Athena’s Revenge feels like someone smashed a Greek myth book, a porn folder, and a metal album cover together, then said “yeah, that’s fine, ship it.” You’re dropped into this hellish road trip with Stheno and Euryale, the kind of monster girls who look like they’d ruin your life and then complain you didn’t last long enough. It kicks off right after the last mess, no hand holding, no recap, just “we’re going to Hell to get Athena back, and we’ll fuck or murder anything that gets in the way.” Sometimes both. The world is all red glow, chains, and wet noises, with that chunky animated style where tits and asses move like they have their own physics engine. The first time Stheno walks toward the camera and her ass jiggles inside that armor, I actually paused and rewound like some horny archaeologist doing “research.”

The sex scenes are where the game stops pretending it’s about plot and just leans in hard. You’ve got monster girls with curves that make zero anatomical sense, demons with way too many tongues, futa surprise scenes that kinda sneak up on you in the best way, and this whole harem energy where every new ally or enemy feels like, “Ok, when do I get to ride that?” There’s one moment early on where the group hits a demon outpost, and instead of just slaughter, you get this interrogation that turns into a blowjob competition. Euryale on her knees, drool stringing, the demon’s cock throbbing in closeup while Stheno watches with this jealous smirk, like she’s annoyed but also kinda turned on. Then Igret shows up later, smug succubus queen, and her scenes are just filth. She wraps her tail around your neck, pushes you between her thighs, and it cuts between her face, that lazy half-lidded look, and her pussy grinding in your mouth while the background is literally burning. It’s stupidly hot. Then suddenly the story wants to be serious, talking about revenge and divine punishment, while a demon girl with huge tits is still panting on the floor from getting railed in the last scene. The tonal whiplash is hilarious and also… I liked it. Maybe. I think.

There’s a surprisingly nasty edge to the violence though. Heads get ripped off, guts spill, some angels and demons die screaming, and then five minutes later someone’s face deep in a slick pussy like it’s a reward screen. The harassment stuff is very in-your-face too, demons grabbing, groping, pinning the girls against walls, and the game flirts with that line where you go “hmm, ok, this is hot but also damn, dude.” Some scenes lean hard into that forced vibe, others flip it and the girls are the predators, like when Stheno pins a lesser demon, sits on his face, and tells him if he stops licking she’ll cut his tongue out. I kinda love her, kinda fear her, kinda wanna ask her to step on me. What really stuck in my head though is one tiny detail: the way saliva and cum are animated during oral. It clings to lips, stretches, drips on boobs, sticks to thighs, and they show it from these close angles that made me lean toward the screen like an idiot. At one point a demon girl swallows and a little bit spills out the corner of her mouth, trails down to her big tits, and I had to pause just to stare. Meanwhile, the choices you make in dialogue pretend to matter, sometimes they do, sometimes they don’t, but I still clicked like it’s Tinder with extra steps. And that one background sound in the citadel, that low humming thing? It got into my head and annoyed me for the rest of the playthrough, and I kept thinking I’d find an option to turn it off, but no, it just stayed there, buzzing, like a mosquito with a sound fetish.

This one feels like somebody took a grimy school ghost story, poured lust and drugs on it, then rubbed it into your skin until it stayed there. You’re not just clicking horny scenes, you’re sliding around in this sticky occult mess where every choice feels like it leaves something on your fingers. The school setting looks all normal on the surface, but after a few scenes it stops feeling like a campus and more like a ritual circle with desks. Classrooms turn into altars, lockers are just props for public use, and the corridors get that mood where you almost smell sweat and cheap perfume through the screen. The Japanese vibe is strong in the way everyone pretends everything is normal while literally nobody is acting normal. One moment it’s just a quiet corridor, next thing three girls are on their knees, uniforms half open, and the guy is pushed back against the wall while they fight over his cock with their mouths, wet sounds louder than the voice lines. I really liked how a titfuck scene could suddenly slide into this messy bukkake finish across the face and hair, and then the game still keeps talking like this is some tragic occult investigation. It’s stupid in a way, but the contrast actually makes it hotter.

What hit me harder than expected was the way the occult stuff bleeds into the sex. Mind control here is not polite. You get that slow build where a girl still thinks she has a choice, then you see her pupils change, her voice gets softer, and she starts begging to be used in front of everybody. There is one group scene in a classroom with mixed bodies, futa girl included, where the protagonist is basically just a toy pinned between them, and it feels crowded in a good way. Too many hands, too much skin, someone’s cock sliding between tits while another one is pushing into a throat, and a third is already working the pussy from behind. You kind of lose track of whose fluids are where. Sometimes the NTR angle comes in hard and nasty, like watching a girl you actually liked get dragged into a drugged ritual, waking up tied, legs forced open, and her “boyfriend” can only watch from the door as she’s fucked, first vaginal, then anal, then made to lick herself clean while laughing. It’s rough, with real graphic violence in some routes, and not the cute BDSM kind. The mind control can cross the line into “ok I need a break” territory, then the game just throws a soft lesbian scene in the nurse office on top, with slow kissing, fingers inside, wet sounds close to your ear because the voices are right there. The problem is some routes feel like they jump from a gentle titjob under the desk to a brutal ritual scene with almost no breathing room, but I guess that fits the whole nightmare feeling. I liked the multiple endings thing more in theory than in practice, because I kept looping into bad endings where someone ends up broken or dead or both, but honestly, when the occult book opens and everyone starts losing their sanity, that’s when the sex hits the hardest anyway. The game doesn’t feel safe, and that’s exactly what my hands remembered after I closed the tab.

