Monet feels like somebody took a regular city, squeezed out all the warmth, and replaced it with glass, chrome and secrets. IRYS throws you in there like you just woke up from a dream you half remember, wearing a cheap suit and an ID badge that says you belong to Deimos. You start as this regular office guy, doing spreadsheets, watching useless meetings on Zoom while pretending to listen, getting coffee that tastes like it was filtered through somebody’s sadness. On the surface it’s that boring corporate life. Then you start noticing small weird things. People know things about you that you never told them. A coworker remembers a night you “spent together” that you’re pretty damn sure never happened. Your boss praises you for a project you have no memory of, and in the same breath hints that you owe him more than just good performance. That’s when the game starts to crawl under your skin a little.

The horny part doesn’t show up like a hentai pop-up. It slips into the routine. You’re in a late-night office review, just you and this colleague with big soft tits almost falling out of her blouse, blue light from the monitor on her skin, both of you talking about quarterly targets like robots. Then there’s a line of dialogue that feels too intimate. She leans in too close. Her hand stays too long on your shoulder. One click and you push her away and keep pretending to be a good boy. Another click and you grab her wrist, pull her into your lap, and suddenly your boring Excel sheet is sharing space with her moans and the sound of your cock sliding into her on the boss’s fancy ergonomic chair. IRYS is like that a lot. It gives you these “professional” masks and waits for you to peel them off. Sex scenes are very physical, animated just enough that when you’re fucking her against the office window or bending her over a lab table, you feel every thrust. Sometimes you are gentle, slow, like she is something you want to protect from this fucked up city. Other times the corruption hits and you use her, hand on her throat, filling her raw and hard while she begs you not to stop, even when the guilt dialogue kicks in afterward and makes you question if those feelings are yours or some Deimos script injected into your brain.

What really got me was how the romance and the sci-fi mess bleed into each other. There is this one scene where you wake up in your small apartment, naked, next to a coworker you definitely did not take home. Her hair is messy, thighs still glistening, your cum leaking out of her, and she looks at you like you have been lovers for months. You check your phone and there are whole chat logs, selfies, dirty pics, little heart emojis, like a full relationship that someone speedran while you were asleep. It feels like the universe glitched and rewrote your fate. As somebody who actually believes in destiny, that hit weird. You start asking: did I really fall for her before and just forgot, or was this romance manufactured in some secret Deimos experiment so they can pull my strings better? Later, when you take her in the back of the office, pressed against a server rack humming with data, her legs wrapped around your waist while you fuck her deep and she whispers that you were “always meant for each other”, you can’t even tell if that’s sweet or just another line of code. The game loves putting you in those moments. You climax inside her during some illegal lab test, alarms faint in the background, and instead of simple post-nut clarity you get this strange dream flash of another timeline where you never joined Deimos and she never existed. IRYS keeps poking: is your dick leading you, or is the company guiding your dick so it can own your heart and your guilt at the same time. I kinda hate that it works so well. I also kinda love it. I’m confused. It fits the city.

This one starts like some quiet, nerdy space office drama and then suddenly you’re deep in this fucked up future where feelings are illegal, everyone talks like a robot on meds, and you’re the only guy in the room who actually wants to touch someone instead of just optimizing them. You’re this engineer who’s obsessed with clean numbers and perfect systems, and the game really sells that at first. Everything is cold metal, white light, perfect symmetry, your point of view just gliding from panel to panel like you’re inspecting a machine instead of a city. Then you meet her. And yeah, the way they do that first encounter surprised me a bit. It’s not “oh no I tripped and fell on your tits” bullshit. It’s small stuff: a quiet look that lingers half a second too long, a soft laugh that sounds almost illegal in that place. You feel the main guy glitch inside his own head. The text actually slows down there. Suddenly his perfect routine is fucked because now he knows someone else is faking it too.

Sex takes a while to show up and honestly I liked that. When it finally hits, it hits pretty hard. There’s this scene where you’re alone with her in this maintenance corridor, all humming cables and soft blue light, and she leans in way too close to “check a sensor” on your suit. Camera tightens, your POV right at her lips. Her mouth barely moves but you can tell she’s terrified and turned on at same time. When she finally goes down on you, it’s not some porn stunt. It starts slow, almost clumsy, like she’s never been allowed to just take her time sucking a cock. The animation works well there, especially the little throat movements and the way her eyes keep darting to the side like she expects security to burst in. It’s hot because it’s risky, not just because she’s got huge tits and a fat ass pressed against the wall. Later there’s a sex scene in her apartment that really sold me on the whole “forbidden feelings” thing. You’re inside her, riding this slow rhythm, and outside the window you can see that clinically perfect city, all straight lines and dead light, and she’s clinging to you like you’re the only real thing on that whole fucking planet. She wraps her legs around you, big breasts pressed against your chest, and she keeps whispering “don’t stop thinking, don’t stop feeling” like it’s some kind of anti-government spell. Corny as hell, but it works in context. You’ll know what I mean when you see how she looks at you right after you cum in her. There’s so much going on in that one look you kinda forget you’re still buried in her pussy.

