Snake Siemen is such a dumb name that it kinda works, which is the whole vibe of this game anyway. You’re basically Talon’s horny intern, except Doomfist actually trusts you with something ridiculous: break D.Va. Not just capture, not just fuck, but twist her from cutesy idol pilot into Talon’s personal cock-hungry asset. The story pretends to be serious sci-fi for like two minutes, then you’re already in a room with D.Va strapped down, squirming, still talking shit and trying to act brave while you decide if you’re going to go soft psychological route or straight-up “you’re mine now” brainwashing. I liked that her voice has that annoyed, bratty pitch, like a streamer forced to shill some crappy mobile game, but under it you can hear a little shake when Snake starts touching her without asking. The moans shift from “ugh, don’t touch me” to “f-fuck, don’t stop” pretty slowly and it’s actually hot as hell watching (and hearing) her get rewired day by day. Sometimes she sounds too clean, though, like the mic is high quality but the emotion is not always there. Still, when she gasps your name during a forced blowjob scene and there’s this wet choked sound as you push deeper, I had to pause the game and just breathe for a second.

What made me stick around is how mean you’re allowed to be without the game flinching. You can keep her in that tight Talon bodysuit just so your hands have more material to grab while you grope her tits and ass, fingers digging in while you whisper trash into her ear, and then flip straight into a mind control trigger where her eyes glaze over and her voice goes flat, like she’s reading a sponsor script. “Talon-sama, please use my throat.” It sounds so silly written out but in context, with that slightly fake idol voice trying to act obedient, it hits hard. The Widowmaker and Sombra stuff sneaks up later, which is funny, because the first time Sombra shows up she basically hijacks your fun and you have this three-way power struggle: you, her, and D.Va’s brain. There’s a scene where Sombra is pressing D.Va’s head down on your cock, talking in that smug voice, while you feel D.Va’s tongue hesitate, then slowly give in. The audio there is great, lots of sloppy sounds, little gagging, that muffled whine when you grab her hair and drive her all the way to the base. I wish Widowmaker had more interesting lines instead of just cool assassin porn talk, but whatever, her cold tone when she calls D.Va “Talon’s little toy” had me rewinding on VLC like three times.

The domination vibe is very clearly from the male side, no confusion here. You’re not some nice guy, you’re basically HR’s worst nightmare with a budget and a private cell. There’s corruption, there’s conditioning, you press her against cold walls, you make her kneel, you reward her with your cum like it’s a promotion. At one point you use a command phrase and she drops mid-sentence, falls to her knees and starts unzipping your pants like it’s the most natural thing in the world, mumbling that she “needs to serve Talon properly” while her lips wrap around you. That line reading is a bit stiff, but the way her breathing speeds up when you grab her head and hold her there is the good stuff. It’s not subtle. It’s not sweet. It feels like some cursed mobile porn game ad that actually followed through on the fantasy it teased, instead of bait and switch. And yeah, it’s totally wrong, and that’s exactly why it sticks in your head long after you close the browser and pretend to check Outlook.

There’s something weird about how this one feels - the way it takes the whole Ben 10 universe and just throws shame out the window. You play as Albedo pretending to be Ben, which already sets the tone: lying, manipulating, and then somehow turning all that twisted energy into desire. The training part doesn’t even feel like “training,” not in the academic sense. It’s more like emotional blackmail mixed with light teasing until Gwen starts giving you that look that says she knows exactly what’s happening but pretends she doesn’t. Then there’s Charmcaster, who might actually be the only one having fun, because her lines feel improvised, almost too human - like she knows this is a parody and wants to out-parody it. The combat moments interrupt everything, yet somehow make it hotter? I don’t even know why. Turn-based fighting shouldn’t feel erotic, but the tension between attacks does something unusual when paired with the dialogue.

What threw me off was Julie - she arrives later than expected, acts innocent, then immediately flips the tone with these ridiculously detailed animations that linger longer than they should. There’s a sleep scene that made me pause for a bit, not out of guilt but because it’s so quiet, like the game itself is holding its breath. You can mess up interactions too, which I did on purpose the second time, just to see if Gwen would still act smug after losing trust points. She didn’t. She broke character completely, started being sweet. It was confusing and kind of perfect. Also, whoever wrote the Rook sequences either hates men in uniform or secretly loves them too much - it’s hard to tell.

I wish the sound effects weren’t so clean; they’re too precise, like digital slaps trying to mimic skin. Still, it’s absurdly addictive, the way every lewd moment doubles as a power fantasy. I kept switching between saving the world and ruining it because both options felt right. Maybe that’s the point, or maybe the devs just forgot to pick a tone. Doesn’t matter. I’ll keep opening it “just to test something.” Always end up back at the same scene anyway.

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