It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.

World full of people with crazy powers, and you start as the useless kid who can’t do shit. That’s the part that hooked me. Everyone’s out there throwing fire, stopping time, shattering walls, and you’re stuck in this school where your “talent” is being pathetic and horny. Then the game flips it. Your Genex kicks in and suddenly the loser becomes the guy monsters and girls both want to either fuck or kill. Sometimes both. The whole thing feels like someone mashed a hero anime, a gacha monster game from my phone, and a really filthy hentai, then forgot to clean the edges. You walk around school, talk, grind a bit, pick fights that you’re not really ready for, get wrecked, go again. Those turn based fights are simple but not boring, because half the tension is “am I gonna win” and the other half is “ok if I lose, how badly am I getting used.”

The sex is not some soft blurred romance bullshit either. There is real weight in how the game treats bodies. Huge tits that actually move when she rides you, asses that look like they could crush your ribs, monsters with extra limbs and extra holes that turn “multiple penetration” into something like a physics puzzle. One scene I keep thinking about: you’re fighting this monster girl who looks almost cute at start, like some shy transfer student with horns. She wrecks you in combat, pins you down, and suddenly there’s your cock in her mouth, your ass pinned, something wet sliding between your legs, and the camera just hangs there. You hear her voice, half moan, half mocking, and you feel weird because part of you is turned on and part of you’s like “is this still about being a hero or am I just a toy now.” And then it throws you back to the school corridors like nothing happened, classmates talking about homework while you’re walking around full of dried cum. The game never sits you down to explain the morality of it, it just shoves you into these situations and lets your brain do the philosophy after you’ve already jerked off.

I like how your power feels less like a gift and more like a curse that keeps giving you new ways to get in trouble. In one route you use it to protect a girl from some monster, big heroic move, and your reward is her thanking you with her lips around your dick in an empty classroom, her voice trembling in that lightly cheesy anime way while she tries not to gag. In another, same ability turns you basically into an accessory for a monster queen who treats you like living breeding tool, creampie after creampie until the screen is just sweat and white. The violence hits a bit harder than I expected from a porn game. When you punch something, you hear bones. When you lose, sometimes the scene starts with blood and ends with you still getting jerked off or ridden, so your own pain is just background to all this pleasure. It’s kind of fucked, but that’s also what gives the sex more bite. And yeah, the sandbox parts feel a little messy, like the dev just threw events across the map and said “you find them, whatever.” But that chaos kind of matches the whole vibe of a kid who suddenly has power and no clue what the hell to do with it, except fuck, fight, and pretend there’s some deeper meaning to all of it.

Game feels like someone threw Stalker, a sex toy shop and a bad breakup into a mixer, then forgot to put the lid on. You play this girl wandering a fucked-up anomaly zone, where everything hums like a cheap fridge about to explode. No choices, no branches, it just drags you along, but in a weird way that works. You’re not “roleplaying” her so much as watching her unravel while you sit there with one hand on the mouse and the other… yeah. One of the first scenes that really stuck with me is when she’s alone in some rusted-out industrial corridor, all red emergency lights, and she pulls this ugly, jury-rigged vibrator from her pack. It’s not sexy at first. It looks like something you’d use to torture information out of someone, like, wrong shape, wrong noise, buzzing like an electric toothbrush dying. She’s covered in grime and bruises, and instead of the usual porn-game bullshit where the girl poses like a catalog model, she just slides down the wall and starts using it because she needs something, anything, to remind her she’s still a person and not just meat walking through radiation. That mix of “I shouldn’t be turned on by this” and “okay but I am” pretty much sums up the tone.

The sex isn’t soft-focus romance, even when it is technically romance. There’s this guy she keeps crossing paths with, and their chemistry feels like two broken lighters trying to make one working flame. They care about each other, kind of, but everything around them is rotting, and the game loves to tease you with tenderness before smashing you in the teeth. You’ll get a sweet hand-holding moment, then five minutes later she’s masturbating alone in some abandoned checkpoint, using a smooth metal artifact that might be worth a fortune, or might kill her, with this look that’s half desperation and half “fuck it, if I die like this, at least I came.” The toy scenes are surprisingly varied, though sometimes the pacing is off. There’s one long masturbation stretch where I honestly tabbed out to check Telegram because it felt like the same angle and the same moaning loop. Then the game hits you with an absolutely brutal, bloody encounter, and suddenly that earlier slow scene makes sense because your brain’s still echoing with it while you watch her crawl away from a body that honestly looks too real. The violence is not pretty. People get torn up, shot, melted, and the camera doesn’t politely look away. That clash of erotic tension with graphic wounds makes the whole thing uncomfortable in a deliberate way. It’s not “gore porn” for the sake of shock, more like the dev wanted you to constantly ask yourself where your own line is, and then step over it anyway.

