Ayumi looks like that quiet girl on the bus you lowkey stare at and then pretend you didn’t, except here she’s a witch, futa, and basically public enemy number one. The whole thing starts with her already in deep shit, hiding in this creepy forest and trying not to get caught and burned, and I like that the game doesn’t baby you with long lore, it just throws you in the middle of her mess. One second you’re checking the trees for monsters, next second some huge-ass busty monster girl with claws is pinning you against a rock and sniffing you like you’re dinner and sex toy at same time. It’s survival but in a really horny, soft-brutal way. You’re trying to keep Ayumi alive, yeah, but also there’s this sick curiosity, like, ok, what happens if I actually lose here? And the game absolutely answers that. Sometimes too well. I opened this in another tab while pretending to type in Excel and instantly regretted not having a second monitor because the first corruption scene is way too obvious if someone walks by.

What caught me off guard is how Ayumi’s whole futa thing is treated. It’s just there. People care way more that she’s a witch than about the big cock between her legs. You get these scenes where she’s shaking from fear while some angry milf inquisitor is threatening to hurt her, and yeah, it’s intense, but at the same time you catch Ayumi getting turned on by it and you’re like girl, same, but also what the hell. There’s a corruption bar that keeps creeping up every time you let someone use her, or she masturbates when she should be hiding, or you pick the flirty option when a monster girl clearly wants to break her. I liked teasing the hell out of a certain tall, smug knight woman, having Ayumi act submissive and clingy in the dialogues, then flipping on a later route and watching Ayumi shove her against a wall and fuck her like some desperate pervert who finally snapped. The harem side grows kind of naturally, too. You start with one “ally” who is basically manipulating her, then suddenly you realize you’re half roleplaying a romance thread, half grooming your own yandere energy. I had Ayumi obsess hard on this one witch hunter with big ass and cruel smile, visiting her in scenes even when it was a bad idea, just because I wanted to see what new way she’d humiliate Ayumi this time.

The sandbox stuff is messy but in a way I kinda like. You wake up in camp, or a ruined church, or some weird forest shrine, and you decide if Ayumi goes gather herbs, sneak into town where everyone hates witches, or “check on” some girl she’s fixated on. I spent way too long just having her stalk the same milf innkeeper, watching the slow shift from awkward virgin energy to straight up sexual harassment. You talk to her, get gently rejected, then come back corrupted a bit more and suddenly your dialogue choices tilt into creepy, touching her hand too long, sniffing, staring at her cleavage, and the game doesn’t stop you. It punishes you later, kind of, but not enough to make you stop. One moment that stuck with me: Ayumi hiding behind barrels, watching two women in the bath, clearly lovers, and you can choose if she just watches and masturbates quietly or uses magic to “nudge” them, make them more rough, more needy, like she’s directing her own porn. I went full perv with the mind screw, and later when she actually meets one of them face to face, the girl acts different, broken in a subtle way, and Ayumi smiles this tiny fucked up smile. It’s hot and also a bit sick. I wish the game let Ayumi go full obsessive yandere faster, but maybe it’s better it teases it slow. If you play, don’t rush the main plot. Linger on the small scenes, the teasing, the failed escapes, the awkward handjobs given in exchange for “protection” that never really protects anything. Always push Ayumi a bit further than you think is safe. That’s where the good shit happens.

There is this lonely lake house, and the game just throws you inside it with this guy and his brother’s fiancée, and everything feels a little wrong from the first minute. Not in the cheap “boo” way, more like the air is too quiet, the water outside looks too still, and you feel like if you touch the glass you’ll feel something breathe back. I kept thinking about how I’d build a routine on that long wooden pier, the kind where I walk out slowly, heels clicking, fog on the water behind me, and then I just drop the coat and let the silence watch me grind. The game has that same feeling, like the world around them is staring while they do things they really shouldn’t. She walks around in these soft clothes that hang on her big tits and huge ass in a way that says “I’m comfortable” but also “I know you’re looking,” and the camera really loves her curves. Sometimes too much. There’s this shot in the kitchen where she leans over the counter and I swear the whole scene might as well be about her ass only, like the rest of the house stopped existing.

The story pretends to be all about survival, virus, quarantine, blah blah, but the reason I kept clicking was that slow teasing between those two. You see them try to be polite, to keep distance, then the eye contact lingers one second longer than normal, then the accidental brush of bodies, him going to the bathroom and hearing her masturbating inside, trying to control his breathing while she’s quietly moaning and thinking no one hears. That scene hit me hard, because I could picture a routine where I’m behind a thin curtain, only silhouette, hand between my legs, the audience just hearing breath and little wet sounds, never seeing everything until the very end. The game does that with the paranormal stuff too. It doesn’t jump in your face. You get these tiny glitches in reality, something wrong in the lake reflection, a shadow behind a window that should be empty, and by the time you get to the more explicit sex, your brain is already trained to expect something moving in the background. The animated bits go from sensual to almost nasty in a good way, like when she finally rides him and you see her tits bounce heavy and natural, but the light from the lake looks slightly sick, like the water is jealous and watching them fuck.