Frank's prison break goes about as well as you'd expect - which is to say, absolutely terrible. One shipwreck later and this guy's washing up in Bikini Bottom looking like he got chewed up by Davy Jones himself. But here's where things get weird (and I mean WEIRD): instead of doing the sensible thing like finding help or maybe not impersonating cartoon characters, Frank decides the best survival strategy is pretending to be SpongeBob. Yeah, that SpongeBob. The yellow square dude who flips patties and annoys his neighbors.

What starts as a desperate con job turns into something way more fucked up than you bargained for. Frank's not just wearing the square pants - he's living the whole twisted fantasy, and apparently everyone in Bikini Bottom is way more... accommodating than the original show ever suggested. Sandy's got that Texas-sized appetite for more than just science experiments, if you catch my drift. The animation work is surprisingly smooth for what's basically underwater cartoon porn, though sometimes the character expressions look like they're having existential crises mid-scene. Can't blame them honestly. The sandbox elements let you wander around causing chaos at your own pace, which is perfect because rushing through this fever dream would be doing it a disservice. You'll find yourself clicking through dialogue just to see how much more absurd Frank's situation can get, and trust me, it gets pretty damn absurd.

The whole thing feels like someone took childhood nostalgia, threw it in a blender with adult fantasies, and hit the "completely unhinged" setting. Frank's supposed to be this hardened criminal but half the time he's bumbling around like he's never seen a talking starfish before. The male domination stuff works better than it should given the source material, probably because everyone's so committed to the bit. It's crude, it's ridiculous, and somehow that makes the sexy parts hit different. Just don't expect any deep character development - Frank's basically a horny plot device with commitment issues.

Christmas lights, cheap tinsel, fake smiles and then suddenly the room tilts and your brain feels like it’s running on Windows XP in safe mode. That’s basically Becky’s life now. You’re in her head, this 21-year-old brunette with a body that makes every camera angle feel like it’s trying to cop a feel: big tits squeezed into clothes that are definitely one size too hopeful, ass fighting the seams whenever she bends to pick something up. It’s not just “oh wow she’s hot”, it’s that kind of heavy, bouncy flesh that makes every quiet hospital corridor sound louder in your skull because the game actually gives her weight. Footsteps soft on tile, the tiny swish of fabric when her thighs brush, the creak of a cheap chair when she shifts her hips. I’m a sound nerd, I notice this stupid stuff.

The “Vertigo” thing isn’t just a plot excuse, it feels like a constant little audio bug in the back of your ear. When Becky has one of her episodes, the whole soundstage starts to warp, like someone dragging a vinyl record with their finger. Background hum from the hospital suddenly dips, people’s voices slide slightly out of pitch for half a second and then snap back. It’s unnerving and kinda hot at the same time, especially when it hits in the middle of a lewd scene. One second she’s getting pushed against a wall by a woman in a tight nurse outfit, clipboard clattering on the floor, breathing getting faster, soft wet sounds starting up, and then boom, that weird heartbeat-in-your-ears effect kicks in and you feel like you’re going to tip over with her. The nurse here isn’t just “sexy outfit + boob window”, she talks to Becky like she’s a patient and a plaything. Latex gloves snapping, that faint rubber squeak when her hand slides over bare skin, the rustle of sheets when she pins Becky down for a “check up” that has zero to do with medicine. Slight moan in the left ear, a low whisper in the right, it’s surprisingly intimate for a porn VN.

Outside the hospital stuff, you get this slow-burn investigation mood where Becky tries to figure out what Vertigo actually is, and why other people have their own twisted versions of it. You walk into apartments at night and the whole ambience changes: fridge hum, distant city noise, floorboards creak when that older woman with the milf energy steps closer. She’s got that dangerous calm voice, like someone who already made a bad decision and wants company. When she leans in, you hear the faint clink of jewelry against her cleavage, her breath deeper, more confident than Becky’s shaky little gasps. Sex scenes with her feel heavier, more raw. Bedframe hits the wall with a dull thud, Becky’s muffled cries against a pillow, wet sounds not overdone but sharp enough you feel them in your neck. Then, in the same game, someone screams in another room, there’s blood on tile, and the sound design doesn’t flinch: impact is meaty, not cartoony, and the silence after is worse. No heroic music, just the buzzing light and Becky’s breathing going from horny to panicked. It jumps between lust, fear, curiosity so fast it almost feels broken, but that messy mood actually matches her: horny, confused, turned on by people she should probably be running away from, chasing answers that only lead to more fucked up nights. I still hate one thing though: there is this one looping corridor ambience that has a tiny echo in it, like a spoon touching a mug, and once you hear it you cannot unhear it. Never fixed, just sits there, quietly annoying, while Becky’s big ass walks past another door that definitely hides something you probably shouldn’t open.