High Street on a Friday night feels like that horny fever dream you get after scrolling too much Reddit and forgetting to clear your history. CineRush is just a tiny cinema, but the game treats it like a messy little porn sandbox where everyone’s half working, half flirting, half pretending this is still about movies. You play the dude who somehow has keys to all the drama and all the panties, and yeah, you’re technically “on shift”, but we both know you’re here to click on every girl and see what happens when they think nobody’s watching. The air is full of popcorn, sweat, and bad decisions. It’s nice.

Becky is supposed to be your safe option, the long-term girlfriend, the “we know all the regulars by name” type. She’s got that clingy loyal vibe, like a tab that’s been open in Chrome for six months. She pretends she’s cool with everything, but the game keeps letting you push that line a bit more. You’re chatting up Lily behind the counter, Lily leans a little too close, laughs at your shit jokes, brushes your hand while pretending to pass tickets, and you just watch Becky’s face freeze for a second before she looks away. Tiny stuff like that hits harder than a straight-up sex scene. Then later you’re cleaning the hallway and suddenly Lily’s shifting her skirt in the security camera blind spot, teasing you like she knows you’ve already mentally railed her over the popcorn machine. And no one says “hey, this is a moral choice”, the game just lets it hang there. Ugly in a good way.

Chloe and Ella are the chaos pair. Chloe is the fixer, the one who “just wants everyone to get along” while low-key pushing you into risky shit. She’s the type to dare you to sneak into an empty screen with Becky, then conveniently send Lily in with a fake “manager needs you” excuse, letting your dick write the plot. Ella doesn’t even pretend to be subtle. She’ll bend over in the aisle while “picking up trash”, flash you just long enough that you panic-click the wrong thing like an idiot and miss the better path. One second you’re just taking tickets, next second Ella is asking how far you’ve gone with Becky, then suggesting you “test the seats in the back row” with her instead because, hey, research. The game loves these tiny point and click spots where you go “if I click this poster, is it just flavor text or does someone end up stripping behind it”. Half the time it’s just some dumb joke, half the time you stumble into a scene where the lights flick off mid-movie and someone’s hand lands on your crotch while the audience pretends not to notice. It’s horny cinema-staff roleplay mixed with party energy, teasing just long enough to make you swear at the screen when an auto-trigger interrupts a strip tease you worked like four decisions to line up. I still hate that one empty popcorn bucket in the lobby that looks clickable but does absolutely nothing. I kept poking it for way too long like a clown.

Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.

Champion of I: Luxuria feels like someone mashed together a horny tabletop campaign, a twisted VN, and one of those old browser RPGs you secretly played in the school computer lab, then sprinkled futa demon dick on top just to see who flinches first. You play a male Guardian tossed into this trial continent thing, Eden, where every second NPC is either trying to kill you, fuck you, convert you to their weird cult, or some chaotic mix of all three. It’s fantasy, but not the comfy kind. More like “congrats, you survived the ambush, here’s a monster girl who wants to drain you dry through your cock” kind. And the game just looks at you like, well, what do you do now, genius. The whole thing runs as a sort of point and click story flow with turn based combat stapled into it, where you’re juggling stats, conditions and relationships while also trying to remember which character you promised anal to. Scenes swing pretty fast from tense combat to filthy sex, and sometimes both bleed into each other in this way that feels kinda wrong and kinda perfect for this setting.

