Leo starts as that guy in the office you barely notice, half-wrinkled shirt, cheap tie, fake confidence copy-pasted from a TikTok hustle guru. Then he opens his mouth and suddenly you’re in this sleazy mix of finance porn and actual porn where everybody lies, everybody wants more zeroes on the screen, and also everybody has a ridiculous chest. His world is penny stocks, dirty “business meetings”, and those glossy office corridors that look like they were built just so someone can press a MILF up against the glass. You’re not just clicking through a story, you’re basically trying to see how far you can push this dude before he becomes a full-on monster or just a horny clown with a brokerage account.

The hook is simple: power, money, and asses so big they have their own gravity. Instead of some fantasy kingdom, it’s that fake Wall Street vibe, more like Wolf of Wall Street if it had less coke jokes and more “hey, maybe I should not fuck my boss’s wife over a Bloomberg terminal”. Every “deal” feels like a setup for either a win on the market or a win in bed, and sometimes both at once. One moment you’re talking pink sheets and pump-and-dump, next moment a real-model secretary with a push-up bra that should honestly be illegal is asking if you “understand how leverage works” while bending over your desk. I laughed out loud twice, then clicked “continue” like a degenerate. The humor hits that trashy sweet spot: not smart, not subtle, just enough to make you feel slightly ashamed you’re enjoying it. But also some jokes fall totally flat and you kinda just stare at the screen like… ok, who wrote that line, a drunk accountant?

The office MILFs are basically the main event. They’re dressed like LinkedIn profiles from hell: tight skirts, blouses that pretend to be professional but the buttons are losing that battle. Big tits, big asses, big attitude. One of them does this thing where she sits on the edge of the table during a “performance review”, and the camera just… stays there, locked on the curve of her ass so long it becomes funny. I had like three unread emails open in another window and still didn’t alt-tab away. Choices actually matter more than it first looks. You say yes to one risky trade and suddenly you’re in a private “celebration” in a dark office with a married client who clearly hates her husband but loves your tongue. You say no, try to be moral, and she just gives you that look like you’re poor and boring, then walks away slowly so you can watch her hips and regret your life. The multiple endings vibe is real, you can feel routes branching, even when you’re only clicking to see more sideboob. Funny thing, sometimes the erotic scenes drag a bit too long, like the writer was scared to cut anything. And then a really hot moment is over in two clicks and you’re thrown back into charts and numbers, which is kinda rude to my dick, not gonna lie. Still, the way money, ego and sex wrap around each other here feels filthy in the right way, like opening the Robinhood app right after nutting and thinking “yeah, I could ruin my life for this”.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.

The whole thing feels like someone took my Pinterest boards of “soft fantasy aesthetics” and then just went, “yeah but what if everyone had a cock and zero self-control.” You start as this kinda naïve girl in a world that absolutely knows more about your body than you do, and I liked that it didn’t waste time pretending you’re some badass warrior. You’re basically fresh meat with nice tits and way too much curiosity. First I was just clicking around like, oh cute forest, nice colors, love the little elf village vibe. Then suddenly I’m in an alley with an orc woman twice my size pushing me against a wall, hand between my legs, and the game is like, “you can refuse, you can submit, or you can pretend to resist and still end up dripping.” That pretend to resist one is filthy, by the way.

What hooked me was how every area feels like a different moodboard. The catgirl inn feels warm and sticky and a bit suspicious. There’s this one scene where you go in just wanting a room and the neko receptionist is doing that fake innocent thing, tail flicking, tits resting on the counter. If you pick the “tired, need rest” answer she actually offers a “special nap,” and I thought it was going to be a normal massage, nope. You end up face down, ears being licked, her cock sliding between your thighs, and she keeps calling you her “soft little pillow.” I screenshotted that dialogue, closed the tab, and opened it again later because my brain needed a minute. And then later she acts like she barely remembers you, which kind of pissed me off, but also fits her whole chaotic-cat energy.

The futa stuff is all over the place in a good way and also kind of annoying. I love how different bodies are treated: thick orc with abs and a huge cock that actually looks heavy, smug elf with this long elegant shaft that feels like it’s judging you, shy virgin girl who turns out to be packing and you can decide if you let her ruin you or keep her untouched. There’s a pregnancy angle that sneaks up on you. One moment you’re just letting an orc breed you in some ruined temple because the text made it sound too hot to skip, a few scenes later your belly is starting to show and suddenly characters react differently. Some get more protective, some get more possessive, and one elf basically calls you “community property” which made me laugh way too hard. I wish there was more control over who can knock you up, but I also weirdly like that the world doesn’t revolve around your plans. You can play nice, you can try to stay pure, the game still keeps putting you in situations where your choices are like: “say yes,” “say yes harder,” or “say no and still get edged until you’re begging.” It’s messy, horny, sometimes a bit mean in that femdom way, and honestly it feels less like a heroic quest and more like getting lost in a horny scrapbook that keeps adding new pages while your legs are shaking.

This merchant simulator hits different when you realize the "trade goods" include way more than spices and silk. Valencia's got this weird energy where everyone's horny and politically charged at the same time - like walking into a brothel during election season. Your shopkeeper protagonist isn't just counting coins, he's navigating a web of futa merchants, trans nobles, and regular folks who all want something from his... inventory.

The political angle actually works here because selling weapons to rebels while also supplying the crown creates this constant tension that bleeds into every interaction. One minute you're haggling over sword prices with some gruff captain, next minute she's bent over your counter asking for a "personal discount." The AI-generated dialogue can be janky as hell sometimes - characters will switch from discussing trade routes to propositioning you mid-sentence like they're having a stroke. But honestly? That unpredictability keeps things interesting when you're trying to figure out which faction leader wants to fuck you versus which one wants to fuck you over.

Multiple endings mean your choices actually matter, though some paths feel rushed compared to others. The futa content is surprisingly well-integrated - not just tacked on fetish fuel but actual characters with motivations beyond having dicks. There's this one storyline with a trans guild leader that starts as pure business negotiation and evolves into something genuinely compelling, even if the sex scenes feel a bit mechanical. Valencia itself becomes almost like another character - this living, breathing city where your reputation shifts based on who you're literally and figuratively screwing. The fantasy setting lets them get away with some wild political scenarios that would be impossible in a modern context, and the 2D art style keeps everything feeling cohesive even when the writing gets messy.