This one feels like I walked into my own gallery at closing hour, lights half off, and there is just this one piece on the wall that will not let me go. A retired hunter, alone, pretending the world has moved on. And outside the door, a lovesick werewolf, so full of longing and hunger that it almost hurts to read. The game is short, yes, but it hits like a very focused exhibition: just you, the wolf boy who never really stopped chasing you, and a forest night that smells of wet fur, blood, and someone you used to fuck or maybe should have. You pick your pronouns, you name your hunter, but it still feels like the story already knows you. It treats you as if you have history with this creature. The first time he steps out of the dark, half monster, half man, teeth shining, eyes too soft for that body, it’s like some twisted fairytale where the woodcutter secretly wanted the wolf all along.

What I liked is how the erotic bits grow out of that mood instead of just dropping from the sky. The build up is slow and sticky: brushing against his fur, the way his tail twitches when you threaten him with your old hunter voice, the way he still calls you like you’re the only person in the world who ever mattered. And then it becomes very physical, very fast. There is dry humping that feels desperate, almost clumsy, like he has been replaying this moment in his head for years and actually touching you overloads him. The handjob scenes are messy, all panting and grinding, like he wants to climb into your skin. I liked the oral a lot because you feel it from the hunter’s point of view, the heat of his mouth, the wet noise, the way he struggles to keep his fangs away from your cock while still licking you stupid. There is cock warming too, with that strange mix of comfort and filth: him buried in you or wrapped around you, both of you not really moving, just breathing and trembling while his knot or his mouth keeps you trapped. It is strangely tender, even when there is biting and marking, your neck, your chest, his claws in your back, like he is carving his name into an old property. Sometimes it gets a little too wordy, like the writer is afraid to shut up and just let you sit in the silence between thrusts, but then you get one perfect line like “you taste like home” and my brain just stops.

CGs are few but they land nicely, like catching flashes of explicit sketches in some NSFW Twitter scroll that you shouldn’t open at work. Him on top of you, eyes glazed and needy, fur matted, your body pinned under claws that could rip you open while his cock presses hard against your stomach. Or that moment where he’s between your legs, ears back, cheeks flushed, mouth full of you, wolfish features twisted around devotion and greed. The multiple endings make the sex feel heavier, because you know you might break him for good. One wrong choice and that romantic, horny monster you just had rutting against your thigh with his tongue hanging out can end up bleeding in the dirt because of you. It’s a game about fucking, yes, but it is also about how much power you keep over someone who loves you enough to let you kill him. I played it on mobile in bed, screen too bright, one hand scrolling and the other wandering lower every time he whined your name. At some point I got annoyed that the text box covers just a bit too much of his body during one of the best scenes and I kept adjusting my phone like that would fix it, and now I can’t stop thinking about that tiny stupid issue instead of going back in for the last ending. Anyway. The sound of him begging, even just in text, sticks in your head like a good meme you don’t want to share with anyone. This is not a clean story, not emotionally and certainly not physically, and that is exactly why it works.

Game feels like opening an old Facebook chat with your childhood crush and then immediately getting dragged into the kind of horny soap opera you only admit watching when your VPN is on. You start as this guy who used to be super close with Emilia, then shit went bad, family moved, classic “I’ll totally message you” lie, and now, many years later, life decides to throw you right back into her orbit. And not just hers. She has younger twin sisters now, and they’re grown, hot, way too grabby for their own good, and apparently never learned the word “boundaries.” The game basically locks you into this messy reunion where awkward nostalgia, unresolved drama, and slow-burn romance keep crashing into handsy teasing and full-on sex like some horny soap that forgot how brakes work.

Most of it plays like a kinetic story, so you don’t get that much choice, but it actually kind of fits this one. It feels more like binging one of those trashy Netflix dramas on autopilot while half your brain is busy thinking “ok but if she’s mad at him, why is her hand on his dick right now?” The MC is still a virgin at the start, which is honestly hilarious with how fast everyone around him flips from “long time no see” to “hey, let me grind on your lap.” There’s a strong focus on teasing, slow groping, stripping piece by piece, that kind of thing, before the more hardcore stuff starts. Animated scenes help a lot; there’s this one moment in the living room where one of the twins is “just joking” by climbing in your lap, and the way her hips move in the animation is way more indecent than anything she actually says. Feels like the dev knew exactly which angle people pause on in other games and just locked the camera there.

