You start as this broke college guy walking into Burgmeister & Royce like you’re gonna fix your life, then the game just grabs you by the dick and drags you into absolute chaos. Classes? Technically there. But the real “curriculum” is trying not to cum in your pants every five minutes while sorority girls flash you during a stupid drinking game, your landlady “forgets” to close her bathroom door, and your so-called bros push you into shit you know your dad would beat your ass for if he saw it. It’s that filthy campus fantasy where everyone’s way too hot, way too horny, and somehow nobody ever remembers underwear exists.

The sex stuff doesn’t even wait politely. One minute you’re doing some harmless point and click around your crappy dorm room and the next you’re peeping through a slightly open door, catching twins in a lesbian makeout session that is very much not “innocent experimenting.” They drag you in if you pick the right lines and suddenly you’re in this messy tangle of tongues, fingers, one of them riding your face while the other forces your cock between her tits and laughs in your ear about how fast you’re shaking. Later you can pretend you’re a romantic guy, taking a shy virgin girl on a normal date, hand in hand, giggling, then end the night with her masturbating in your lap inside a parked car because she “isn’t ready for penetration yet” but still wants your cum all over her stomach. The game swings from sweet to downright filthy in like two clicks and never apologizes.

What surprised me is how much it leans into power stuff without making it feel like a cheap porn menu. Sometimes you’re the one groping, pulling panties down behind a bar counter while your milf boss pretends she doesn’t notice, and sometimes you end up on your knees with a dominant school queen slapping you with a strap-on, telling you to open wider while her roommate records it on her phone through the keyhole. There’s this whole turn based combat thing tied to frat wars and campus gangs that looks silly at first, then suddenly you’re planning who to bring to a fight because winning opens new prostitution side gigs and losing might end with a humiliating scene where the rival guys use your girl for group sex while you’re forced to watch, dick hard and useless. I wish the game let you punch one particular smug asshole in the balls during a combat segment, it just sits there in my head every time that scene plays. Anyway, between interracial threesomes in trashy motel rooms, anal quickies in the library stacks, puzzle bits to unlock voyeur routes, and that one lesbian romance that somehow feels more emotional than all your straight routes combined, it’s less like a clean dating sim and more like getting lost in the filthiest campus rumor mill ever, where every rumor turns into a clickable scene and half of them end with a creampie dripping down someone’s thigh.

War is technically happening somewhere in Ahras, but this game treats it like background noise while you’re busy staring at tits and trying to remember which herb makes people extra horny and which one just makes them lactate like a busted tap. You’re not a hero, you’re an alchemist refugee who stumbled into this “safe” city that looks peaceful on the surface and then slowly shows you it’s basically a fuck buffet with a fantasy veneer. The guild hires you because they need potions, but everyone treats you less like a worker and more like a walking excuse to experiment on their own bodies. You sit in this little workshop, surrounded by bottles, stains on the table that probably aren’t all chemical, and a constant stream of adventurers with big asses, bigger chests, and problems that can always, somehow, be solved by you touching them a bit too much while “checking side effects”.

One of the early moments that hooked me is when this knight girl comes in, all stoic, armor too tight around her tits, complaining about fatigue and sore muscles. You brew a stamina tonic, misjudge the ratio on purpose, and she ends up flushed, nipples hard and leaking through her tunic as the potion pulls milk from somewhere deep in her body. She tries to keep a straight face while her breasts get heavier, her voice shaking as she asks if this is “normal for alchemy”. You don’t even answer, you just ask to “inspect for adverse reactions” and suddenly you’re cupping those huge, warm tits, thumb brushing a nipple while milk beads at the tip, and she’s trying not to moan in the middle of the lab. The art sells it: soft lines, slightly messy, like a sketch that got horny and refused to stop. Nothing too polished, which actually fits the setting; it feels like a dirty notebook you shouldn’t be reading at work, yet here we are. I played this on my phone in the bathroom at the office using Firefox and honestly, it was dangerously manageable. One hand scrolling, the other hand, well. Let’s just say Face ID almost failed after.

