New town, new job, new giant horny mess. The whole thing starts with you dragging your tired ass into this weirdly serious pharma company, Palmer-Pharma, while every single woman around you looks like she escaped from a “thick and dangerous” catalog. The boss wants to see you on Sunday, which already screams “this is not about paperwork, honey,” your phone is gone, you barely know where you sleep tonight, and then you meet your landlady with hips that could cause traffic accidents. Game’s like: welcome, you are stressed, lost, and also surrounded by big tits and asses that do not believe in subtlety. Real HR problem, but in a fun way.

Once you start moving around town, it turns into this slow, horny tour of every curvy grown woman in a ten-mile radius. None of that barely-legal nonsense, these are women who pay bills, remember your schedule, and still somehow have time to pin you to the sofa and jerk you off while complaining about their ex. One moment you’re talking about lab procedures with the assistant who pretends to be all serious, glasses and clipboard, and next thing, she’s teasing you with that “oh, is that for me?” look, brushing her hand over your bulge and pretending it’s an accident. The receptionist? She switches from snarky gatekeeper to “I locked the door, now sit on this chair and don’t talk” while she kneels between your legs and takes her sweet time with her mouth. And she does that thing where she stops right before you cum, smiles, then goes back like she’s tasting wine. That detail annoyed me in the best way and I swear I’m still mad about it. I’m also still thinking about that barmaid, the one who hands you a drink, leans over the counter with her huge boobs almost falling out, and spends five minutes just playing with your self-control. Like, she’ll casually press her soft belly against you on the way past, whisper something filthy in your ear, then pretend she said nothing. The scenes go from handjobs on sagging couches, lazy morning oral with messy hair and no makeup, to hard, slow vaginal sex where the camera really loves the jiggle, the folds, the way big asses move when you’re deep inside. It’s not shy about any of it. There are choices everywhere, which you will totally forget about because your brain has turned into “which thick woman do I fuck today” mode, but those choices actually branch out into different scenes and endings, so your horny indecision has consequences. Also, I keep thinking about that one tiny animation where the landlady adjusts her top after you finish on her chest, like she gives this little “ugh, men” smile, wipes it with a tissue, and I spent far too long replaying that instead of doing literally anything useful. Anyway. The whole thing feels like you got dropped into a town where every chubby, soft, mature woman secretly wants to either mother you a bit, or ride you until you forget your name, sometimes both in the same scene, and yes, it’s a mess, but it’s my kind of mess.

Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?

Alyssia wakes up in the dark like the world forgot her. No memories, no name on her tongue, just this slow echo of fear and heat under the skin. The first thing that cuts through the fog is your voice in her head. Not some noble guardian angel crap, not a perfect hero. Just you, whispering into this pretty little warrior with big soft breasts, thick thighs and that perfect ass you immediately want to see pressed against something hungry. The game doesn’t rush. It lets her stumble through ruined hallways and dead forests, half naked in shredded armor, breathing loud enough that you almost feel it in your own chest. Every sound is close to the ear: the squish of mud, her boots scraping stone, her tiny gasps when she brushes against a corrupted vine that twitches a bit too eager against her legs. You’re not clicking through a checklist. You’re… inside her skull, nudging her toward danger or safety, and the line between those two starts to blur so fast it’s almost funny.

The crazy part is how quiet it gets right before the fucked up stuff happens. No big horror sting, no “watch out!” flashing. She turns a corner, the music goes almost silent, you feel this slow pressure in your chest, and then some shadow thing with too many limbs pins her to a wall and that’s it. Armor bent aside, tits spilling, eyes wide, and you’re choosing what she says, if she fights, if she gives in. First time a monster shoves something thick and wet between her lips, she tries to bite, to resist, gagging around it while another tendril slips between her cheeks and starts teasing her ass. And you can tell the artists had fun here. The AI CG looks like someone begged the model to worship curves. Her body is soft but strong, the way her stomach tightens when she’s lifted up and spread, pussy dripping while she gets filled front and back. Double stuffed, her moans half anger, half confused arousal as you decide if she clings to her lost “honor” or lets that corruption seep deeper. Sometimes the camera lingers on simple things, like a strand of spit connecting her mouth to a fat monster cock after a messy blowjob, or cum leaking out in a slow drip after a brutal creampie that leaves her shaking and glassy eyed. And yeah, I wish the UI text wasn’t that tiny in one of the dialogue menus, but anyway, back to her getting railed.

