Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

Summer punishment fantasy that accidentally turns into something way dirtier than “no phone, no friends, stay home and think about what you did”. You’re stuck in your room, nothing to do, no money, parents on your back, and then this weird idol just shows up. Not cute shrine-maiden style, more like “this thing should not exist in a normal bedroom”. And it talks. It promises you power, and yeah, it’s not talking about muscles. It’s talking about getting every person around you to bend, break, cheat, confess, open their legs, pull their clothes aside in public, that kind of power. The game leans hard into the whole “I know I shouldn’t do this, but I really want to see what happens if I push one more time” vibe. Every interaction with a girl starts kind of normal, then you nudge, then you push, then suddenly you’re seeing your own family member giving you that look like she knows this is fucked and still can’t stop touching herself in front of you because the idol whispers in her head. And you are the one telling it what to whisper.

What I liked is it doesn’t jump straight to full-on mind-slave zombie sex. At first it’s just small stuff. A bit of teasing. Making her wear something way too short outside. “Accidentally” walking in while she showers and the idol freezes her for a second so you can stare, then she snaps out of it and blushes like crazy, but you know something stuck in her brain. The more you play with that, the more twisted it gets. One route I focused on making the girls just masturbate more and more, like they couldn’t even sleep without their fingers inside them, and the game actually reacts to that. Suddenly you get scenes where they tell you about hearing your voice in their head when they touch themselves, begging you to watch, even if they’re not actually in the same room. There’s a really sick moment where you’re at work in your shitty part-time job, and your phone buzzes with a pic you never asked for: someone from home, spread, eyes a bit empty, obviously controlled, clearly taken by the idol at the worst timing possible. And you’re stuck behind the counter trying to pretend you’re normal while your cock is screaming. That part felt too real in a good way. And a bad way.

The sandbox side is messy but that’s also where it gets addictive. You’re not following some super clean route map, you just poke at people, try different commands, wreck their relationships. I told one girl to be “more honest with your feelings” and then just left her alone for a while. When I came back, she was already cheating on her boyfriend in her own room, and the game lets you decide if you join in, watch from the closet, or mess with her mind harder so she starts sending pics of it to the wrong people. Another time, I messed up and pushed the control too far too fast, she basically snapped and you get a harsh ending where everything collapses and you’re stuck with fucked-up guilt and blue balls. There are multiple endings depending on how far you drag each girl down the corruption hole: total devotion, secret lover stuff, full-on ntr where they still sleep with you but also moan another guy’s name, or that really gross but hot line where your own relative begs you to knock her up while the idol keeps her from thinking clearly. It’s not nice. It’s not “wholesome”. It’s exactly the kind of horny summer where you start grounded and end up playing god in your own twisted little town, touching every life with your dirty fingers, knowing something will break and not really caring when.

Naruto finally got the Hokage chair and, surprise, he basically married the office instead of Hinata. The game leans hard into that. You’re not “saving the relationship” or doing some romantic fix-it fantasy. You’re watching Hinata hit that point where the bed’s cold, the house is quiet, and the only one actually paying attention to her is a smug talking cat with better rizz than her own husband. D1 just strolls into Naruto’s home like he owns the place, curls his tail, and starts giving Hinata the kind of looks she hasn’t gotten since before Boruto was even a thought. It’s wrong, it’s messy, and it’s kind of hot how fast she goes from shy wife to “yeah, I’m going to fuck this problem away.”

The whole thing plays like a kinetic novel, so you’re not juggling a thousand choices. You’re more like a guilty spectator. Scenes just roll in one after another, and honestly that fits. Hinata’s not really deciding much anymore, she’s just sliding. One moment she’s alone in the bathroom, touching herself while thinking about Naruto coming home early. Except he doesn’t. Phone on the sink lighting up with village alerts while her toes curl and she tries to muffle her moans. And then the next scene she’s in the living room, D1 stretched lazily across her lap, his tail flicking near her thighs while he flirts like some sleazy bartender. When he finally gets her to straddle him on the couch, shorts pushed aside, her panties already wet from earlier, there’s this tiny pause where she says “this is wrong” and then her hips just ignore her. That first slow grind where she sinks down on him, eyes half-lidded, is way more intimate than any of the bigger, louder sex moments. Later, when he fills her completely and she clenches around him, the game holds on her face and the little tremble in her voice instead of some overproduced fireworks. And yeah, there’s a creampie scene on Naruto’s own bed, sheets bunched in her fists, D1 pounding into her from behind while her wedding photo stares from the nightstand. It’s trashy and a bit on-the-nose, but I still paused a second on that shot.

