Hilbert is supposed to be this big hero who finished his whole pokemon journey, right? Instead you meet him when his life is kind of fucked. Car crash, dreams shattered, and his Hypno just vanishes into thin air like it got bored of being a good little partner and went hunting for trouble. That alone already sets the mood: this world is not the safe PG region you remember from your childhood. Nuvema Town is now basically a legal sandbox for human and pokemon “free relationships”, and yeah, that means exactly what you think it means. You come back home and the place feels familiar and totally wrong at the same time, like returning to your old school and finding out it turned into a sex club with a research budget. The game sells that feeling hard. You walk through this chill little coastal town, talk to Serena or Gloria or whoever you bump into, and every conversation is half normal, half “wait, did she just casually mention fucking a Gardevoir like it’s normal brunch topic?”

The fun part is how the game drip feeds this. It doesn’t start with some giant orgy scene. Instead you get those moments where Nurse Joy looks a bit too happy when you mention Hypno, or Fennel is suddenly very interested in your “brainwave reactions” and asks if you can help her test something in her lab, just the two of you, lights low, machines humming. There is a scene with Juniper that really stuck in my head: she starts all professional, lab coat and serious talk, then it slowly slides into this weird mix of scientific curiosity and raw hunger. She talks about “inter-species bonding” while leaning over the desk so her big tits are almost spilling out, and you’re half listening, half thinking “is she going to ask me to help her with data or just bend me over the fucking chair?” And the game kind of refuses to separate those two. That’s the vibe all over. You’re not just clicking through porn; you’re wandering around a town where the line between research, romance and straight-up hentai bullshit is gone, burned, buried, and Hypno probably jerked off on the ashes.

Not everything hits perfectly, which is funny because the game doesn’t pretend to be polished. Some dialogues feel like the writer was horny, distracted, then came back and forgot what tone they started with. One moment you’re getting this heavy emotional talk about how Hilbert’s future was destroyed in the crash, next moment Mallow is just tossing horny jokes about “juicy berries” and you’re thrown into a scene where Tsareena is acting like a dominatrix with vines and legs for days. There is this small thing that annoyed me: the way fonts resize on mobile sometimes when a text box pops up in the middle of a hot moment, like you’re about to nut and suddenly boom, text overlap, because yes, this is a mobile game and your thumb is in the way. I swear it happened right when Officer Jenny started talking about her “special inspection procedure” and I had to move the dialogue box a bit and it killed the rhythm. Still, the animated bits make up for it, especially when Hypno’s influence starts to show in people’s eyes and bodies, and scenes with Delia, Hilda, or a smug Serena go from teasing to full-on, explicit “this is pokeporn and we’re not pretending otherwise”. Then out of nowhere the game throws in some gay tension with Cheren or Hilbert’s reactions to certain guys, like it’s poking you to see what you’ll pick. It all feels messy, horny, experimental, like someone mashed a dating simulation with a corrupted nostalgia trip and said, fine, let Hypno run wild, let Nuvema Town drown in research and cum and nobody is going to stop it.

You ever had one of those dreams where all your favorite anime girls somehow end up in the same damn room and nobody’s pretending to be shy? That’s the vibe here. It’s like someone cracked open every universe - Dragon Ball, My Hero, Fate, Pokémon, even some old-school Darkstalkers stuff - and said, “Yeah, let’s see what happens if we make this horny.” You start off like the usual male protagonist who’s probably too average for his own good, but then the story flips, and suddenly you’re face to face (or more like face between thighs) with women who look like they could crush you or bless you, sometimes both. Artoria looks divine, like she’s judging your soul while riding you. Cammy doesn’t ask, she just pins you. Lusamine’s smile is all wrong in the right way. It’s messy, it’s chaotic, and it knows exactly what it is - fantasy without apology.

There’s something about the way scenes shift that feels like tarot cards flipping. One moment, The Lovers - soft light, skin, slow rhythm, the sound of breath. Next card, The Tower - power play, domination, a queen’s boot on your chest. It’s all written in that language between pleasure and humiliation. I liked how it didn’t care for “moral arcs.” Nemuri Kayama whispering filth while she toys with you like she’s grading your stamina. Android 18 smirking, asking if you really thought you could keep up. You can’t. But you still try, and that’s kind of the point. Even the “romance” parts hit weirdly tender, like you accidentally caught feelings for a goddess who’s only half real.

I noticed some things that annoyed me - like the transitions, they just happen. No warning, no rhythm. But then again, maybe that’s what keeps it hot. It’s a fever dream stitched from too many fantasies, half memory, half instinct. The kind of game you tell yourself you’ll play for five minutes, then you’re sweating, reading every line like a prayer you don’t want answered. Nothing about it feels clean. That’s the charm. It’s lust pretending to be destiny. Or maybe the other way around.

Three words: messy, horny, sentimental. I didn’t expect that last one, but it creeps in between the loud moans and ridiculous crossover nonsense like a drunk confession you weren’t supposed to hear. The game throws you straight into a world where timelines are tangled beyond repair - Jaina Proudmoore flirting with Garrosh while Nami’s arguing with Momo Yaoyorozu about who gets “first turn.” It sounds like chaos, and yeah, it is. But there’s something oddly sincere in how it handles the whole “build a family” idea; one moment you’re pounding through dialogue boxes full of absurd dirty talk, and the next you’re watching a cutscene that’s almost tender, like the devs accidentally made an emotional arc while trying to code boobs that jiggle right.

I kept thinking about how the characters’ personalities bleed into the sex scenes. Himiko Toga’s manic giggle before she bites your lip actually startled me, even though I knew it was coming. And then there’s Raikou - her scenes feel like they were written by someone who once read a samurai poem and got too aroused to finish it. The pregnancy mechanic (yeah, it’s there, don’t act surprised) is handled with this bizarre mix of reverence and kink, like the devs can’t decide if they’re writing mythology or porn fanfiction. Maybe both. The transitions between worlds - one second you’re in Castlevania’s gothic hallways, next you’re in a Pokémon Center watching Nurse Joy do things that would get her license revoked - feel sloppy, but in a charming, “we made this on caffeine and lust” kind of way.

What really sticks though is how *alive* the characters seem when they’re not supposed to be. There’s this glitch where Vados keeps calling you “mortal” mid-thrust, and it became my favorite thing. I wish the sound mixing wasn’t so uneven; moans drown out the music half the time, but maybe that’s the point. It’s filthy, dumb, strangely heartfelt. I laughed, I groaned, I maybe felt something real for Ishtar. Or maybe that was just the post-nut clarity talking. Anyway, it’s a disaster. A beautiful, sticky disaster.