The sex itself is not subtle at all. You get vaginal, oral, anal, futa on male, monster girls who are way too into your suffering, weird swinging situations where your supposed harem members are trading fluids like it’s a Discord server gone wild. There’s this one moment early where you “save” a monster girl and the game quietly checks if you’re the kind of degenerate who offers your ass as a thank you or if you play the noble hero and just, you know, fuck her normally. Later on, I ran into a futa priestess who basically turned a victory scene into a full on worship session around my cock, and the game let me either lean into the goddess of lust vibe or resist it and feel like an absolute idiot. The writing is talky, sometimes too dramatic, then suddenly drops a line that sounds like it was written by a horny shitposter on Reddit. I kinda love that, but also sometimes it reads like the dev wrote it at 3% brain battery while scrolling Twitter on another monitor. The combat is fine, sometimes actually brutal, with status effects that stick around and make the next sex scene hit different because your guy is exhausted, cursed, or literally marked by some chaos thing. There is a sandbox feel, lots of routes, lots of choices that don’t hold your hand, and yeah, you can absolutely screw yourself out of content by choosing badly without the game apologizing. It’s messy, thirsty, dark as hell, but in that way where you keep telling yourself “one more scene” while Discord pings stack up and you ignore them.

Memory comes back to you like a drunk kiss in a dark alley: rough, confusing, kind of hot, kind of scary. You wake up in this ugly-beautiful world that smells of steel, sweat and wet soil, and the first thing you see is her. Big soft tits leaning over you, hair falling like a curtain, lips moving, voice low, asking your name while you’re still staring down her cleavage instead of answering. The game doesn’t rush, it just lets you sit there in that POV angle, eyes level with her neckline, while she talks about war and kingdoms and you’re thinking about everything except politics. It feels dirty in a slow way, like fingers sliding under a shirt when no one is in a hurry. Then suddenly you’re walking through a camp where men scream and banners burn, and the same woman acts like nothing happened, like she didn’t just wake you by practically smothering you with her chest. That little emotional whiplash is half of the charm here. Or half of the problem. Hard to say.

What surprised me is how often your dick has to wait while your brain does some work. You click around in this point and click wandering, poking at tents, broken carts, blood stains, talking to people who all want something. Then the game throws you into turn based combat out of nowhere, and for a moment you almost forget there is sex at all, until after you win and she thanks you with her mouth in a quiet corner, on her knees, your view locked right in POV as her lips stretch around you. There’s this scene where you finish a dungeon, half dead, armor cracked, and the other love interest, colder, sharper, with that perfect body that looks like it was made to be pressed against a stone wall, just grabs you by the collar and drags you into a ruined chapel. She talks about strategies and sides in the war while stroking you lazily with her hand, like it’s nothing, like you’re just another weapon she oils before a battle. I hated how sometimes the teasing goes on too long, how the game lets you wander three screens clicking empty barrels instead of pushing you back into her arms, but then that slow pace makes it hotter when it finally breaks and she drops to all fours, back arched, tits swinging while you pound her from behind as if the whole world outside is burning. Which it kind of is, with all that graphic violence splattered around, heads split, bodies on spikes, and then suddenly you’re in a tent with soft candlelight, her lips shiny with spit and your cum, talking about who you should support in this stupid war like it’s pillow talk.

I liked that the male protagonist is not some mute wall of muscles, he throws small comments, gets confused, sometimes sounds like a horny idiot who pretends he cares more about honor than about getting his dick sucked, and that feels very real. I had this one moment where I chose to help some poor bastard on the roadside, and it turned into a bloody mess, cut throats, dark magic, and afterward one of the girls looked at me like I was her personal hero, slid under my cloak and started slow oral right there behind a broken wagon, while the sky glowed red from burning villages. It aroused me and also annoyed me because the controls in that scene felt fiddly, like the cursor just refused to land where I wanted, and I kept thinking about that instead of focusing on the way her tongue moved. But then she looked up with cum on her lips and laughed, and I forgot my little complaints for a while. The world feels heavy, any step might drag you into another fight, another dungeon, another choice about who lives, who dies, who gets to ride your cock in a dirty cave with echoes of moans mixing with screams from somewhere far away. It all tastes like metal and sex, like sweat on bare skin under armor, like being torn between going home or staying just one more night in this cursed place because you want to see her on top again, tits bouncing in rhythm with the turn based beating of your enemies outside the tent. Dare to play it alone, or invite company?