Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

It’s messy in a way that feels uncomfortably real, like watching someone make the worst decisions possible and still finding yourself leaning forward, curious where her next excuse will lead. Yumi moves through the story with this almost painful self-awareness - she knows she’s being watched, both by the player and the game’s world, but she never really stops preening for it. The first time she opens her blouse just slightly too far during that office scene, there’s no sound cue, no dramatic pause - just the soft rustle of fabric and that flicker of doubt on her face. I swear, that moment hit harder than any of the explicit stuff later. The game tries to sell corruption as gradual, but honestly, it’s more about how easily she adjusts to attention. Maybe that’s what makes it so believable.

Then again, sometimes it overplays its hand. There’s this one animation loop during a handjob scene where her eyes cross weirdly, and it pulled me straight out of it; felt more comedic than erotic - like a reaction meme frozen mid-spasm. But that’s part of its charm, right? It’s too earnest to be slick. Even the blackmail thread with Thompson manages to feel less like some grand scheme and more like the world’s creepiest HR problem spiraling out of control. Which, depending on your mood, could be hot or just exhausting. And yet, when Yumi whispers something half-hearted before giving in, it lands. Maybe because the voice acting doesn’t try to sound sultry - it sounds confused, nervous, real.

The lighting deserves attention though. Somebody clearly obsessed over skin tone gradients because every sweat bead looks deliberate. The husband scenes are quieter, tender even, though they carry that slow dread of knowing he’s already losing her. I found myself irrationally annoyed by his tie color - gray, always gray - as if that dull choice symbolized everything wrong with him. Maybe that’s reading too much into it. Or maybe the game wanted that reaction. Anyway, it lingers. You finish a session and keep thinking about those tiny hesitations, how desire can look like guilt when the camera holds just a second too long.

You’re this guy in his late 30s, just moved into a pretty normal apartment building that pretends to be boring but actually everyone’s basically peeking at each other through half-open blinds. Your place is nothing special, cheap furniture, boxes still half unpacked, but the real focus is what’s on the other side of the walls. The woman next door is the first thing that stands out. She’s not some teenage anime doll, she’s a full grown woman, soft curves, tired eyes that still look beautiful, the kind of body that happens after life happens. There’s this sense that she’s lonely, but she’s not acting desperate. You catch her in the hallway in tight yoga pants, a tank top without bra, hair in a messy bun, holding groceries, apologizing because her keys fall from her hand and she bends over like the universe is trying to test your self control right away. The game really pushes that feeling of “I should look away” while you absolutely do not.

The first real hook is when you finally meet her daughter. She’s 18, clearly, which the game reminds you in a way that feels half-legal note and half fantasy fuel. She’s that type of girl who still has that teen attitude, plays with her phone while you talk, but also watches you from the corner of her eye when she thinks you’re not noticing. Short shorts, oversized hoodie, bare legs lazily d*** over the couch when you walk in for the first “friendly visit.” That scene is where the corruption starts really slow. You can act like a gentleman, be polite, look away when she notices you staring at her thighs, or you can push it, make flirty comments, “accidentally” sit closer, enjoy how she blushes and doesn’t really move away. The best part is that the game actually rewards patience. Like, if you don’t act like a total creep, she starts to trust you. She sends you texts at late night, selfies that start innocent, then a bit less innocent, and you’re there reading them with a stupid grin on your face and one hand busy somewhere else.

