Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

It’s messy in a way that feels uncomfortably real, like watching someone make the worst decisions possible and still finding yourself leaning forward, curious where her next excuse will lead. Yumi moves through the story with this almost painful self-awareness - she knows she’s being watched, both by the player and the game’s world, but she never really stops preening for it. The first time she opens her blouse just slightly too far during that office scene, there’s no sound cue, no dramatic pause - just the soft rustle of fabric and that flicker of doubt on her face. I swear, that moment hit harder than any of the explicit stuff later. The game tries to sell corruption as gradual, but honestly, it’s more about how easily she adjusts to attention. Maybe that’s what makes it so believable.

Then again, sometimes it overplays its hand. There’s this one animation loop during a handjob scene where her eyes cross weirdly, and it pulled me straight out of it; felt more comedic than erotic - like a reaction meme frozen mid-spasm. But that’s part of its charm, right? It’s too earnest to be slick. Even the blackmail thread with Thompson manages to feel less like some grand scheme and more like the world’s creepiest HR problem spiraling out of control. Which, depending on your mood, could be hot or just exhausting. And yet, when Yumi whispers something half-hearted before giving in, it lands. Maybe because the voice acting doesn’t try to sound sultry - it sounds confused, nervous, real.

The lighting deserves attention though. Somebody clearly obsessed over skin tone gradients because every sweat bead looks deliberate. The husband scenes are quieter, tender even, though they carry that slow dread of knowing he’s already losing her. I found myself irrationally annoyed by his tie color - gray, always gray - as if that dull choice symbolized everything wrong with him. Maybe that’s reading too much into it. Or maybe the game wanted that reaction. Anyway, it lingers. You finish a session and keep thinking about those tiny hesitations, how desire can look like guilt when the camera holds just a second too long.

The game throws you straight into this weirdly cozy hellhouse where your “family” is too hot and too wrong at the same time. You’re the only guy in a place ruled by a demon mom who looks like she should be on some cursed porn magazine cover, and two sisters who are basically walking trouble. Story just moves on its own, no choices, no bullshit menus, you just click and watch things spiral out of control. It feels like reading a horny comic while someone keeps turning the pages for you. The mom comes off soft and gentle at first, but the more you see her, the more you realize she’s in charge of everything. She plays the caring MILF, hugs a bit too long, squeezes in too close on the couch, “accidentally” bends in front of you with those huge tits barely contained, then later she’s totally fine with using your cock like it belongs to her. The game doesn’t shy away from the whole taboo thing, it leans on it hard. She talks like she raised you and now wants to “claim” her reward, and it’s not subtle. Honestly they could have toned down the dialogue a bit, but it also made it kinda hot in a trashy way that feels like some cursed Pornhub script that found a budget.

The sisters are another mess. One is more playful and bratty, constantly teasing you, walking around half dressed, making “jokes” about you watching her change, then testing how far she can push before you snap. There’s a really funny scene where she pretends she doesn’t notice you in the hallway and starts masturbating in front of her open door, clearly wanting you to watch, and the camera just stays on her face way longer than necessary. I was sitting there thinking, why am I staring at her eyelashes during a nut scene, but somehow it worked. The other sister plays the colder type, acts all annoyed and distant, then later you catch her touching herself while whispering your name like she hates herself for it. The game keeps putting you in spots where you’re watching them from angles that feel really dirty, like peeking around the corner, or seeing reflections in mirrors. Sometimes it feels a bit too much, like the story is trying to shock you every five minutes with more corruption, more breeding talk, more “you’re mine now” lines. And at the same time I kept clicking because the animations are surprisingly smooth, nothing crazy flashy, just small details like how their hips move when you pin them down, or how the mom keeps eye contact when she’s riding you and talking about filling her up. There’s a whole scene on the living room couch where everyone kind of crosses that last line, and it’s both hot and weirdly awkward, like someone mixed a family reunion with a satanic orgy and forgot to invite shame. I thought I’d get tired of the linear story, but the way the corruption builds slowly, from teasing to outright obsession, actually pulled me along. Or maybe I’m just weak when big tits and demon horns show up in the same frame. Hard to say.

You’re this guy in his late 30s, just moved into a pretty normal apartment building that pretends to be boring but actually everyone’s basically peeking at each other through half-open blinds. Your place is nothing special, cheap furniture, boxes still half unpacked, but the real focus is what’s on the other side of the walls. The woman next door is the first thing that stands out. She’s not some teenage anime doll, she’s a full grown woman, soft curves, tired eyes that still look beautiful, the kind of body that happens after life happens. There’s this sense that she’s lonely, but she’s not acting desperate. You catch her in the hallway in tight yoga pants, a tank top without bra, hair in a messy bun, holding groceries, apologizing because her keys fall from her hand and she bends over like the universe is trying to test your self control right away. The game really pushes that feeling of “I should look away” while you absolutely do not.

The first real hook is when you finally meet her daughter. She’s 18, clearly, which the game reminds you in a way that feels half-legal note and half fantasy fuel. She’s that type of girl who still has that teen attitude, plays with her phone while you talk, but also watches you from the corner of her eye when she thinks you’re not noticing. Short shorts, oversized hoodie, bare legs lazily d*** over the couch when you walk in for the first “friendly visit.” That scene is where the corruption starts really slow. You can act like a gentleman, be polite, look away when she notices you staring at her thighs, or you can push it, make flirty comments, “accidentally” sit closer, enjoy how she blushes and doesn’t really move away. The best part is that the game actually rewards patience. Like, if you don’t act like a total creep, she starts to trust you. She sends you texts at late night, selfies that start innocent, then a bit less innocent, and you’re there reading them with a stupid grin on your face and one hand busy somewhere else.

The voyeur stuff comes in very naturally. Thin walls. Open bathroom window. You walking past their door and hearing low voices that sound like an argument, or moans that are definitely not an argument. There’s this early scene where you hear the mom showering and the game gives you the choice: keep walking like a normal adult or pause and peek through the slightly open bathroom window across the inner yard. If you peek, you catch her with water running down her body, one hand braced against the tiles, the other slowly between her legs, eyes closed, whispering something that sounds like a name that isn’t yours. It feels dirty in the right way, not just “ah boobs again.” And depending how you’ve treated the daughter, your guilt or excitement hits different. You can also end up in these small romantic moments, like movie night on her couch with both of them. Mom in a loose T-shirt without bra, nipples poking through the fabric when she laughs at some dumb scene, daughter curled up with her feet in your lap, wiggling her toes against your crotch to “tease you” while pretending she doesn’t notice she’s doing it. The story tries to play between romance and lust, sometimes almost sweet, sometimes absolutely filthy, like when you realize the girl might actually be trying to use you to get attention away from some other dude while you secretly just want into her mother’s bed too. The game doesn’t hold your hand with perfect choices either. You’ll probably mess up at least one date scene because you picked the wrong dialog and suddenly the mom gets jealous or the daughter pulls back and you’re stuck looking through the peephole at what you could have had. In a weird way that frustration makes the good scenes feel hotter. Nothing is handed to you. You stalk, you play nice neighbor, you seduce, you fuck up, you try again. It’s not pretty, but it feels a bit too real sometimes, in that “I really should not be turned on by this” kind of way.