There’s this romantic thread sneaking through the filth that caught me off guard. If you keep pulling her toward softer choices, she’ll start talking to you like you’re her lover, not just a voice. She blushes when you tell her she did good, even when she’s on her knees, face splattered, swallowing every last drop like it’s the only thing keeping her sane. You can steer her into something sweeter, tender kisses before sex, the way she slowly relaxes when a human-looking partner takes her gently, sliding into her wet pussy while she wraps her legs around their waist and actually smiles. Or you can drag her down to the point she doesn’t even flinch when something huge pushes into her ass and pussy at the same time, her mind so twisted by you that multiple penetration feels like home now. The game remembers those choices. She learns to beg. Or she learns to love. Or both, which is honestly the best outcome. One run she ends in a warm embrace, another she’s a used little toy for whatever monsters crawl out of the dark, dripping cum, eyes lost, completely yours in the worst way. And not gonna lie, the moment she looks at the “camera” and whispers “Stay with me… don’t leave my head” after everything you made her do? That hit harder than it should.

Honeymoon Shift feels like walking into a small private gallery room where someone hung only four paintings, but each one is about fucking your whole idea of trust. It starts almost sweet: Viktor finally got his honeymoon with Taylor, sun, cocktails, their bodies relaxed, that kind of soft vacation horniness where you look at your wife’s bikini and already think about peeling it off later. Then another couple shows up. You know the type from resorts: good smiles, too touchy, too curious, a bit too interested in what ring size your wife wears and how long you’ve been together. The game lets you sit in Viktor’s head while that interest slowly turns from “friendly” to “I want to see your wife’s tits bounce under someone else.” And you are the one who decides how far this goes, even when it hurts to click.

What I like is how it doesn’t throw porn at you right away. It teases. A hand brushing a thigh under the table. A slightly drunk kiss that lasts one second too long. The first time Taylor gives you a handjob in the hotel shower after she spent the whole dinner laughing with the other guy, it doesn’t feel like simple fan service, it feels defensive. Like she’s jerking you off to prove something, to herself, to you, to him. The animation is quiet, wet strokes, your cum on her fingers, and the camera stays in just the wrong distance so you stare at her face more than at your dick. That annoyed me and I liked it at same time. Later, when she kneels for oral and her lips are shining around your shaft, you already have doubts in your head if she’s replaying another man there. You know nothing really terrible happened yet, but your stomach already starts to twist. Or maybe I’m just paranoid. Maybe I’m not. Hard to say.

There is this one path where you let the flirting breathe instead of shutting it down, and it slowly corrupts the whole trip. A small “harmless” kiss by the pool when everyone is tipsy. A “truth or dare” that obviously is just an excuse to get Taylor half naked in front of them, big tits pressing against a half-open robe. She pretends she’s embarrassed, but her nipples tell a different story. Sex with her after that is rougher, hotter, like she’s turned on by her own cheating even if she’s not fully admitting it. When you push into her and end with a creampie, she squeezes you with this greedy little shiver that feels wrong and perfect. The game doesn’t scream that you’re being cuckolded, it just lets you notice small things: the way she checks her phone, the way she adjusts her swimsuit when that other man looks, how her hips roll a bit different when you fuck her from behind. You get multiple endings, and not all are dramatic; some are just quietly cruel. In one, you keep the relationship, but you can’t unsee what she did with someone else’s mouth and cock, and the game lets you sit in that, like staring at a painting too long until you see all the cracks. I will say though, sometimes Viktor’s inner talk goes in circles and you just want him to shut up so you can watch his wife get ruined properly, but then again, that tension is what makes the later scenes of swinging and quiet hotel-room corruption hit harder. It’s less about how many holes get filled and more about how heavy your chest feels when she smiles and you don’t know if that smile is still only yours.