The voyeur stuff comes in very naturally. Thin walls. Open bathroom window. You walking past their door and hearing low voices that sound like an argument, or moans that are definitely not an argument. There’s this early scene where you hear the mom showering and the game gives you the choice: keep walking like a normal adult or pause and peek through the slightly open bathroom window across the inner yard. If you peek, you catch her with water running down her body, one hand braced against the tiles, the other slowly between her legs, eyes closed, whispering something that sounds like a name that isn’t yours. It feels dirty in the right way, not just “ah boobs again.” And depending how you’ve treated the daughter, your guilt or excitement hits different. You can also end up in these small romantic moments, like movie night on her couch with both of them. Mom in a loose T-shirt without bra, nipples poking through the fabric when she laughs at some dumb scene, daughter curled up with her feet in your lap, wiggling her toes against your crotch to “tease you” while pretending she doesn’t notice she’s doing it. The story tries to play between romance and lust, sometimes almost sweet, sometimes absolutely filthy, like when you realize the girl might actually be trying to use you to get attention away from some other dude while you secretly just want into her mother’s bed too. The game doesn’t hold your hand with perfect choices either. You’ll probably mess up at least one date scene because you picked the wrong dialog and suddenly the mom gets jealous or the daughter pulls back and you’re stuck looking through the peephole at what you could have had. In a weird way that frustration makes the good scenes feel hotter. Nothing is handed to you. You stalk, you play nice neighbor, you seduce, you fuck up, you try again. It’s not pretty, but it feels a bit too real sometimes, in that “I really should not be turned on by this” kind of way.

This spy thriller throws you into Sherine's stilettos as she navigates the murky waters of international espionage with her body as much as her brain. The voice acting hits different when you're watching this CIA operative use every tool in her arsenal to get close to a Russian oil magnate - and I mean every tool. What starts as a straightforward infiltration mission quickly becomes a web of seduction, manipulation, and some genuinely tense moments where you're not sure if she's playing him or getting played herself.

The corruption mechanics feel organic rather than forced, watching Sherine adapt her methods based on what works with each target. Sometimes it's subtle teasing during business meetings, other times it's more direct groping scenarios that escalate naturally from the story beats. The animated sequences actually serve the narrative instead of just being eye candy - though they're definitely that too. You'll find yourself making choices about how far she's willing to go, whether to use her sexuality as a weapon or if she's starting to lose herself in the role. The oligarch isn't just some one-dimensional villain either; there's actual chemistry brewing that complicates everything.

Where this game stumbles is in its pacing - some dialogue scenes drag on forever while crucial decision points feel rushed. The AI-generated elements are noticeable if you know what to look for, but honestly the voice work covers most of those rough edges. What really works is how the spy thriller framework gives weight to the sexual content rather than just throwing it at you randomly. Sherine's mission parameters create genuine tension around each intimate encounter - is she compromising the operation or advancing it? The oil business backdrop adds layers of political intrigue that make the stakes feel real beyond just "will they fuck or won't they." It's refreshing to see corruption handled as character development rather than just a meter filling up.

Teddy’s story here starts like some cheap sci‑fi porn fanfic that someone wrote half drunk, but it kinda works. You’re trapped in this virtual world thing, watching this orphan kid who got adopted by Sofia and Bob, and very fast it stops feeling like “oh poor boy” and turns into “ok this dude is going to fuck his way through every problem”. The game plays out like a visual novel that really, really likes MILFs and slow burn corruption. Not the subtle, artsy kind. More like Sofia leaning over in a low top, pretending she’s just being caring, while her tits are basically their own characters, and Teddy trying not to stare but the dialogue choices are like: “stare more”, “stare a lot more”, “pretend you’re not staring but still stare”. You click, things move, stuff jiggles, and suddenly you’re not caring about the mystery group that captured you at all.

Sex is not instant, which pissed off some guys in the poll I did, but a lot of us kinda enjoyed the teasing. You get that static VN framing, but then scenes flip into these short animated loops that kick in during stripping or blowjob stuff, and it actually gives some weight to the build up. When Sofia unbuttons her blouse the first time, it’s not just a CG swap, she does this slow, half‑guilty undress animation, turning away like she knows it’s wrong but also likes the attention from Teddy. That bit felt pretty hot. Same with the big ass shots when she bends over the couch, pretending to clean. There’s this “I know what I’m doing, but I’ll act innocent” vibe, classic corruption fantasy, and the writing tries to keep that weird line where everyone lies to themselves while you push them deeper into sex. Scenes can cut from kind of wholesome to “ok, now she’s on her knees giving a sloppy blowjob” in like three clicks, which sounds harsh but somehow fits the tone the dev is going for.