The world itself feels claustrophobic even when the locations are open. You can almost smell the wet concrete and rust. Some of the romance bits are genuinely cute though, in this bitter, awkward style. Like she’s sitting in a half-collapsed truck, passing a flask back and forth with her sort-of-partner, knees touching, and for two minutes you forget there are supernatural anomalies outside tearing people apart. Then she ends up grinding on his thigh, trying not to make noise because other scavengers might be nearby. There’s this one shot where her panties are halfway down, gun still strapped to her leg, and you can see a blood smear on her thigh that clearly isn’t from sex, and that detail just lodged in my head. The game likes these ugly little truths. Her orgasms are messy, not glamorous, sometimes a bit sad. She cries once while using a toy, and the camera doesn’t overly fetishize it, it just stays with her long enough that you start feeling weirdly protective. To be fair, a few scenes try too hard to be “deep” and end up coming off like edge-lord poetry, but then the next event is her quietly humping the handle of an artifact while listening to distant gunfire, and suddenly you’re back in it. It’s not romantic in the classic sense, but the way it mixes need, fear, loneliness and pure raw horniness feels more honest than most “love story” porn games I’ve seen. And yeah, I’m still annoyed that one corridor light flickers in exactly the same rhythm every time and my brain catches it like a gnat, but I keep thinking about that filthy wall, that awful buzzing toy, and the way she keeps going anyway.

Zombie porn and base micromanagement are apparently my new comfort food, because I opened this thing “just to check it” and suddenly my coffee was cold and everyone in my camp either wanted to fuck me, punch me, or both. You run this little search & rescue squad called the Angels, which sounds holy, but it’s basically a harem wrapped in barbed wire. One second you juggle ammo counts and scavenging routes, next second you’re deciding if the shy medic gets praise for patching you up or a collar for talking back. And the game really pushes that choice. Every time you click through events you’re stuck between “earn her trust, be the good guy” and “nah, break her in”. It’s not subtle. You watch their stats crawl up, corruption and obedience sneaking higher, and then suddenly a girl who refused to kiss you on day one is choking on your cock in the war room and thanking you for the honor. Or crying a bit while doing it, depending how much of an asshole you decided to be that run.

What I liked is how sex scenes feel like a payoff for how you play, not just random gallery junk. You walk in on one of the Angels masturbating in the shower after a brutal mission you sent her on, still shaking from adrenaline, and your choices in earlier dialogues decide if she slams the door in your face, invites you in and rides you until her legs give out, or ends up on her knees giving this messy, desperate blowjob because she “needs to feel alive”. Another time I had the tough-as-nails sniper, the one who never smiles, get caught sneaking into my room at night. I’d been pushing her obedience hard, going full controlling asshole. Instead of a shy confession scene, it turned into her standing at parade rest, naked, collar on, asking permission to present her tits. Next click and she’s on the table, legs spread, me breeding her raw while she stares straight ahead, trying to pretend she’s not moaning every time I push in. Then later, out on a scavenging run, she’s casually gunning down zombies with dried cum still streaked on her thigh like it’s just part of her gear, and nobody comments on it. Little things like that made me grin like an idiot. And yeah, some dialogue is clunky, some “hard choices” are actually just “do you want her to worship your cock now or ten minutes later”, and combat sometimes feels like an afterthought that exists mostly so you can justify why every woman in the camp is exhausted, sweaty, and ready to be used. But whatever. I still ended up scheduling night missions just to get my favorite Angel back in time for a chained-up titfuck in the command tent, with groaning zombies outside the fence while she begs me to fill her pussy again because “there might not be a tomorrow”.