Andrew thinks he is just dropping a box at some weird rich lady’s place, then he blinks and suddenly he is the box. That is how this game feels. One moment you’re a normal delivery guy, the next you’re naked on cold floor with a collar around your neck and three witches arguing if you should lick their feet first or their pussy. The whole thing is set inside this magical house that looks kind of normal on the surface, but every room is like a trap for your dignity. Doors move, furniture stares at you, the staircase literally kicks you back down when the mistress is not done using your mouth. You have that classic “choose what to say” style, but it’s not polite choices. It’s more like: do you kneel and call her “mistress” now, or do you try to run and get turned into a human sex mop. As a CYOA nerd, I liked how one wrong click and boom, you’re chained to a bed giving sloppy blowjob practice while two of them laugh and use magic to keep your jaw wide open.

What hit me hard is how they play with humiliation. Not just “haha you’re naked” but deeper stuff. There is a scene where the redhead witch makes you scrub the floor with your tongue, and each stain you clean she uses a spell to make your dick twitch harder. She keeps asking dumb little questions like “are you proud of yourself, delivery boy?” and if you answer wrong she hooks her heel under your balls and presses, very slowly. Her tits are huge and always in your face, like she knows you want to look up, and she won’t let you. Another one sits behind you on the couch and uses your face as a seat while watching some stupid magical TV show, just ignoring you except when she needs you to lick her feet clean. There is this moment where she forces you to hold her legs up on your shoulders while she rides your tongue and talks about grocery lists, like you’re not even a man anymore, just some enchanted furniture with a hard-on. I liked that actually more than the big flashy spells. The magic is there, sure, glowing circles, invisible hands, the usual stuff, but the best parts are tiny things, like when she snaps her fingers and you instantly cum in your pants in the middle of the hallway while the whole house laughs, and you just want to reload but you also kinda don’t.

The 3dcg style helps a lot because the body language is clear. When the main witch pushes her foot into your mouth and curls her toes, you see every little toe wrinkle, the shine of drool when she makes you keep your tongue out and uses it as a footrest. It is not subtle. There is a crazy animated scene where you’re tied on your back at the bottom of the stairs, cock sticking up, and every time someone walks past they either spit on it, step on it, or stroke it with their sole, almost gentle, then stop right before you finish. You can choose to beg or stay quiet, but both paths end with you being called a good little house slave. The game pretends you can escape, gives you that fake hope with some paths where you sneak around the corridors and try doors, but the house itself is on their side, so it just loops you back to the same room where the mistress is waiting, bored, legs spread, telling you you’re late and she needs her daily oral worship. One time I tried to roleplay defiant, chose every “resist” option, and my reward was a long scene where they sit in a circle, use magic to stop me from moving, and take turns using my mouth, my face, my cock, like a toy they’re reviewing. They rate your performance out loud, comparing you to former slaves, and it actually hurt a bit in the ego, which is kinda hot if you’re into that. There is this tiny thing that annoyed me though, like the sound effect of footsteps is too loud for no reason, but I kept forgetting to fix the volume because someone was already sitting on my face again. Anyway, the whole vibe is: you thought you were a man with a job, but the house knows you’re just a cock, a tongue, and a pair of shaking legs, and the witches are very happy to prove it to you, scene after scene.

You’re in a classic magic-and-knights world, but the game doesn’t really waste time pretending you’re some legendary hero. You’re just this kinda average dude who had the weird luck of growing up next to the most overpowered girl in the realm, the Saintess. Everyone worships her, prays to her, expects miracles, all that holy stuff. You? You know what she looked like with mud all over her dress when she was eight and crying because she lost some dumb toy. That’s the whole vibe. Publicly she’s this shining untouchable goddess, privately she’s a bratty, horny, emotional mess who keeps dragging you into situations where you’re stuck between protecting her and trying not to pop a boner. It doesn’t help that magic and demons and all that fantasy trash keep throwing you into danger, then two scenes later you’re in a candle-lit room with her on your lap, stroking you with this mix of innocence and “I know exactly what I’m doing.” The game loves going from “the world might end” to “her soft hand is wrapped around your cock and she’s whispering your name with that cute little tremble” in about five clicks.