I had some small annoyances too. Text pacing jumps around. One scene Sofia is all shy and “oh Teddy, that’s not appropriate”, and then in the next event she’s grinding on him like she’s been a closet nympho for years, no big emotional bridge in between. Also, the virtual world premise with the shady organization in the background is cool on paper, but it sometimes just vanishes while you’re busy watching boobs bounce. Then it suddenly pops back up like “oh yeah, experiment number whatever”, and you’re like, alright, sure, I guess we still care about that. Some choices also pretend to be deep but are just flavor: pick line A or line B, you still end up with Sofia stripping on the bed, tits unleashed, legs spreading, same animation at the end. Still, there was one moment that stuck with me: Teddy sitting on the bed, Sofia next to him, the room quiet, her hand “accidentally” on his thigh. There’s a pause in the text, nothing moves, and you can almost feel that point where she stops being his safe adoptive mom and turns into the woman he’s going to fuck. That little shift, right before the clothes drop, is where the game actually hits its best kink.

Shawn’s story feels like watching that nerdy guy from the phone shop finally snap and decide “ok, I want pussy and romance, not just anime and cable management.” You start as this awkward clerk who spends more time staring at big asses and big tits than actually selling shit, and slowly you figure out how to turn all that hopelessness into actual dates, groping, and a messy harem situation if you want. It’s a point and click thing, mostly, but wrapped like a mobile game where you’re always checking stats, schedules, moods, messages, and thinking “ok, who do I text for a blowjob tonight and who do I take to the park so she doesn’t hate me.” It feels a bit like Tinder combined with doing chores. Sexy chores with footjobs and titfucks at the end if you play it right.

The three main women all poke at you in different ways. Palla is this lazy moocher roommate who walks around the apartment half dressed, constantly teasing, like she knows exactly how hard your dick is when she bends over the couch. First time I got to grope her “by accident,” in the kitchen, I actually had to put the phone down for a second. She complains, pretends to be offended, but you see the romance flags going up and suddenly you’re on the bed with her giving you oral, and you’re like, yeah ok, that escalated fast. Audrey is the one who roasts you non-stop, the kind of girl that calls you a nerd in public, then lets you finger her in the cinema if you picked the right dialogue two days before. I had one scene where I messed up a choice and she just walked away, no sex, nothing, and I had to grind work again like a clown just to afford a stupid gift to fix things. Amy is even worse. Co-worker who treats you like trash, and when you finally flip the script, you can go sweet romance or full scumbag. My first run I tried to be nice, gave her presents, asked her out to cute dating spots. Second run I just went horny goblin and rushed for a bathroom blowjob at the store. Both paths feel wrong and fun in different ways.

The sandbox structure is where shit gets interesting and also a bit annoying. You wander around different locations, click stuff, run into random events, try to keep everyone happy without blowing your cover. One day you’re having tender vaginal sex with one girl on a date after building up affection, the next day you accidentally line up a booty call with another and suddenly your whole “faithful guy” image is dead. I liked how you can be a sweet romantic nerd who sends flirty texts and brings flowers, or a manipulative seducer stacking a harem where everyone is sharing your dick, or at least pretending not to care. Sometimes it feels like you’re juggling too much. Money, clothes, phones, schedules, affection, lust, jealousy. I got lost once just trying to remember who liked which gift on which day, cursed at the screen, then kept going anyway because I wanted to see that one scene where she sits on your face after a long teasing build-up. That’s the thing here. You end up doing little boring actions for the chance of a hot event where you get a footjob on the couch, or she wraps her massive tits around your shaft and you forget all the min-maxing for a minute. It’s messy, horny, sometimes romantic, sometimes just straight up scummy, and it feels exactly like a nerd’s brain trying to manage porn fantasies and actual relationships at the same time.