It’s technically a kinetic story, so yeah, no choices, no grinding stats, none of that “if you picked the blue dialog box you get anal” nonsense. Weirdly, I didn’t miss it here. You just click through and let it happen, which fits this world where everyone’s path is “assigned” from birth. Sometimes that annoyed me, like in this one scene where you’re clearly screaming inside your head “kiss her, you idiot” and the script just makes him walk away, but at the same time that frustration actually matches who he is. Cold, controlled, scared of his own dick and his own heart. The romance parts are softer than I expected for a porn game. There’s a quiet moment where she’s lying on your chest after sex, naked except for this stupid regulation collar that tracks her vitals, and instead of going for round two you just… talk. About stupid things like favorite sounds, or what it feels like to dream, stuff nobody in that world is supposed to care about. I was low-key more turned on by that than some of the pure porn bits. Not saying everything works. Some lines sound like they were written by a very horny philosopher, and there’s one transition where it cuts from intense blowjob to sterile office briefing so fast it feels like your dick just alt-tabbed. Also the UI has this tiny little notification icon in the corner that pops in the middle of a deep kiss, and now I hate that icon more than the “are you still watching” message on Netflix. But anyway, if you like the mix of clinical sci-fi setting, big soft bodies, and sex that actually feels like rebellion instead of a minigame, this one does that vibe pretty well, even when it stumbles all over its own seriousness. The game kind of wants to be both porn and poetry, and sometimes it fails at both, but when it clicks, it’s that nice dirty-sweet zone where you’re jerking off and suddenly also wondering what it would be like if your feelings were literally illegal. Odd combination, but it stuck in my head.

You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.

Bella starts this summer as the kind of girl everyone pretends not to see. Soft, quiet, hiding inside baggy clothes and headphones, shuffling between campus and home with her eyes on the floor. Big body, small voice. Guys bump into her in the hallway and only say sorry to her books. Professors forget her name. She knows exactly how invisible she is, and it hurts more because she is still a virgin and her head is full of dirty thoughts she never dares to say out loud. Porn tabs minimized, vibrator hidden under thick sweaters, searching for “romantic first time” and then ending up watching girls choking on thick cocks and wondering why that turns her on so much. Then she goes to her grandmother’s little house in the middle of nowhere, expecting boring tea and old photos, and instead gets told that every woman in her family can ask a goddess to rewrite her body. Not her grades, not her personality. Her curves. Her tits. Her ass. Bella goes to sleep fat, shy and untouched, and wakes up with a waist her hands can wrap around, a huge ass that fights every pair of panties she owns, and breasts so heavy and perfect they spill out of the old comfy bra before she can even hook it. Same quiet girl, now trapped inside a body built for sin.

Returning home with that body is where the real corruption starts. The game leans hard into that contrast: she still thinks like the girl who sat in the back row, but every guy around her is suddenly staring at her chest first and her eyes second, if at all. Walking through campus is a whole event now. You actually feel the moment she realizes her tits bounce under her top, and there is this little scene with her trying to hold her notebook against her chest, pretending it is about modesty while the outline of her big boobs presses against the paper. Andrew, the childhood friend, tries very hard to keep his eyes on her face, but his jeans say something else. You get to decide how long he keeps pretending. Do you make her tease him, bending over just a bit too much, letting that big ass push against his lap when they sit on the couch playing some “innocent” co-op game, acting like she has no idea his cock is rock hard under the blanket? Or does she stay clueless longer, only slowly noticing that every time she leans forward his voice cracks and he has to adjust himself, and she goes home and masturbates to the memory of the bulge, fucking herself with her fingers and imagining what his big dick would feel like stretching her tight, untouched pussy until she can’t stay quiet anymore?

The tone swings nicely between fantasy and awkward, which fits her pretty well. One path can keep her sweet and romantic: slow kisses in her bedroom with the door half open, her sitting on top of Andrew, oversized hoodie sliding up to show the curve of her big ass, his hands shaking when he finally cups her massive tits for the first time through her bra, almost worshipping them. Her first blowjob can be shy and messy, drool on his stomach, her gagging a little on the size but pushing deeper because seeing him lose control hits something deep inside her. Another path lets her taste what happens when a girl with an hourglass bombshell body realizes the world is full of horny men who stopped seeing her as “that chubby quiet one” and now just see a walking fantasy. Older neighbor with thick forearms blurting out compliments when she bends over to pick up the mail, professor who suddenly offers “private tutoring” and stares at her cleavage the whole time, random jock who used to bump past her without looking and now can’t stop DMing her late at night asking what her new bra size is. You can play Bella as scared but curious, or as slowly addicted to the power of making big, muscular guys stutter just by crossing her legs and letting them imagine how that tight, newly shaped pussy would squeeze them. There is real romance if you want it, but there is also the dirty thrill of a former nobody riding a cock on a cheap mattress, big breasts bouncing, moaning too loud, thinking “I used to be invisible” right as she feels hot cum fill her for the first time and realizes her whole life can revolve around who gets to fuck this new body next.