woman, having Ayumi act submissive and clingy in the dialogues, then flipping on a later route and watching Ayumi shove her against a wall and fuck her like some desperate pervert who finally snapped. The harem side grows kind of naturally, too. You start with one “ally” who is basically manipulating her, then suddenly you realize you’re half roleplaying a romance thread, half grooming your own yandere energy. I had Ayumi obsess hard on this one witch hunter with big ass and cruel smile, visiting her in scenes even when it was a bad idea, just because I wanted to see what new way she’d humiliate Ayumi this time.

The sandbox stuff is messy but in a way I kinda like. You wake up in camp, or a ruined church, or some weird forest shrine, and you decide if Ayumi goes gather herbs, sneak into town where everyone hates witches, or “check on” some girl she’s fixated on. I spent way too long just having her stalk the same milf innkeeper, watching the slow shift from awkward virgin energy to straight up sexual harassment. You talk to her, get gently rejected, then come back corrupted a bit more and suddenly your dialogue choices tilt into creepy, touching her hand too long, sniffing, staring at her cleavage, and the game doesn’t stop you. It punishes you later, kind of, but not enough to make you stop. One moment that stuck with me: Ayumi hiding behind barrels, watching two women in the bath, clearly lovers, and you can choose if she just watches and masturbates quietly or uses magic to “nudge” them, make them more rough, more needy, like she’s directing her own porn. I went full perv with the mind screw, and later when she actually meets one of them face to face, the girl acts different, broken in a subtle way, and Ayumi smiles this tiny fucked up smile. It’s hot and also a bit sick. I wish the game let Ayumi go full obsessive yandere faster, but maybe it’s better it teases it slow. If you play, don’t rush the main plot. Linger on the small scenes, the teasing, the failed escapes, the awkward handjobs given in exchange for “protection” that never really protects anything. Always push Ayumi a bit further than you think is safe. That’s where the good shit happens.

This one feels like I walked into my own gallery at closing hour, lights half off, and there is just this one piece on the wall that will not let me go. A retired hunter, alone, pretending the world has moved on. And outside the door, a lovesick werewolf, so full of longing and hunger that it almost hurts to read. The game is short, yes, but it hits like a very focused exhibition: just you, the wolf boy who never really stopped chasing you, and a forest night that smells of wet fur, blood, and someone you used to fuck or maybe should have. You pick your pronouns, you name your hunter, but it still feels like the story already knows you. It treats you as if you have history with this creature. The first time he steps out of the dark, half monster, half man, teeth shining, eyes too soft for that body, it’s like some twisted fairytale where the woodcutter secretly wanted the wolf all along.

What I liked is how the erotic bits grow out of that mood instead of just dropping from the sky. The build up is slow and sticky: brushing against his fur, the way his tail twitches when you threaten him with your old hunter voice, the way he still calls you like you’re the only person in the world who ever mattered. And then it becomes very physical, very fast. There is dry humping that feels desperate, almost clumsy, like he has been replaying this moment in his head for years and actually touching you overloads him. The handjob scenes are messy, all panting and grinding, like he wants to climb into your skin. I liked the oral a lot because you feel it from the hunter’s point of view, the heat of his mouth, the wet noise, the way he struggles to keep his fangs away from your cock while still licking you stupid. There is cock warming too, with that strange mix of comfort and filth: him buried in you or wrapped around you, both of you not really moving, just breathing and trembling while his knot or his mouth keeps you trapped. It is strangely tender, even when there is biting and marking, your neck, your chest, his claws in your back, like he is carving his name into an old property. Sometimes it gets a little too wordy, like the writer is afraid to shut up and just let you sit in the silence between thrusts, but then you get one perfect line like “you taste like home” and my brain just stops.

CGs are few but they land nicely, like catching flashes of explicit sketches in some NSFW Twitter scroll that you shouldn’t open at work. Him on top of you, eyes glazed and needy, fur matted, your body pinned under claws that could rip you open while his cock presses hard against your stomach. Or that moment where he’s between your legs, ears back, cheeks flushed, mouth full of you, wolfish features twisted around devotion and greed. The multiple endings make the sex feel heavier, because you know you might break him for good. One wrong choice and that romantic, horny monster you just had rutting against your thigh with his tongue hanging out can end up bleeding in the dirt because of you. It’s a game about fucking, yes, but it is also about how much power you keep over someone who loves you enough to let you kill him. I played it on mobile in bed, screen too bright, one hand scrolling and the other wandering lower every time he whined your name. At some point I got annoyed that the text box covers just a bit too much of his body during one of the best scenes and I kept adjusting my phone like that would fix it, and now I can’t stop thinking about that tiny stupid issue instead of going back in for the last ending. Anyway. The sound of him begging, even just in text, sticks in your head like a good meme you don’t want to share with anyone. This is not a clean story, not emotionally and certainly not physically, and that is exactly why it works.