The game plays loose and lazy with time. One moment you’re buying ingredients from a smug cat-eared merchant girl whose tail won’t stop twitching when you brush against her, the next you’re babysitting a monster girl party member whose idea of testing a transformation potion is to ask you to grope her thighs while they shift. The sandbox feeling is there: you pop open the menu, poke around quests, forget the main story because some stacked cow-girl adventurer just unlocked a “special” alchemy route involving milking tools and “stress relief”. There’s teasing everywhere. Furry ears getting pulled, tails wrapped around your waist, hips grinding your lap under the excuse of “balance training”. One scene has a mage using you as a chair while reading, your hands pinned under her ass, and when you finally wriggle free she smirks and “accidentally” spills a potion that makes her clothes almost transparent. The story pretends to care about redemption and trauma, then ten minutes later you’re testing a breast enlargement recipe on a shy healer who’s clearly into you fondling every new inch. I kept getting annoyed that the merchant’s inventory page loads like half a second slower on mobile than the other screens and then forgetting it mid-fap because the next CG drops some new angle of a fat ass sitting on your face. It’s messy, horny, weirdly cozy, talks about war like it’s weather, and treats bodies like clay you can knead, pinch, fill, and milk until everyone’s panting and your workshop smells like sex and herbs.

Man, this is one weird fucking tech demo that somehow manages to be both frustrating and oddly compelling at the same time. You're basically this dude wandering around what feels like a broken RPG where everyone's stuck in NPC mode - they just stand there doing their programmed routines until you click the right spots or say the magic words. But here's where it gets interesting: you can bypass all that bullshit and just... do stuff to them anyway. The elf chick by the fountain? She'll keep talking about fetch quests while you're literally groping her tits. It's like the game world doesn't give a shit about consent mechanics, which is both the whole point and kinda unsettling if you think about it too hard.

The art's decent enough - nothing groundbreaking but the monster girls look fuckable and the animations don't make your eyes bleed. There's this one scene with a demon girl where she's going through her dialogue tree about needing rare herbs while you're balls deep in her ass, and she just keeps talking like nothing's happening. It's absurd but somehow works? The oral scenes are probably the best animated ones, especially when you get the exhibitionism stuff going in the town square. Everyone just walks by like it's Tuesday. Actually, wait - I think I complained about the dialogue being repetitive but honestly some of the NPC responses when you interrupt their scripts are pretty funny.

Look, it's clearly unfinished and rough around the edges. The point-and-click interface feels clunky sometimes, and there's this annoying bug where characters get stuck mid-animation. But there's something genuinely unique about the whole "reality doesn't apply to the player" concept that kept me clicking around longer than I expected. It's like playing god in the horniest possible way, which... yeah, that's probably the appeal right there.

First time I launched *House of Shinobi*, I kinda laughed because the main menu music tried *so hard* to sound grand and brooding that it looped in this weird offbeat way - almost like the composer’s laptop was overheating. But then something strange happened. I got pulled in. The way the game paces itself - slow, quiet scenes between sudden bursts of raw, filthy intensity - reminds me of watching late-night anime on a borrowed DVD player when the volume button didn’t work and you had to ride the tension between “God, this is hot” and “Please don't let anyone walk in.” That feeling’s still there, buried under all the messy UI. I swear I stared at the save screen for full five minutes wondering which thumbnail was my actual progress. But that’s kind of the point: it’s accidental intimacy mixed with clunky obsession.

When the game goes erotic, it doesn’t hold back. The moans aren’t cleanly recorded; they’re layered like someone mixed them through an old cassette filter, and somehow it fits better than most ‘HD’ adult games. The scenes with Tsunade and Hinata hit different moods - one warm and messy, the other oddly gentle, like you’re being dared to keep eye contact. It’s not just pixel art but deliberate rhythm: the breathing, the softened thuds, the moment right before a slap lands. Even the humiliation stuff - which I usually skip - felt written by someone who hates and loves their characters at once. That inner contradiction, man… it gets under your skin.

The funny part? Every now and then, the sandbox sections drag you into managing chores or wandering alleyways, like filler episodes in the middle of chaos. I both hated and loved it. It kinda reminded me of grinding in *Honey Select* but with accidental moral consequences. And let’s be honest: nobody needs a moral lesson after three back-to-back creampie routes, yet when Kushina looks at you afterward and says nothing, that silence lingers. Maybe the game isn’t trying to say anything deep. Or maybe it’s mocking the idea that desire ever needed a reason. I still don’t like the font, though.