Doom finally stops playing the Saturday morning cartoon villain and starts doing the dirty work everybody always joked he was doing off screen. "Behind the Doom" is basically what happens when a control freak supergenius decides world domination is fine, but ruining Susan Storm’s life from the inside out feels a lot better. It’s a slow burn kind of filth. At the start he’s showing off his shiny Latverian utopia, talking like some tech bro on a TED talk, pretending he cares about peace and progress. Underneath that armor he just wants one thing: Susan kneeling between his legs, wedding ring and heroic ideals both slipping off at the same time. You go from stiff political speeches to her staring up at him with drool on her chin and mascara running, and it somehow feels like a natural career path.

What I liked is that the game doesn’t rush to the hardcore. It lets Susan still believe she’s the good guy for a bit. She thinks she’s just “investigating” Doom, helping the world, being responsible. Then he starts playing with her invisibility in the most perverted ways. Ordering her to suck him off while she’s half invisible, so only her lips and tongue are visible wrapping around his cock, the rest of her fading in and out like she’s glitching from shame. There’s this one scene where he makes her hide under a table while a big diplomatic meeting goes on above, and her job is just to keep him hard with her mouth the whole time. The camera keeps jumping from the stone serious political chat to her swollen, stretched lips working on him under the armor. That moment stuck with me more than the flashy stuff, honestly. It’s the casual way he treats her like a background function now, like breathing or blinking.

Then the game remembers there are other heroines to break and just casually drops Scarlet Witch into the mess, like “oh yeah, magic slut, forgot about her.” Wanda starts as this smug powerhouse, acting like she’s above his tech, and two scenes later she’s helping him train Susan, rewriting her own morals while he rewrites her body. When they both end up on their knees, trading his cock between their mouths, Wanda using her powers to hold Susan’s hands behind her back so she can’t even stop herself from pushing deeper, it’s completely degenerate in the best way. Anal stuff hits harder than I expected too; Doom doesn’t go straight for brute-force pain, he makes it a reward, a “promotion” in his twisted little company. The first time he takes Susan’s ass, he does it on a balcony overlooking his perfect city, making her watch the peaceful streets while he grinds her open, whispering how this is what real stability looks like: her bent over, his cock buried in her, invisible or not, everyone beneath them belonging to him. It’s not subtle, it’s not romantic, it’s just cynical, nasty corruption porn with capes, and it works way better than it has any right to.

This one feels like someone grabbed a bunch of messed up fairy tales from an old Tumblr archive, poured too much horny into them, then stitched them together with tape and spite. You jump from one little “chapter” to another, each about a different princess or monster girl, and it never quite behaves the same way twice. Sometimes you’re clicking through choices like a horny gremlin, sometimes you’re stuck on one screen just staring at a princess in chains while deciding if you go full bastard or pretend to be a gentleman for three lines before ruining everything again. It has that cheap 2D CG look that somehow fits perfectly, like fanart that escaped from DeviantArt and learned how to talk dirty.

The Disney parody angle is not subtle at all. One moment you’re in a desert palace with a very not-licensed princess in transparent harem pants, the next you’re watching her milk drip through the fabric because some “blessing” of a magic artifact turned her into a walking cow fantasy. There’s actual choices around that too: keep her as a humiliated slave, drag her to the shop to buy toys and chains, or pretend to “free” her and then chain her to the bed anyway when she tries to run. When the genie shows up, he’s not doing three wishes, he’s doing “how much anal, how much oral, and which hole gets the creampie first.” It sounds crude but the writing has this weird emotional whiplash. You get moments where she spits insults, calls you a monster, you spank her until she does that stupid ahegao face, tongue out, drool, and then three clicks later she’s asking why you didn’t kiss her after you fucked her. Absolutely romantic. Totally normal.

Then there’s the monster girls and the more… questionable stuff. The game does not care about comfort zones. There is ***, humiliation, bestial stuff, that feeling of “oh shit, I should not be aroused by this, and yet here we are.” A lamia coils around your guy, squeezes until he can’t breathe, then uses him like a living dildo. A corrupted princess rides a centaur while you watch and jerk off like some pathetic court wizard who lost control of his own spell. At some point I spent like five minutes just trying to click the right option so I could see the lactation scene loop again, because the way her breasts bounce when the magic spell forces her to squirt on command is genuinely hot in this stupid, low-budget way. And then, in another branch, that same girl is surrounded by a group of guards, getting used one after another, cum dripping out of every hole, and she still has that princess pride in her face like she’s trying not to break while you decide if you go for a handjob ending or shove toys into her until she cracks.

What I like is how inconsistent it all feels, in a good way and also in a “who wrote this at 4 in the morning on Red Bull” way. Some scenes are pure male domination power trip, where you drag a chained girl by the collar, make her lick your boots, force oral until her eyes roll up. Then suddenly you hit a route where a demoness sits on your chest, slaps your face, makes you cum with just her feet and your own hand, and laughs at you for being her little toy. There is one bit I keep thinking about: that stupid little shop screen where you buy a cheap-looking vibrator, take it back to the dungeon, and the scene changes only by this tiny drawn toy in her hand, but the dialogue completely flips her personality. She goes from sobbing *** victim to desperate, horny mess begging you to push it deeper while your character mocks her for loving it. The game pretends to be a light parody, but some of these stories end like a punch in the gut, with the girl broken, collared, used by monsters and men, covered in cum, and you get this short line of text hinting that, in another path, she could have escaped with a girlfriend instead, living a quiet lesbian fantasy far from the palace. You will probably ignore that and reload for the anal gangbang anyway.