Because yeah, it’s not just teasing and jokes. There’s a real focus on building this thing where you two are basically a messed-up holy power couple. She’s supposed to be this pure and sacred symbol, but she’s also the girl who grew up sharing a bed with you when storms scared her, clinging to you, kissing your cheek, slowly sliding into more. The fact she’s your childhood friend is not just background text, it actually shows up in how she acts when she kisses you for real the first time, or when she goes down on you, clearly nervous but totally determined, drooling on your shaft while her eyes look up at you like you’re the only person who really knows her. And yeah, that whole “we grew up like siblings” tension is very much there, the game doesn’t pretend it’s anything else. Especially when she starts playing with magic during sex, using little spells to pin you, heal you while riding you, or make you feel every little squeeze inside her even more. The humor is all over too, like you’re getting lectured by some knight about honor, while five minutes later you’re fucking her silly behind a holy statue, trying not to laugh as she bites your shoulder to keep from moaning your name so loud the whole temple hears. It’s messy, horny, kind of wrong, kind of sweet, and that weird mix is exactly what works here.

This one hits different in a weird, slightly fucked up, very horny way. You start as this guy who vanished as a kid and just strolls back into the house like, “yeah, I’m alive, also here’s Saeko, she’s hot, don’t ask too many questions.” The game doesn’t rush anything, it kind of lets you sit inside the awkward silence of the family seeing him again. That slow burn is what made it feel sexy for me, because every little touch, every stolen look, feels louder. When your “relatives” hug you a bit too long, when the Milf leans in close and her tits press into your chest and the camera just lingers, the room feels heavy. It’s not just generic porn clicking, it’s like you’re creeping closer to a line everyone pretends is still there even when they already crossed it in their heads.

The sound helps a lot. There’s this low ambient hum in the house, some soft music that’s not trying to be epic, just enough to make it feel like late evening when everyone’s a bit tired and horny. Breathing is loud. Little gasps and wet mouth sounds during oral scenes stand out more than usual because the game doesn’t spam music on top. I liked how some scenes are almost too quiet, just skin rubbing and the bed creaking while you’re groping someone who’s supposed to be asleep. It’s fucked, but that’s the point, and the game doesn’t pretend otherwise. Sleep sex moments are shot close on the hands: fingers sliding under clothes, grabbing a big ass carefully first, then bolder. I caught myself holding my own breath during one scene, when the MC is jerking off in the dark just a few steps from her, whispering her name like a confession. The models have that thick, juicy 3dcg look, like everyone was built out of curves and oil. Big tits, shiny skin, a Milf with that “I’m trying to be proper” face while your hand is between her legs. Sometimes the facial expressions go a bit weird and plastic when things get too intense, and a couple of animations feel like the hips move on a different rhythm, but it weirdly adds to the dirty vibe, not less.

Romance here is fake soft and real filthy at the same time. People say “I care about you” in one line and then swallow cum the next. There’s proper kissing, cuddling on the couch with slow teasing, and then out of nowhere she’s grinding on your lap, pretending it’s innocent until you feel how wet she is. Anal scenes, when they show up, are treated like a big deal: lots of lube, some whining, some “it won’t fit” that obviously it will. Saeko feels less like a side girl and more like a secret partner in crime, like she knows exactly what the family did to you and what you’re going to do back. There are moments where she just sits there, smirking, while you flirt way too heavy with a “relative,” and it feels almost like a tag-team corruption thing. You get those masturbation scenes where the MC watches someone sleep or shower and just loses it, pumping hard while whispering stuff he’d never say out loud, and that hits that pervy voyeur itch pretty good. I kind of wish there were more small random sound triggers, like phone buzzing or distant TV, just to sell the feeling of being caught at any second, but yeah, that’s not happening. Anyway, it’s one of those games where you tell yourself “I’m just gonna check the story” and ten minutes later you’re edging while some Milf you absolutely should not be fucking moans your name into a pillow.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.