What caught me off guard is how they keep Hinata visually soft and homey instead of full-on porn cosplay. Big tits, big ass, sure, but it’s the way her tank top rides up when she’s doing normal house stuff, or how her shorts bite into her hips when she bends, that sells the whole neglected-wife thing way better than any jutsu. The animation isn’t flawless, sometimes her expressions snap a little weird mid-thrust, and there’s one masturbation loop that goes a bit too long and turns more funny than sexy, but honestly that imperfection fits the mood too. It feels like peeking at something you shouldn’t, not some polished “official” project. There’s a scene where she’s sitting at the window at night, hand between her thighs under the blanket, trying to imagine Naruto touching her, but every time she gets close, her brain replaces him with D1’s voice whispering in her ear. She still finishes, panting his name, then instantly covers her mouth like someone might hear, even though the house is empty. That stupid little detail stayed with me longer than the final full-on riding scene. And yeah, Naruto’s technically in the story, but in a weird way he’s just background noise, like the mission reports he buries himself in while his wife gets railed by a cat with better time management.

You wake up as this pale girl in a filthy underground “medical” room, wearing almost nothing, with tubes in your arm and some creep’s blood bags hanging around. The first thing that hits harder than the jump scare is the camera slowly zooming on your face when you realize the blood smells good. Not “hospital good”. Dick‑hardening good. Pussy‑throbbing good. It’s not shy about it. The game just locks you there for a while and lets you stare at that one dripping bag, and I swear that scene lasts too long, but in a nice sick way. That’s when it clicks: alright, I’m a vampire, I’m starving, and every person I see is either a snack or a fucktoy or both. After that, it just throws you in this big modern city where all the lights look too bright and every human heartbeat sounds like porn BGM. They pretend it’s a normal “arrive in the city, get clothes, find job, meet people” start, but under that it’s basically a slow horror build where you keep wondering if you are about to suck someone off or tear their throat out. Sometimes both. The story keeps dropping small weird details like people scared of ancient myths, news about mutilated bodies, a girl with almost yellow eyes who stares at you a bit too long on the subway. You keep thinking “ok this will explode later” and then it… doesn’t. At least not yet. That’s kind of hot too, like edging with plot.

Sex scenes don’t rain from the sky right away, and I actually liked that, which is funny because I also hated it when I was horny and clicking through dialogue like a degenerate who has three other tabs open with Pornhub, xHamster and Discord. When they finally let Kyra get off, it goes from zero to “I’m fingering myself in a stranger’s bathroom while trying not to bite through my own lip” really fast. There’s one masturbation scene in a crappy rental apartment, blinds half broken, city noises outside, where she’s trying to stay quiet because her new roommate is on the couch. The camera spends a ridiculous amount of time on her thighs tensing, not even on the pussy. I kept thinking “move down, move down” and at the same time I was kinda happy it didn’t. Like, the tease is better than the shot sometimes. Then you get group situations later where things stop being gentle. There’s this club scene, shitty techno, neon everywhere, and you end up in a back room with too many hands on your body, mouths on your neck, someone’s cock rubbing your inner thigh while another girl is kissing your jaw. You can either lean into the “I’m the hungry monster, use them” vibe, or just drown under them, and both paths feel dirty in different ways. The oral stuff is nice and messy, spit and blood mixing, and the game doesn’t flinch from graphic violence when you finally stop holding back and rip someone open like a meat toy. The weirdest, most memorable bit for me was when you wake up after a kill, covered in dried blood, and you realize you came while doing it. They don’t overexplain it. No long monologue. Just her staring at her hands, shaking, then getting horny again when she smells herself. It’s fucked. It’s kind of romantic too, in a twisted way. And no, I’m not going to talk about that alley scene with the monster girl, the one where you’re not sure if you’re dominating or being milked. That thing is stuck in my head for all the wrong reasons and I’ll probably still think about it in a week while pretending I opened Chrome for “emails”.