Vault 69 feels like somebody took a Fallout parody, spilled a full Pornhub search history on it, and then said “yeah ok, this is the plot now”. You play as the only useful dick in an underground vault that ran out of common sense and condoms at the same time. The Overseer basically pats you on the shoulder and says “go breed, champ”, while the whole place is full of desperate, half-broken, half-horny people that somehow still find time to argue about rations and power supply. It’s not subtle. It’s not trying to be smart. It just throws you into a post-apoc mess where your cock is both resource and weapon. You walk around the vault, talk to girls who are clearly one bad day from snapping, and every choice is like a weird mix of dating sim and HR management, if HR was about who gets to swallow and who only gets it up the ass.

What I liked is that the game doesn’t pretend sex is soft or romantic. It’s rough, dirty, and sometimes a little fucked up in the head. You’ve got big-titted slaves, “volunteers” that are clearly not okay, raiders topside who think “negotiation” means forcing the protagonist to prove his value by breaking in new captives. One scene had me trying a pickup line like “Let’s save humanity together” and the girl actually laughed at me before forcing me to go down on her as “practice” for future breeding candidates. Another time I tried a more aggressive line, something like “Bend over the desk, I’m tired of talking”, and she just locked the door and went full dom on me instead, using my face on the chair and calling it “evaluation”. The game loves flipping your expectations like that. Sometimes your cheesy line works and opens a new hardcore scene, sometimes it gets you punched, sometimes it triggers a weird management event about population stress where you’re suddenly filling forms after filling holes. And yeah, those stupid little stat prompts that pop up on screen, they feel like Excel sheet made horny. I hated it. I also kind of liked it. I don’t know.

Outside the vault it gets nastier and funnier at the same time. You meet wasteland chicks who are way more dangerous than the gun they’re holding, and somehow the dialogue still makes room for cringe pickup attempts. Had a moment where I tried to be smooth with a raider girl, something like “You look like trouble, I like trouble”, and she just put a boot on my chest and told me I’ll “earn the pussy” by bringing her slaves to trade. Next thing I know, I’m back in the vault doing this awkward loop of cold resource management and hot, brutal sex, trying to decide who gets treated like a person and who gets used like equipment. The violence can be a bit much sometimes, honestly, but the world is so broken it weirdly fits. I wish there were more soft scenes where characters just fuck for fun, not duty, but this setting is not really about cozy cuddling anyway. It’s about mouths full, asses sore, power plays everywhere, and you stuck in the middle pretending your shitty pickup lines are actually saving civilization. At least when I alt-tabbed to check Discord after a particularly harsh anal scene, my brain needed a second to remember that in real life, people don’t usually ask “What’s your breeding quota today?” so I guess the immersion works a little too well.

Ellie from that zombie game and Lara from those old temple raider days stuck together in one filthy, horny mess is already kind of illegal, but the way this thing uses their feet is what actually surprised me. It starts almost innocent, like some weird fanfic fantasy where a regular dude ends up with both of them under his control, and you think “ok ok, just another basic porn parody”. Then you realize the whole focus is on socks and how much abuse you can squeeze out of a single sweaty foot. The game treats socks like gear, like actual tools for humiliation, not just decoration. You’re pulling Ellie’s dirty socks off slow while she glares at you, toes curling, and Lara is in the background with those tight sport socks still on, being forced to stroke you off with them while acting all proud and pissed at the same time. It’s fucked up and kind of funny.

What I liked is how often it lets you push them from “annoyed” into “broken-in toy” during actual sex, not just in some text box. One scene that stuck with me: you’ve already used Ellie’s feet, made her rub you until she’s breathing hard and confused, and instead of jumping straight to normal penetration, you pin her down in missionary, keep her ankles pressed against your shoulders, and the camera keeps cutting back to her soles. Not her face, not your dick, just those feet twitching while you slam into her. Meanwhile Lara is ordered to kneel at the side, licking your balls like some obedient slave, still wearing one sock, and that stupid detail somehow makes it nastier. Then later you flip Lara into doggystyle, really rough, hair pulled, face pushed down, and she’s forced to rub you with her feet between thrusts, basically getting used like a multi tool. It’s actually a bit much when you chain everything together: harassment, domination, rough fucking, feet in your face, them gagging on you, and you keep going anyway because the game kind of encourages you to be a selfish bastard. At some point I realized the male protagonist doesn’t even feel like a “character”, he’s more like a cock with dialogue, but in this type of hardcore crossover it weirdly fits. The AI-generated CG sometimes looks slightly off, like Ellie’s toes bending wrong or Lara’s expression clipping into weird “half angry half bored” mode, yet those little imperfections give the scenes this trashy bootleg energy that matches the whole vibe. You’re not here for romance, or plot, or to be a good person. You’re here to grab two famous girls by the throat, use their mouths, their pussies, their asses, and especially their socks and feet, and then pretend later it was “just parody” when you close the tab.