Sex itself goes pretty far. Handjobs that feel messy and clumsy in a good way, deep oral where the girl’s eyes water and she has to pull back, interracial scenes that are actually framed like real encounters instead of some weird fetish ad, and more emotional romance stuff too, where Emilia finally stops pretending she doesn’t care. Then out of nowhere the game just slams you with real graphic violence in some parts. Like, soft lighting, half-naked girl giggling, then suddenly someone gets hurt badly and there’s blood and you’re sitting there like you accidentally clicked the wrong tab. Honestly it hit harder because the rest of the game is all warm bodies and dumb jokes and then, bam. They use it to push the story forward, tie into the big life event that brings everybody together again, but it still catches you off guard. There are multiple endings depending on your route and how you handle the emotional stuff, though you can’t sidestep the sex anyway, which is kind of the point. The twins are playful and bratty and clearly into groping and messing with you, Emilia is the slow-burn heart of the story, and you’re stuck in the middle, trying to figure out if this is a romance, a porn game, or that one night your brain keeps replaying when you’re trying to sleep.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

Snow outside my window, pussy apocalypse on my screen. That was kinda the mood when I started this one on my phone, half watching some dumb Netflix Christmas movie in the background. The game throws you back into this infected city that looks like it used to have normal people and now it has horny trouble with teeth and claws and way too much titty. You’re this husband trying to find your wife and the tenant, like some fucked up holiday reunion where everyone might be dead or wet or both. It’s point and click, but not that boring “click lamp, click door, click your own soul” kind. You poke around ruined apartments, bloody hallways, busted elevators, and every so often you stumble into these scenes where sex and danger mix in a way that really shouldn’t feel cozy, but it kinda does. One moment I’m checking cabinets for meds and ammo, next moment there’s a half-naked girl with big tits pressed against a cracked window, breathing heavy while she tries not to scream because something is walking outside. That tension actually works. You’re thinking “please don’t die” and at the same time “please keep playing with yourself, fuck”.

The whole thing is weirdly intimate. The animated bits are not Hollywood level or something, but when the wife finally shows up in my run, she’s got this soft romance vibe, like she still trusts him, still blushes when he touches her, even though there’s blood on the floor and moaning outside that is not sexy at all. Then the game whiplashes and suddenly she’s jerking him off by candlelight, whispering about how they might not see morning, while the tenant watches from the corner, legs tight together, trying not to show she’s turned on. That voyeur lesbian tension is my favorite part, actually. Small touches like eyes sliding away, lip biting, that moment when she “accidentally” brushes her hand over the wife’s huge ass while they squeeze past each other in a narrow corridor. Also, the incest angle sneaks in more quietly than I expected; you wander into one of the safer rooms and the way the dialogue goes, it’s pretty clear family boundaries are more infected than the city. They don’t slam it in your face at first, but when it clicks, some earlier teasing scenes feel dirtier right away. And there’s one virgin scene that actually feels like something, not just “sex tutorial”. Girl shaking, hands on his shoulders, trying to be brave while there’s distant gunshots outside. Romantic and absolutely not healthy.

I like that you can just wander instead of being shoved along a straight line, but sometimes the sandbox stuff makes it annoying. I got stuck tapping the same fucking door icon three times because it looked like it should open and it’s just… background. And then when I did find a route, the reward was a monster encounter that ends in graphic violence before the sexy payoff even starts, which kinda killed my boner for a bit. There’s this one scene where a monster drags a side character away and the camera does not shy away, it’s messy and nasty and feels like the game reminding you “yeah, this world actually sucks”. Then five minutes later you’re watching the tenant masturbate quietly on a dirty mattress, whispering the wife’s name, and that contrast makes it hit harder. Or maybe I’m just a perv, whatever. The mobile layout is actually nice, plays fine on Chrome, thumb-friendly for one-handed use, which… matters here. Some animations loop a bit awkward, like hips moving while faces freeze, but the tits and asses are big and bouncy in all the right places, and that covers a lot. I wish some of the romance paths were less strict, like I wanted more slow-burn lesbian stuff between girl and girl instead of rushing back to cock every time, but that’s not gonna change and I’ll still reload saves like a clown to chase different scenes. Oh, and the teasing is surprisingly good: little handjobs interrupted by noises in the hallway, half-finished blowjobs because the husband suddenly remembers he was supposed to be “protecting loved ones”, sure man, put your dick away then. I kinda forgot what my point was. The game feels like Christmas lights hanging in a warzone: it shouldn’t be erotic, but when the wife leans in for a soft kiss right after bashing a creature’s skull, you almost believe this fucked city is worth saving just so she can ride you again.