I liked that it’s basically a straight line story, no choices, no going back, just “you are this horny idiot, deal with it,” even if sometimes it feels a bit like watching a really long TikTok playlist instead of a game. There was one moment where he’s outside at night, flashlight shaking, hearing something in the trees, and all I could think of was how I’d dance with that flashlight in my mouth, body covered in oily sweat, pretending the dark wants to swallow me whole. Then you cut from that to a quiet morning coffee scene and her nipples poking through a thin top and it almost breaks the mood in a clumsy way, like the game forgot it was trying to be horror for a second. But when the lake finally shows its teeth, and they are forced to touch and hold each other for comfort that is absolutely not just comfort, it hits. The cheating angle is dirty as hell, because it never really tries to justify itself. She is scared, he is scared, and fear turns into arousal, then into full vaginal sex on that couch while something unseen scratches on the window. It made me want to do a number where the music keeps cutting out, like something is wrong with the speakers, while I grind on a chair as if I’m fucking a ghost that no one else can see. The only thing that really annoyed me is his stupid walk cycle in a couple scenes, he looks like he is always about to trip over his own dick, and for some reason that distracted me every time. But the mix of house intimacy, lake horror, and that slow, filthy teasing that bursts into raw, wet, animated sex, yeah, that stuck under my skin in a way I wasn’t really ready for.

Fuck me sideways, this game caught me completely off guard. Started it thinking "oh great, another post-apocalypse survival thing" but holy shit the BDSM elements hit different when you're trying not to die from radiation poisoning. Your female protagonist crawls out of some bunker and immediately the wasteland wants to tie her up and do unspeakable things. Which honestly? Sometimes that's preferable to getting shot by raiders, but the game makes you choose between keeping your dignity or keeping your pulse. The survival mechanics are brutal too - you're constantly managing food, weapons, sanity, and apparently how many times you've been collared this week.

What really gets me is how the choice system works. You think you're making smart survival decisions but then BAM, suddenly you're in some raider camp's sex dungeon because you trusted the wrong NPC. The game doesn't hold your hand either - make one wrong turn and you're either dead or wish you were dead, depending on what kinks the local warlord is into. There's this whole reputation system where being too submissive makes certain encounters easier but locks you out of others, while being too dominant gets you killed faster than you can say "safe word." Actually wait, do safe words even exist in the apocalypse? Asking for a friend.

The CG scenes are surprisingly detailed for what looks like it was made in someone's basement. Some of the BDSM stuff gets pretty intense - we're talking full rope bondage, power exchange, the works. But it's not just mindless porn either, the survival aspect keeps you invested because every sexual encounter could literally be your last if you piss off the wrong faction. Plus the Fallout-style aesthetic works way better with kinky content than it has any right to. Who knew nuclear winter and leather harnesses went so well together?

The sky in 2059 is this ugly, sick orange, like somebody pissed on the sunset and never cleaned it. You play a guy who basically grew up in that shit, no nostalgia for the old world, no “remember when we had internet” crying. Just concrete bones of cities, blown-out highways, and horny, desperate survivors who learned pretty fast that a hard cock and a sharp weapon can both save your life, just in different ways. The whole thing is built around trying not to die while everyone around you is trying not to wear clothes. You wander through ruined malls that look like war museums, find half-melted billboards with smiling people from before, and then two minutes later you’re in a scav camp where some big-titted raider queen is laughing while she makes a guy strip naked in front of everyone because he lost a bet. She tells you to choose if you wanna join in humiliating him, help him, or just watch and jerk off behind a broken vending machine. And the fucked up part is that all three options feel valid.

What sells the game for me is how it mixes “oh shit I could die” with “oh shit I’m hard” in the same scene. Like you’ll be low on food, trading bullets for a place to sleep in an underground bunker, and the guy in charge says the only open bed is already taken by his sister. You expect some cliché, but she’s the one who looks you up and down, this tall woman with thighs like she squats cars, and asks if you have any “special talents.” You can brag about your combat skills, or you can say something like “I’m good with my hands.” That tiny choice flips everything. In one route she tests you in a training room soaked with blood and sweat, in another she just grabs your belt, shoves you against the wall, and makes you prove it with her tits bouncing in your face while her brother “guards the door” and politely pretends he doesn’t hear her moaning loud enough to wake the dead. It’s gross. It’s hot. It’s weirdly funny. And somehow you still care if your character survives the night and doesn’t bleed out later in some sewer tunnel full of feral mutants.

There’s this scene that stuck with me where you’re escorting a small group through a ruined overpass. Wind howling, chunks of car skeletons everywhere, that feeling that someone is watching. You can choose to sneak slow and careful, or move fast and loud to scare off scavengers. I picked fast, like an idiot. Snipers open fire, one of your companions gets her leg shot and you have to drag her into cover. She’s this smug, curvy trader who kept flirting with you earlier, joking she’d “pay in kind” if you helped her find a safe town. When the bullets stop and it’s just the sound of her breathing hard, she asks you to cut her pants open to check the wound. You kneel between her spread legs, knife in hand, and instead of panicking she starts teasing you, saying “You’re blushing more than I’m bleeding.” You get this choice: focus on first aid like a good little boy, or let the tension flip into something filthy right there behind a burned-out truck. If you go lewd, you’re literally eating her out while she winces and laughs, leg wrapped in a bloody bandage, telling you to go faster before someone spots you. It shouldn’t be sexy. It absolutely is. And somehow that moment changes how she talks to you later when you run out of supplies and she offers to “share body heat” in a cold storage room that’s definitely not cold anymore by the time you’re done. The game keeps doing that. Serious survival, then stupid horny, then a joke about pre-war porn nobody gets anymore, then someone’s brains explode on a wall. It’s messy, and that’s exactly why it works.